Stages of Property:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Studies in Book and Print Culture
|
| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442685000 |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Surwillo, Lisa |
| author_facet | Surwillo, Lisa |
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| contents | The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s |
| ctrlnum | (ZDB-23-DGG)9781442685000 (OCoLC)647742773 (DE-599)BVBBV043493308 |
| dewey-full | 346.4604/8209034 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 346 - Private law |
| dewey-raw | 346.4604/8209034 |
| dewey-search | 346.4604/8209034 |
| dewey-sort | 3346.4604 78209034 |
| dewey-tens | 340 - Law |
| discipline | Rechtswissenschaft |
| era | Geschichte 1800-1900 Geschichte 1830-1880 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1830-1880 |
| format | Electronic eBook |
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| spelling | Surwillo, Lisa Verfasser aut Stages of Property Lisa Surwillo Toronto University of Toronto Press [2016] © 2007 1 online resource txt rdacontent c rdamedia cr rdacarrier Studies in Book and Print Culture Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s Geschichte 1800-1900 Geschichte 1830-1880 gnd rswk-swf Geschichte Recht Copyright Drama Spain History 19th century Intellectual property Spain History 19th century Theater Law and legislation Spain History 19th century Drama (DE-588)4012899-4 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Spanisch (DE-588)4077640-2 gnd rswk-swf Spanien Spanisch (DE-588)4077640-2 s Drama (DE-588)4012899-4 s Urheberrecht (DE-588)4062127-3 s Geschichte 1830-1880 z 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442685000 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Surwillo, Lisa Stages of Property The manner in which a play is published often says as much about the culture that it comes from as the play itself. Using the example of nineteenth-century Spanish theatre, The Stages of Property argues that there is a great deal one can learn about a nation by examining its publication standards. Lisa Surwillo discusses the ways in which notions of intellectual property transformed Spain?s theatre ? its agents, performance practices, and reception ? over a period of fifty years, from 1830 to 1880. For three centuries, theatre had been the cultural arm of the monarchy. After the institution of copyright, however, it became the backbone of a new cultural industry controlled by a handful of publishers. In this atmosphere of private ownership, ideas of intellectual property and author?s rights assumed a much greater immediacy than they had previously. The impact on theatrical practices was significant, resulting in the development of a homogenized national culture of shared theatre and reading experiences.Through an integrative historicist approach to a wide range of literary texts and archival documents, The Stages of Property makes an important statement about the cultural, societal, and political roles of the theatre in Spain during the 1800s Geschichte Recht Copyright Drama Spain History 19th century Intellectual property Spain History 19th century Theater Law and legislation Spain History 19th century Drama (DE-588)4012899-4 gnd Urheberrecht (DE-588)4062127-3 gnd Spanisch (DE-588)4077640-2 gnd |
| subject_GND | (DE-588)4012899-4 (DE-588)4062127-3 (DE-588)4077640-2 |
| title | Stages of Property |
| title_auth | Stages of Property |
| title_exact_search | Stages of Property |
| title_full | Stages of Property Lisa Surwillo |
| title_fullStr | Stages of Property Lisa Surwillo |
| title_full_unstemmed | Stages of Property Lisa Surwillo |
| title_short | Stages of Property |
| title_sort | stages of property |
| topic | Geschichte Recht Copyright Drama Spain History 19th century Intellectual property Spain History 19th century Theater Law and legislation Spain History 19th century Drama (DE-588)4012899-4 gnd Urheberrecht (DE-588)4062127-3 gnd Spanisch (DE-588)4077640-2 gnd |
| topic_facet | Geschichte Recht Copyright Drama Spain History 19th century Intellectual property Spain History 19th century Theater Law and legislation Spain History 19th century Drama Urheberrecht Spanisch Spanien |
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