Private Interests: Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442678767 |
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| 505 | 8 | |a This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators | |
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| 650 | 4 | |a Visual perception in literature | |
| 650 | 4 | |a Women and literature |z England |x History |y 18th century | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Conway, Alison |
| author_facet | Conway, Alison |
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| contents | This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators |
| ctrlnum | (ZDB-23-DGG)9781442678767 (OCoLC)666906260 (DE-599)BVBBV043492875 |
| dewey-full | 823/.509357 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 823 - English fiction |
| dewey-raw | 823/.509357 |
| dewey-search | 823/.509357 |
| dewey-sort | 3823 6509357 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1700-1800 Geschichte 1709-1791 gnd |
| era_facet | Geschichte 1700-1800 Geschichte 1709-1791 |
| format | Electronic eBook |
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| spelling | Conway, Alison Verfasser aut Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 Alison Conway Toronto University of Toronto Press [2016] © 2001 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators Geschichte 1700-1800 Geschichte 1709-1791 gnd rswk-swf Geschichte Art and literature England History 18th century English fiction 18th century History and criticism Visual perception in literature Women and literature England History 18th century Englisch (DE-588)4014777-0 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Frau (DE-588)4018202-2 s Bildnis (DE-588)4006627-7 s Geschichte 1709-1791 z 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442678767 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Conway, Alison Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 This ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators Geschichte Art and literature England History 18th century English fiction 18th century History and criticism Visual perception in literature Women and literature England History 18th century Englisch (DE-588)4014777-0 gnd Bildnis (DE-588)4006627-7 gnd Frau (DE-588)4018202-2 gnd Roman (DE-588)4050479-7 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4006627-7 (DE-588)4018202-2 (DE-588)4050479-7 |
| title | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 |
| title_auth | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 |
| title_exact_search | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 |
| title_full | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 Alison Conway |
| title_fullStr | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 Alison Conway |
| title_full_unstemmed | Private Interests Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 Alison Conway |
| title_short | Private Interests |
| title_sort | private interests women portraiture and the visual culture of the english novel 1709 1791 |
| title_sub | Women, Portraiture, and the Visual Culture of the English Novel, 1709-1791 |
| topic | Geschichte Art and literature England History 18th century English fiction 18th century History and criticism Visual perception in literature Women and literature England History 18th century Englisch (DE-588)4014777-0 gnd Bildnis (DE-588)4006627-7 gnd Frau (DE-588)4018202-2 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | Geschichte Art and literature England History 18th century English fiction 18th century History and criticism Visual perception in literature Women and literature England History 18th century Englisch Bildnis Frau Roman |
| url | http://www.degruyter.com/doi/book/10.3138/9781442678767 |
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