Guido Cavalcanti: The Other Middle Ages
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Toronto Italian Studies
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442675568 |
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| 505 | 8 | |a Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me prega (A lady asks me) is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and philosophers. In this study, Maria Luisa Ardizzone sets Donna me prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it partecipates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book.For Cavalcanti, as for Dante, Aristotle was a master. But unlike Dante, who followed a more orthodox interpretation of Aristotle's text, Cavalcanti preferred the Aristotelianism which derived from the Arabic commentator Averroes, whose approach was responsible for introducing a radical rereading of Aristotle incompatible with basic tenets of the Christian faith. In this alternative view, human desires and difficulties were resolved not through theology but through biology, natural philosophy, and medicine. While other scholars have noted Cavalcanti's Averroism, Ardizzone is the first to analyse it in light of sciences such as optics or logic, focusing on new issues of intellectual debate of Cavalcanti's time, as, for instance, the medieval theory of matter | |
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| contents | Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me prega (A lady asks me) is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and philosophers. In this study, Maria Luisa Ardizzone sets Donna me prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it partecipates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book.For Cavalcanti, as for Dante, Aristotle was a master. But unlike Dante, who followed a more orthodox interpretation of Aristotle's text, Cavalcanti preferred the Aristotelianism which derived from the Arabic commentator Averroes, whose approach was responsible for introducing a radical rereading of Aristotle incompatible with basic tenets of the Christian faith. In this alternative view, human desires and difficulties were resolved not through theology but through biology, natural philosophy, and medicine. While other scholars have noted Cavalcanti's Averroism, Ardizzone is the first to analyse it in light of sciences such as optics or logic, focusing on new issues of intellectual debate of Cavalcanti's time, as, for instance, the medieval theory of matter |
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| dewey-full | 851/.1 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 851 - Italian poetry |
| dewey-raw | 851/.1 |
| dewey-search | 851/.1 |
| dewey-sort | 3851 11 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| era | Geschichte 1200-1300 gnd |
| era_facet | Geschichte 1200-1300 |
| format | Electronic eBook |
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| spelling | Ardizzone, Maria Luisa Verfasser aut Guido Cavalcanti The Other Middle Ages Maria Luisa Ardizzone Toronto University of Toronto Press [2016] © 2002 1 online resource txt rdacontent c rdamedia cr rdacarrier Toronto Italian Studies Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me prega (A lady asks me) is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and philosophers. In this study, Maria Luisa Ardizzone sets Donna me prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it partecipates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book.For Cavalcanti, as for Dante, Aristotle was a master. But unlike Dante, who followed a more orthodox interpretation of Aristotle's text, Cavalcanti preferred the Aristotelianism which derived from the Arabic commentator Averroes, whose approach was responsible for introducing a radical rereading of Aristotle incompatible with basic tenets of the Christian faith. In this alternative view, human desires and difficulties were resolved not through theology but through biology, natural philosophy, and medicine. While other scholars have noted Cavalcanti's Averroism, Ardizzone is the first to analyse it in light of sciences such as optics or logic, focusing on new issues of intellectual debate of Cavalcanti's time, as, for instance, the medieval theory of matter Cavalcanti, Guido 1255-1300 Donna me prega (DE-588)4597524-3 gnd rswk-swf Geschichte 1200-1300 gnd rswk-swf Italienisch (DE-588)4114056-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Italienisch (DE-588)4114056-4 s Literatur (DE-588)4035964-5 s Geschichte 1200-1300 z 1\p DE-604 Cavalcanti, Guido 1255-1300 Donna me prega (DE-588)4597524-3 u 2\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442675568 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ardizzone, Maria Luisa Guido Cavalcanti The Other Middle Ages Guido Cavalcanti (d. 1300) is one of the greatest Italian poets of all time. His legacy consists of some fifty poems, of which his canzone on the nature of love, Donna me prega (A lady asks me) is the most famously difficult and complex. The poem is important not only because it sheds light on fundamental intellectual debates during the time of Dante, but also because of its influence on generations of poets and philosophers. In this study, Maria Luisa Ardizzone sets Donna me prega in an entirely new light - first, by examining its role in Cavalcanti's poetic practice, and second, by placing it in the context of ancient and medieval science and philosophy. The book deals with issues that are part of the intellectual history of Europe in the thirteenth century. Cavalcanti's work is interpreted by reconstructing the debate of ideas in which it partecipates, and the new model of poetry devised by Cavalcanti is one of the subjects of this book.For Cavalcanti, as for Dante, Aristotle was a master. But unlike Dante, who followed a more orthodox interpretation of Aristotle's text, Cavalcanti preferred the Aristotelianism which derived from the Arabic commentator Averroes, whose approach was responsible for introducing a radical rereading of Aristotle incompatible with basic tenets of the Christian faith. In this alternative view, human desires and difficulties were resolved not through theology but through biology, natural philosophy, and medicine. While other scholars have noted Cavalcanti's Averroism, Ardizzone is the first to analyse it in light of sciences such as optics or logic, focusing on new issues of intellectual debate of Cavalcanti's time, as, for instance, the medieval theory of matter Cavalcanti, Guido 1255-1300 Donna me prega (DE-588)4597524-3 gnd Italienisch (DE-588)4114056-4 gnd Literatur (DE-588)4035964-5 gnd |
| subject_GND | (DE-588)4597524-3 (DE-588)4114056-4 (DE-588)4035964-5 |
| title | Guido Cavalcanti The Other Middle Ages |
| title_auth | Guido Cavalcanti The Other Middle Ages |
| title_exact_search | Guido Cavalcanti The Other Middle Ages |
| title_full | Guido Cavalcanti The Other Middle Ages Maria Luisa Ardizzone |
| title_fullStr | Guido Cavalcanti The Other Middle Ages Maria Luisa Ardizzone |
| title_full_unstemmed | Guido Cavalcanti The Other Middle Ages Maria Luisa Ardizzone |
| title_short | Guido Cavalcanti |
| title_sort | guido cavalcanti the other middle ages |
| title_sub | The Other Middle Ages |
| topic | Cavalcanti, Guido 1255-1300 Donna me prega (DE-588)4597524-3 gnd Italienisch (DE-588)4114056-4 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Cavalcanti, Guido 1255-1300 Donna me prega Italienisch Literatur |
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