Theory Rules: Art as Theory / Theory as art
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442664647 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043492283 | ||
| 003 | DE-604 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 160404s2016 xx o|||| 00||| eng d | ||
| 020 | |a 9781442664647 |9 978-1-4426-6464-7 | ||
| 024 | 7 | |a 10.3138/9781442664647 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781442664647 | ||
| 035 | |a (OCoLC)780269469 | ||
| 035 | |a (DE-599)BVBBV043492283 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-859 |a DE-860 |a DE-473 |a DE-739 |a DE-1046 |a DE-1043 |a DE-858 | ||
| 082 | 0 | |a 700/.1 |2 23 | |
| 245 | 1 | 0 | |a Theory Rules |b Art as Theory / Theory as art |c Jody Berland, Will Straw, David Tomas |
| 264 | 1 | |a Toronto |b University of Toronto Press |c [2016] | |
| 264 | 4 | |c © 1996 | |
| 300 | |a 1 online resource | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) | ||
| 505 | 8 | |a In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Art criticism |v Congresses | |
| 650 | 4 | |a Arts |x Philosophy |v Congresses | |
| 650 | 0 | 7 | |a Neue Medien |0 (DE-588)4196910-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)1071861417 |a Konferenzschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Neue Medien |0 (DE-588)4196910-8 |D s |
| 689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
| 689 | 0 | |8 1\p |5 DE-604 | |
| 689 | 1 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
| 689 | 1 | |8 2\p |5 DE-604 | |
| 700 | 1 | |a Berland, Jody |e Sonstige |4 oth | |
| 700 | 1 | |a Straw, Will |e Sonstige |4 oth | |
| 700 | 1 | |a Tomas, David |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028908805 | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u http://www.degruyter.com/doi/book/10.3138/9781442664647 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824408253322231808 |
|---|---|
| adam_text | |
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043492283 |
| collection | ZDB-23-DGG |
| contents | In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art |
| ctrlnum | (ZDB-23-DGG)9781442664647 (OCoLC)780269469 (DE-599)BVBBV043492283 |
| dewey-full | 700/.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700/.1 |
| dewey-search | 700/.1 |
| dewey-sort | 3700 11 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV043492283</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">160404s2016 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442664647</subfield><subfield code="9">978-1-4426-6464-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442664647</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781442664647</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)780269469</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043492283</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-858</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700/.1</subfield><subfield code="2">23</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Theory Rules</subfield><subfield code="b">Art as Theory / Theory as art</subfield><subfield code="c">Jody Berland, Will Straw, David Tomas</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto</subfield><subfield code="b">University of Toronto Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 1996</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Philosophie</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Art criticism</subfield><subfield code="v">Congresses</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Arts</subfield><subfield code="x">Philosophy</subfield><subfield code="v">Congresses</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Neue Medien</subfield><subfield code="0">(DE-588)4196910-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">1\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Berland, Jody</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Straw, Will</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Tomas, David</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028908805</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://www.degruyter.com/doi/book/10.3138/9781442664647</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | (DE-588)1071861417 Konferenzschrift gnd-content |
| genre_facet | Konferenzschrift |
| id | DE-604.BV043492283 |
| illustrated | Not Illustrated |
| indexdate | 2025-02-18T15:08:13Z |
| institution | BVB |
| isbn | 9781442664647 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028908805 |
| oclc_num | 780269469 |
| open_access_boolean | |
| owner | DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| owner_facet | DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-1046 DE-1043 DE-858 |
| physical | 1 online resource |
| psigel | ZDB-23-DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FCO_PDA_DGG |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | University of Toronto Press |
| record_format | marc |
| spelling | Theory Rules Art as Theory / Theory as art Jody Berland, Will Straw, David Tomas Toronto University of Toronto Press [2016] © 1996 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art Philosophie Art criticism Congresses Arts Philosophy Congresses Neue Medien (DE-588)4196910-8 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf (DE-588)1071861417 Konferenzschrift gnd-content Neue Medien (DE-588)4196910-8 s Kunst (DE-588)4114333-4 s 1\p DE-604 Ästhetik (DE-588)4000626-8 s 2\p DE-604 Berland, Jody Sonstige oth Straw, Will Sonstige oth Tomas, David Sonstige oth http://www.degruyter.com/doi/book/10.3138/9781442664647 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Theory Rules Art as Theory / Theory as art In art theory, as in cultural life generally, there has a long been tension between theory and artistic practice. The desire to resolve these tensions has been a principal impulse shaping artistic work and criticism over the last century. The last decade has seen the emergence of a broad, interdisciplinary body of theoretical work with a distinctive relationship to artistic practice, providing a common reference in artworks to the principles and vocabularies of theory.The sixteen essays in this collection were originally presented at an international conference entitled 'Art as Theory / Theory and Art,' held at the University of Ottawa in late 1991. The contributors - critics, curators, and practising artists from Canada, the United States, Europe, and Australia, look at the current relationships between theory and practice in the fields of art, communication, and cultural studies from a wide range of viewpoints. Areas of interest include the institutionalization of theory, theories of vision, gender theory and feminist positions, and theory in a post-colonial context. This volume answers some important new questions about the points of intersection between theory and visual art Philosophie Art criticism Congresses Arts Philosophy Congresses Neue Medien (DE-588)4196910-8 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4196910-8 (DE-588)4114333-4 (DE-588)4000626-8 (DE-588)1071861417 |
| title | Theory Rules Art as Theory / Theory as art |
| title_auth | Theory Rules Art as Theory / Theory as art |
| title_exact_search | Theory Rules Art as Theory / Theory as art |
| title_full | Theory Rules Art as Theory / Theory as art Jody Berland, Will Straw, David Tomas |
| title_fullStr | Theory Rules Art as Theory / Theory as art Jody Berland, Will Straw, David Tomas |
| title_full_unstemmed | Theory Rules Art as Theory / Theory as art Jody Berland, Will Straw, David Tomas |
| title_short | Theory Rules |
| title_sort | theory rules art as theory theory as art |
| title_sub | Art as Theory / Theory as art |
| topic | Philosophie Art criticism Congresses Arts Philosophy Congresses Neue Medien (DE-588)4196910-8 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Philosophie Art criticism Congresses Arts Philosophy Congresses Neue Medien Kunst Ästhetik Konferenzschrift |
| url | http://www.degruyter.com/doi/book/10.3138/9781442664647 |
| work_keys_str_mv | AT berlandjody theoryrulesartastheorytheoryasart AT strawwill theoryrulesartastheorytheoryasart AT tomasdavid theoryrulesartastheorytheoryasart |