Milton and the Rise of Russian Satanism:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442664654 |
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| 505 | 8 | |a No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and p | |
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Datensatz im Suchindex
| _version_ | 1804176121649954816 |
|---|---|
| any_adam_object | |
| author | Boss, Valentin |
| author_facet | Boss, Valentin |
| author_role | aut |
| author_sort | Boss, Valentin |
| author_variant | v b vb |
| building | Verbundindex |
| bvnumber | BV043492284 |
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| contents | No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and p |
| ctrlnum | (ZDB-23-DGG)9781442664654 (OCoLC)779696043 (DE-599)BVBBV043492284 |
| dewey-full | 891.7/1/009382 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 891 - East Indo-European and Celtic literatures |
| dewey-raw | 891.7/1/009382 |
| dewey-search | 891.7/1/009382 |
| dewey-sort | 3891.7 11 49382 |
| dewey-tens | 890 - Literatures of other languages |
| discipline | Slavistik |
| format | Electronic eBook |
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| geographic | Russland (DE-588)4076899-5 gnd |
| geographic_facet | Russland |
| id | DE-604.BV043492284 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:27:09Z |
| institution | BVB |
| isbn | 9781442664654 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028908806 |
| oclc_num | 779696043 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-Aug4 DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 online resource |
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| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Toronto Press |
| record_format | marc |
| spelling | Boss, Valentin Verfasser aut Milton and the Rise of Russian Satanism Valentin Boss Toronto University of Toronto Press [2016] © 1991 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and p Milton, John 1608-1674 (DE-588)118582607 gnd rswk-swf Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd rswk-swf Devil in literature Russian poetry History and criticism Teufel Motiv (DE-588)4127676-0 gnd rswk-swf Satanismus (DE-588)4051735-4 gnd rswk-swf Russisch (DE-588)4051038-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Lyrik (DE-588)4036774-5 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Russland (DE-588)4076899-5 gnd rswk-swf Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 u Teufel Motiv (DE-588)4127676-0 s Russisch (DE-588)4051038-4 s Literatur (DE-588)4035964-5 s Rezeption (DE-588)4049716-1 s 1\p DE-604 Lyrik (DE-588)4036774-5 s Geschichte (DE-588)4020517-4 s 2\p DE-604 Milton, John 1608-1674 (DE-588)118582607 p Russland (DE-588)4076899-5 g Satanismus (DE-588)4051735-4 s 3\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442664654 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Boss, Valentin Milton and the Rise of Russian Satanism No European Devil can claim so long or so political a connection with Russian culture as Milton's Satan. Russian poets came to know him before they heard of Dante, Marlowe, Tasso, or of the devils of the Baroque era. This may explain why Milton's influence was so intensely felt by the Russians, especially during the Romantic age. In this, the first study in any language of Milton's reception in Russia, that influence is traced to an early translation of Paradise Lost uncovered by Valentin Boss in the Moscow archives.British radicals who professed to believe that Milton himself was of the Devil's party were, with the notable exception of Byron and Tom Moore, hardly known by Pushkin and his contemporaries. Russian literary Satanism, although derived from Milton, thus developed its own characteristics which tsarist censors considered morally subversive. A brilliant pleiade of poets from Zhukovsky to Lermontov gave Milton's outcast from Heaven some of his many modern masks. Towards the end of the nineteenth century these inspired the alarming paintings and sculptures of Mikhail Vrubel who, like Lermentov, was obsessed by the demonic. In cultural influence Goethe's Devil had by then eclipsed Milton's, but Goethe's did not survive 1917 with the same political authority. Boss concludes with a description of what happened to Milton's Satan after October 1917, when his connection with the English Revolution gave him an edge his German rival lacked.Lunacharsky, Lenin's Commissar for Education, who admired Milton's Arch-rebel, steered him past Left-wing Communists who continued to regard Paradise Lost and Paradise Regained as Christian propaganda. Despite such attacks, Milton's Satan resurfaced under Brezhnev to bask in Soviet pedagogic approval as an Anti-Imperialist and 'the embodiment of love of freedom.' Russian notions of good and evil changed before the Revolution and will change again under glasnost' and p Milton, John 1608-1674 (DE-588)118582607 gnd Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd Devil in literature Russian poetry History and criticism Teufel Motiv (DE-588)4127676-0 gnd Satanismus (DE-588)4051735-4 gnd Russisch (DE-588)4051038-4 gnd Geschichte (DE-588)4020517-4 gnd Literatur (DE-588)4035964-5 gnd Lyrik (DE-588)4036774-5 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118582607 (DE-588)4114602-5 (DE-588)4127676-0 (DE-588)4051735-4 (DE-588)4051038-4 (DE-588)4020517-4 (DE-588)4035964-5 (DE-588)4036774-5 (DE-588)4049716-1 (DE-588)4076899-5 |
| title | Milton and the Rise of Russian Satanism |
| title_auth | Milton and the Rise of Russian Satanism |
| title_exact_search | Milton and the Rise of Russian Satanism |
| title_full | Milton and the Rise of Russian Satanism Valentin Boss |
| title_fullStr | Milton and the Rise of Russian Satanism Valentin Boss |
| title_full_unstemmed | Milton and the Rise of Russian Satanism Valentin Boss |
| title_short | Milton and the Rise of Russian Satanism |
| title_sort | milton and the rise of russian satanism |
| topic | Milton, John 1608-1674 (DE-588)118582607 gnd Milton, John 1608-1674 Paradise lost (DE-588)4114602-5 gnd Devil in literature Russian poetry History and criticism Teufel Motiv (DE-588)4127676-0 gnd Satanismus (DE-588)4051735-4 gnd Russisch (DE-588)4051038-4 gnd Geschichte (DE-588)4020517-4 gnd Literatur (DE-588)4035964-5 gnd Lyrik (DE-588)4036774-5 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Milton, John 1608-1674 Milton, John 1608-1674 Paradise lost Devil in literature Russian poetry History and criticism Teufel Motiv Satanismus Russisch Geschichte Literatur Lyrik Rezeption Russland |
| url | http://www.degruyter.com/doi/book/10.3138/9781442664654 |
| work_keys_str_mv | AT bossvalentin miltonandtheriseofrussiansatanism |