Cinema and Semiotic: Peirce and Film Aesthetics, Narration, and Representation
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Toronto Studies in Semiotics and Communication
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| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442672956 |
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| 505 | 8 | |a 'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema | |
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Datensatz im Suchindex
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| adam_text | |
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| author | Ehrat, SJ, P. Johannes |
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| contents | 'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema |
| ctrlnum | (ZDB-23-DGG)9781442672956 (OCoLC)1165480828 (DE-599)BVBBV043492466 |
| dewey-full | 791.43/01/4 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/01/4 |
| dewey-search | 791.43/01/4 |
| dewey-sort | 3791.43 11 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Electronic eBook |
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| indexdate | 2024-07-20T08:42:47Z |
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| isbn | 9781442672956 |
| language | English |
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| series2 | Toronto Studies in Semiotics and Communication |
| spelling | Ehrat, SJ, P. Johannes Verfasser aut Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation P. Johannes Ehrat, SJ. Toronto University of Toronto Press [2016] © 2004 1 online resource txt rdacontent c rdamedia cr rdacarrier Toronto Studies in Semiotics and Communication Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) 'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd rswk-swf Film Ästhetik Motion pictures Aesthetics Motion pictures Semiotics Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmsemiotik (DE-588)4131553-4 gnd rswk-swf Peirce, Charles S. 1839-1914 (DE-588)118592459 p Filmästhetik (DE-588)4140881-0 s 1\p DE-604 Filmsemiotik (DE-588)4131553-4 s 2\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442672956 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Ehrat, SJ, P. Johannes Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation 'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehrat's analysis of meaning in cinema has convinced him that what is needed is greater philosophical reflection on the construction of meaning. In Cinema and Semiotic, he attempts to resurrect meaning by employing Charles S. Peirce's theories on semiotics to debate the major contemporary film theories that have diluted it.Based on Peirce's Semiotic and Pragmatism, Ehrat offers a novel approach to cinematic meaning in three central areas: narrative enunciation, cinematic world appropriation, and cinematic perception. Attempting a comprehensive theory of cinema ? instead of the regional 'middle-ground' theories that function only on certain 'common-sense' assumptions that borrow uncritically from psychophysiology ? Ehrat further demonstrates how a semiotic approach grasps the nature of time, not in a psychological manner, but rather cognitively, and provides a new understanding of the particular filmic sign process that relates a sign to the existence or non-existence of objects. Never before has Peirce been so fruitfully employed for the comprehension of meaning in cinema Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd Film Ästhetik Motion pictures Aesthetics Motion pictures Semiotics Filmästhetik (DE-588)4140881-0 gnd Filmsemiotik (DE-588)4131553-4 gnd |
| subject_GND | (DE-588)118592459 (DE-588)4140881-0 (DE-588)4131553-4 |
| title | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation |
| title_auth | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation |
| title_exact_search | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation |
| title_full | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation P. Johannes Ehrat, SJ. |
| title_fullStr | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation P. Johannes Ehrat, SJ. |
| title_full_unstemmed | Cinema and Semiotic Peirce and Film Aesthetics, Narration, and Representation P. Johannes Ehrat, SJ. |
| title_short | Cinema and Semiotic |
| title_sort | cinema and semiotic peirce and film aesthetics narration and representation |
| title_sub | Peirce and Film Aesthetics, Narration, and Representation |
| topic | Peirce, Charles S. 1839-1914 (DE-588)118592459 gnd Film Ästhetik Motion pictures Aesthetics Motion pictures Semiotics Filmästhetik (DE-588)4140881-0 gnd Filmsemiotik (DE-588)4131553-4 gnd |
| topic_facet | Peirce, Charles S. 1839-1914 Film Ästhetik Motion pictures Aesthetics Motion pictures Semiotics Filmästhetik Filmsemiotik |
| url | http://www.degruyter.com/doi/book/10.3138/9781442672956 |
| work_keys_str_mv | AT ehratsjpjohannes cinemaandsemioticpeirceandfilmaestheticsnarrationandrepresentation |