Loving in Verse: Poetic Influence as Erotic
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442676848 |
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| 505 | 8 | |a The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante?s use of Virgil and Statius in the Divine Comedy, moving on to Spenser?s use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane?s use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O?Hara) concludes Guy-Bray?s analysis | |
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Datensatz im Suchindex
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| any_adam_object | |
| author | Guy-Bray, Stephen |
| author_facet | Guy-Bray, Stephen |
| author_role | aut |
| author_sort | Guy-Bray, Stephen |
| author_variant | s g b sgb |
| building | Verbundindex |
| bvnumber | BV043492733 |
| collection | ZDB-23-DGG |
| contents | The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante?s use of Virgil and Statius in the Divine Comedy, moving on to Spenser?s use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane?s use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O?Hara) concludes Guy-Bray?s analysis |
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 809 - History, description & criticism |
| dewey-raw | 809.1/9353 |
| dewey-search | 809.1/9353 |
| dewey-sort | 3809.1 49353 |
| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
| discipline | Literaturwissenschaft |
| format | Electronic eBook |
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| spelling | Guy-Bray, Stephen Verfasser aut Loving in Verse Poetic Influence as Erotic Stephen Guy-Bray Toronto University of Toronto Press [2016] © 2006 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante?s use of Virgil and Statius in the Divine Comedy, moving on to Spenser?s use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane?s use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O?Hara) concludes Guy-Bray?s analysis Homosexuality in literature Poetry 1\p (DE-588)4006804-3 Biografie gnd-content http://www.degruyter.com/doi/book/10.3138/9781442676848 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Guy-Bray, Stephen Loving in Verse Poetic Influence as Erotic The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante?s use of Virgil and Statius in the Divine Comedy, moving on to Spenser?s use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane?s use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O?Hara) concludes Guy-Bray?s analysis Homosexuality in literature Poetry |
| subject_GND | (DE-588)4006804-3 |
| title | Loving in Verse Poetic Influence as Erotic |
| title_auth | Loving in Verse Poetic Influence as Erotic |
| title_exact_search | Loving in Verse Poetic Influence as Erotic |
| title_full | Loving in Verse Poetic Influence as Erotic Stephen Guy-Bray |
| title_fullStr | Loving in Verse Poetic Influence as Erotic Stephen Guy-Bray |
| title_full_unstemmed | Loving in Verse Poetic Influence as Erotic Stephen Guy-Bray |
| title_short | Loving in Verse |
| title_sort | loving in verse poetic influence as erotic |
| title_sub | Poetic Influence as Erotic |
| topic | Homosexuality in literature Poetry |
| topic_facet | Homosexuality in literature Poetry Biografie |
| url | http://www.degruyter.com/doi/book/10.3138/9781442676848 |
| work_keys_str_mv | AT guybraystephen lovinginversepoeticinfluenceaserotic |