Creative Entanglements: Gadda and the Baroque
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Toronto Italian Studies
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442673588 |
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| 505 | 8 | |a In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge | |
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Datensatz im Suchindex
| _version_ | 1824408253944037376 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Dombroski, Robert S. |
| author_facet | Dombroski, Robert S. |
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| author_sort | Dombroski, Robert S. |
| author_variant | r s d rs rsd |
| building | Verbundindex |
| bvnumber | BV043492510 |
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| contents | In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge |
| ctrlnum | (ZDB-23-DGG)9781442673588 (OCoLC)1165451986 (DE-599)BVBBV043492510 |
| dewey-full | 853/.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 853 - Italian fiction |
| dewey-raw | 853/.912 |
| dewey-search | 853/.912 |
| dewey-sort | 3853 3912 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| era | Geschichte 1600-1700 |
| era_facet | Geschichte 1600-1700 |
| format | Electronic eBook |
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| isbn | 9781442673588 |
| language | English |
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| spelling | Dombroski, Robert S. Verfasser aut Creative Entanglements Gadda and the Baroque Robert S Dombroski Toronto University of Toronto Press [2016] © 1999 1 online resource txt rdacontent c rdamedia cr rdacarrier Toronto Italian Studies Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge Gadda, Carlo Emilio 1893-1973 (DE-588)118689088 gnd rswk-swf Geschichte 1600-1700 Baroque literature Influence Italian literature 17th century Influence Das Barocke (DE-588)4374108-3 gnd rswk-swf Gadda, Carlo Emilio 1893-1973 (DE-588)118689088 p Das Barocke (DE-588)4374108-3 s 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442673588 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Dombroski, Robert S. Creative Entanglements Gadda and the Baroque In an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge Gadda, Carlo Emilio 1893-1973 (DE-588)118689088 gnd Baroque literature Influence Italian literature 17th century Influence Das Barocke (DE-588)4374108-3 gnd |
| subject_GND | (DE-588)118689088 (DE-588)4374108-3 |
| title | Creative Entanglements Gadda and the Baroque |
| title_auth | Creative Entanglements Gadda and the Baroque |
| title_exact_search | Creative Entanglements Gadda and the Baroque |
| title_full | Creative Entanglements Gadda and the Baroque Robert S Dombroski |
| title_fullStr | Creative Entanglements Gadda and the Baroque Robert S Dombroski |
| title_full_unstemmed | Creative Entanglements Gadda and the Baroque Robert S Dombroski |
| title_short | Creative Entanglements |
| title_sort | creative entanglements gadda and the baroque |
| title_sub | Gadda and the Baroque |
| topic | Gadda, Carlo Emilio 1893-1973 (DE-588)118689088 gnd Baroque literature Influence Italian literature 17th century Influence Das Barocke (DE-588)4374108-3 gnd |
| topic_facet | Gadda, Carlo Emilio 1893-1973 Baroque literature Influence Italian literature 17th century Influence Das Barocke |
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| work_keys_str_mv | AT dombroskiroberts creativeentanglementsgaddaandthebaroque |