Writing at Russia's border:
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto ; Buffalo ; London
University of Toronto Press
[2008]
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Schlagworte: | |
Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
Beschreibung: | 1 Online-Ressource |
ISBN: | 9781442689664 |
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505 | 8 | |a It is often assumed that cultural identity is determined in a country?s metropolitan centres. Given Russia?s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia?s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance.Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia?s border regions profoundly influenced the nation?s literature, posing challenges to stereotypical or territorially based conceptions of Russia?s imperial, military, and cultural identity. A highly canonical text such as Pushkin?s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy?s The Cossacks (1863), which is explicitly set on Russia?s border and has become central to the Russian canon. Hokanson cites the influence of these and other ?peripheral? texts as proof that Russia?s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities.Writing at Russia?s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature | |
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Datensatz im Suchindex
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author | Hokanson, Katya |
author_GND | (DE-588)1281979643 |
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contents | It is often assumed that cultural identity is determined in a country?s metropolitan centres. Given Russia?s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia?s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance.Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia?s border regions profoundly influenced the nation?s literature, posing challenges to stereotypical or territorially based conceptions of Russia?s imperial, military, and cultural identity. A highly canonical text such as Pushkin?s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy?s The Cossacks (1863), which is explicitly set on Russia?s border and has become central to the Russian canon. Hokanson cites the influence of these and other ?peripheral? texts as proof that Russia?s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities.Writing at Russia?s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature |
ctrlnum | (ZDB-23-DGG)9781442689664 (OCoLC)635461386 (DE-599)BVBBV043493471 |
dewey-full | 891.709/003 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 891 - East Indo-European and Celtic literatures |
dewey-raw | 891.709/003 |
dewey-search | 891.709/003 |
dewey-sort | 3891.709 13 |
dewey-tens | 890 - Literatures of other languages |
discipline | Slavistik |
era | Geschichte 1800-1900 Geschichte 1800-1900 gnd |
era_facet | Geschichte 1800-1900 |
format | Electronic eBook |
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spelling | Hokanson, Katya Verfasser (DE-588)1281979643 aut Writing at Russia's border Katya Hokanson Writing at Russia's borders Toronto ; Buffalo ; London University of Toronto Press [2008] © 2008 1 Online-Ressource txt rdacontent c rdamedia cr rdacarrier It is often assumed that cultural identity is determined in a country?s metropolitan centres. Given Russia?s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia?s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance.Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia?s border regions profoundly influenced the nation?s literature, posing challenges to stereotypical or territorially based conceptions of Russia?s imperial, military, and cultural identity. A highly canonical text such as Pushkin?s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy?s The Cossacks (1863), which is explicitly set on Russia?s border and has become central to the Russian canon. Hokanson cites the influence of these and other ?peripheral? texts as proof that Russia?s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities.Writing at Russia?s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf National characteristics, Russian, in literature Russian literature 19th century History and criticism Russisch (DE-588)4051038-4 gnd rswk-swf Peripherie (DE-588)4232983-8 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Russisch (DE-588)4051038-4 s Literatur (DE-588)4035964-5 s Peripherie (DE-588)4232983-8 s Geschichte 1800-1900 z 1\p DE-604 Erscheint auch als Druck-Ausgabe 978-0-8020-9306-6 http://www.degruyter.com/doi/book/10.3138/9781442689664 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Hokanson, Katya Writing at Russia's border It is often assumed that cultural identity is determined in a country?s metropolitan centres. Given Russia?s long tenure as a geographically and socially diverse empire, however, there is a certain distillation of peripheral experiences and ideas that contributes just as much to theories of national culture as do urban-centred perspectives. Writing at Russia?s Border argues that Russian literature needs to be reexamined in light of the fact that many of its most important nineteenth-century texts are peripheral, not in significance but in provenance.Katya Hokanson makes the case that the fluid and ever-changing cultural and linguistic boundaries of Russia?s border regions profoundly influenced the nation?s literature, posing challenges to stereotypical or territorially based conceptions of Russia?s imperial, military, and cultural identity. A highly canonical text such as Pushkin?s Eugene Onegin (1831), which is set in European Russia, is no less dependent on the perspectives of those living at the edges of the Russian Empire than is Tolstoy?s The Cossacks (1863), which is explicitly set on Russia?s border and has become central to the Russian canon. Hokanson cites the influence of these and other ?peripheral? texts as proof that Russia?s national identity was dependent upon the experiences of people living in the border areas of an expanding empire. Produced at a cultural moment of contrast and exchange, the literature of the periphery represented a negotiation of different views of Russian identity, an ingredient that was ultimately essential even to literature produced in the major cities.Writing at Russia?s Border upends popular ideas of national cultural production and is a fascinating study of the social implications of nineteenth-century Russian literature National characteristics, Russian, in literature Russian literature 19th century History and criticism Russisch (DE-588)4051038-4 gnd Peripherie (DE-588)4232983-8 gnd Literatur (DE-588)4035964-5 gnd |
subject_GND | (DE-588)4051038-4 (DE-588)4232983-8 (DE-588)4035964-5 |
title | Writing at Russia's border |
title_alt | Writing at Russia's borders |
title_auth | Writing at Russia's border |
title_exact_search | Writing at Russia's border |
title_full | Writing at Russia's border Katya Hokanson |
title_fullStr | Writing at Russia's border Katya Hokanson |
title_full_unstemmed | Writing at Russia's border Katya Hokanson |
title_short | Writing at Russia's border |
title_sort | writing at russia s border |
topic | National characteristics, Russian, in literature Russian literature 19th century History and criticism Russisch (DE-588)4051038-4 gnd Peripherie (DE-588)4232983-8 gnd Literatur (DE-588)4035964-5 gnd |
topic_facet | National characteristics, Russian, in literature Russian literature 19th century History and criticism Russisch Peripherie Literatur |
url | http://www.degruyter.com/doi/book/10.3138/9781442689664 |
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