Zarathustra's Sisters: Women's Autobiography and the Shaping of Cultural History
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
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Schlagworte: | |
Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
Beschreibung: | 1 online resource |
ISBN: | 9781442683785 |
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505 | 8 | |a Although the names Mandel'shtam and Nijinsky more commonly evoke the Russian poet and the ballet dancer, their wives, Nadezhda and Romola are also beginning to attract attention. Similarly, the lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja Lacis, and Maitreyi Devi all have been represented as having been dominated by their association with some of the most important men of Western letters, but they too are coming into their own. These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them. Susan Ingram analyzes the literary, cultural, and ethical effects of these writers whose lives were intertwined with the cultural vibrations of their time, and who heralded the postmodern in having to negotiate their subject positions in the form of a relational autonomy, an ethical sense of alterity, and a strong desire to make an intervention in the cultures of their times. Interdisciplinary in approach, this study brings together scholarship on auto/biography, post/modernity, ethics, identity, and relationality, and makes available material from a variety of languages, some of which appears in English for the first time. In relating the life-stories of six remarkable women to the increasingly popular genre of academic personal criticism, Ingram concludes that the ambiguous, problematic way these women represent their autonomy encourages us to read such academic criticism with attention to the way it represents and often blurs personal and collective identity | |
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Datensatz im Suchindex
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any_adam_object | |
author | Ingram, Susan |
author_facet | Ingram, Susan |
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author_sort | Ingram, Susan |
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contents | Although the names Mandel'shtam and Nijinsky more commonly evoke the Russian poet and the ballet dancer, their wives, Nadezhda and Romola are also beginning to attract attention. Similarly, the lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja Lacis, and Maitreyi Devi all have been represented as having been dominated by their association with some of the most important men of Western letters, but they too are coming into their own. These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them. Susan Ingram analyzes the literary, cultural, and ethical effects of these writers whose lives were intertwined with the cultural vibrations of their time, and who heralded the postmodern in having to negotiate their subject positions in the form of a relational autonomy, an ethical sense of alterity, and a strong desire to make an intervention in the cultures of their times. Interdisciplinary in approach, this study brings together scholarship on auto/biography, post/modernity, ethics, identity, and relationality, and makes available material from a variety of languages, some of which appears in English for the first time. In relating the life-stories of six remarkable women to the increasingly popular genre of academic personal criticism, Ingram concludes that the ambiguous, problematic way these women represent their autonomy encourages us to read such academic criticism with attention to the way it represents and often blurs personal and collective identity |
ctrlnum | (ZDB-23-DGG)9781442683785 (OCoLC)666912848 (DE-599)BVBBV043493227 |
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dewey-search | 809/.93592072/0904 |
dewey-sort | 3809 893592072 3904 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
era | Geschichte 1930-1980 gnd |
era_facet | Geschichte 1930-1980 |
format | Electronic eBook |
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spelling | Ingram, Susan Verfasser aut Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History Susan Ingram Toronto University of Toronto Press [2016] © 2003 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Although the names Mandel'shtam and Nijinsky more commonly evoke the Russian poet and the ballet dancer, their wives, Nadezhda and Romola are also beginning to attract attention. Similarly, the lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja Lacis, and Maitreyi Devi all have been represented as having been dominated by their association with some of the most important men of Western letters, but they too are coming into their own. These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them. Susan Ingram analyzes the literary, cultural, and ethical effects of these writers whose lives were intertwined with the cultural vibrations of their time, and who heralded the postmodern in having to negotiate their subject positions in the form of a relational autonomy, an ethical sense of alterity, and a strong desire to make an intervention in the cultures of their times. Interdisciplinary in approach, this study brings together scholarship on auto/biography, post/modernity, ethics, identity, and relationality, and makes available material from a variety of languages, some of which appears in English for the first time. In relating the life-stories of six remarkable women to the increasingly popular genre of academic personal criticism, Ingram concludes that the ambiguous, problematic way these women represent their autonomy encourages us to read such academic criticism with attention to the way it represents and often blurs personal and collective identity Geschichte 1930-1980 gnd rswk-swf Autobiography Women authors Man-woman relationships Prose literature Women authors History and criticism Women authors Biography History and criticism Frau (DE-588)4018202-2 gnd rswk-swf Autobiografie (DE-588)4003939-0 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Frau (DE-588)4018202-2 s Autobiografie (DE-588)4003939-0 s Geschichte 1930-1980 z 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442683785 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Ingram, Susan Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History Although the names Mandel'shtam and Nijinsky more commonly evoke the Russian poet and the ballet dancer, their wives, Nadezhda and Romola are also beginning to attract attention. Similarly, the lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja Lacis, and Maitreyi Devi all have been represented as having been dominated by their association with some of the most important men of Western letters, but they too are coming into their own. These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them. Susan Ingram analyzes the literary, cultural, and ethical effects of these writers whose lives were intertwined with the cultural vibrations of their time, and who heralded the postmodern in having to negotiate their subject positions in the form of a relational autonomy, an ethical sense of alterity, and a strong desire to make an intervention in the cultures of their times. Interdisciplinary in approach, this study brings together scholarship on auto/biography, post/modernity, ethics, identity, and relationality, and makes available material from a variety of languages, some of which appears in English for the first time. In relating the life-stories of six remarkable women to the increasingly popular genre of academic personal criticism, Ingram concludes that the ambiguous, problematic way these women represent their autonomy encourages us to read such academic criticism with attention to the way it represents and often blurs personal and collective identity Autobiography Women authors Man-woman relationships Prose literature Women authors History and criticism Women authors Biography History and criticism Frau (DE-588)4018202-2 gnd Autobiografie (DE-588)4003939-0 gnd |
subject_GND | (DE-588)4018202-2 (DE-588)4003939-0 (DE-588)4006804-3 |
title | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History |
title_auth | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History |
title_exact_search | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History |
title_full | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History Susan Ingram |
title_fullStr | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History Susan Ingram |
title_full_unstemmed | Zarathustra's Sisters Women's Autobiography and the Shaping of Cultural History Susan Ingram |
title_short | Zarathustra's Sisters |
title_sort | zarathustra s sisters women s autobiography and the shaping of cultural history |
title_sub | Women's Autobiography and the Shaping of Cultural History |
topic | Autobiography Women authors Man-woman relationships Prose literature Women authors History and criticism Women authors Biography History and criticism Frau (DE-588)4018202-2 gnd Autobiografie (DE-588)4003939-0 gnd |
topic_facet | Autobiography Women authors Man-woman relationships Prose literature Women authors History and criticism Women authors Biography History and criticism Frau Autobiografie Biografie |
url | http://www.degruyter.com/doi/book/10.3138/9781442683785 |
work_keys_str_mv | AT ingramsusan zarathustrassisterswomensautobiographyandtheshapingofculturalhistory |