Miracles and Sacrilege: Robert Rossellini, the Church, and Film Censorship in Hollywood
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442688636 |
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| 505 | 8 | |a Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Johnson, William Bruce |
| author_facet | Johnson, William Bruce |
| author_role | aut |
| author_sort | Johnson, William Bruce |
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| building | Verbundindex |
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| contents | Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts |
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| dewey-ones | 342 - Constitutional and administrative law |
| dewey-raw | 342.7308/53 |
| dewey-search | 342.7308/53 |
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| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| era | Geschichte 1900-2000 Geschichte 1930-1953 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1930-1953 |
| format | Electronic eBook |
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| spelling | Johnson, William Bruce Verfasser aut Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood William Bruce Johnson Toronto University of Toronto Press [2016] © 2008 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts Katholische Kirche L' amore Film, 1948 (DE-588)7612702-3 gnd rswk-swf Geschichte 1900-2000 Geschichte 1930-1953 gnd rswk-swf Film Geschichte Religion Freedom of speech United States History 20th century Motion pictures Censorship United States History Motion pictures Religious aspects Catholic Church Filmzensur (DE-588)4154386-5 gnd rswk-swf Religion (DE-588)4049396-9 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Filmzensur (DE-588)4154386-5 s Religion (DE-588)4049396-9 s Geschichte 1930-1953 z 1\p DE-604 L' amore Film, 1948 (DE-588)7612702-3 u 2\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442688636 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Johnson, William Bruce Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere 'business' unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as 'sacreligious.'Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court's decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts Katholische Kirche L' amore Film, 1948 (DE-588)7612702-3 gnd Film Geschichte Religion Freedom of speech United States History 20th century Motion pictures Censorship United States History Motion pictures Religious aspects Catholic Church Filmzensur (DE-588)4154386-5 gnd Religion (DE-588)4049396-9 gnd |
| subject_GND | (DE-588)7612702-3 (DE-588)4154386-5 (DE-588)4049396-9 (DE-588)4078704-7 |
| title | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood |
| title_auth | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood |
| title_exact_search | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood |
| title_full | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood William Bruce Johnson |
| title_fullStr | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood William Bruce Johnson |
| title_full_unstemmed | Miracles and Sacrilege Robert Rossellini, the Church, and Film Censorship in Hollywood William Bruce Johnson |
| title_short | Miracles and Sacrilege |
| title_sort | miracles and sacrilege robert rossellini the church and film censorship in hollywood |
| title_sub | Robert Rossellini, the Church, and Film Censorship in Hollywood |
| topic | Katholische Kirche L' amore Film, 1948 (DE-588)7612702-3 gnd Film Geschichte Religion Freedom of speech United States History 20th century Motion pictures Censorship United States History Motion pictures Religious aspects Catholic Church Filmzensur (DE-588)4154386-5 gnd Religion (DE-588)4049396-9 gnd |
| topic_facet | Katholische Kirche L' amore Film, 1948 Film Geschichte Religion Freedom of speech United States History 20th century Motion pictures Censorship United States History Motion pictures Religious aspects Catholic Church Filmzensur USA |
| url | http://www.degruyter.com/doi/book/10.3138/9781442688636 |
| work_keys_str_mv | AT johnsonwilliambruce miraclesandsacrilegerobertrossellinithechurchandfilmcensorshipinhollywood |