A Tournament of Misfits: Tall Tales and Short
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442628021 |
Internformat
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| 245 | 1 | 0 | |a A Tournament of Misfits |b Tall Tales and Short |c Aldo Palazzeschi. Translated by Nicolas J. Perell |
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| 505 | 8 | |a Introduction : tall tales and short -- solitary gentleman -- Servite Domino in Laetitia -- black mark -- Our friend Galletti -- Bistino and the Marquis -- small sentimental gem -- Little Maria -- beautiful king -- Dagobert -- gift -- small gastronomic gem -- portrait of the queen -- hunchback -- Summer noontide -- Silence | |
| 505 | 8 | |a Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with futurism.A Tournament of Misfits brings together a selection of Palazzeschi's short fiction for the first time in English. Through clear and fluid translations, Nicolas J. Perella demonstrates Palazzeschi's use of laughter to debunk social and literary myths. As a social being, Palazzeschi felt himself a deviant, but he was saved from a self-destructive bitterness by his capacity for irony, which he often directed at himself as well as at others. Yet, it would be a mistake not to see the desperate yearning for liberation from society’s rigid code behind the irony and the fun in Palazzeschi's work. With this translation, Perella brings Palazzeschi to life for a new audience to appreciate | |
| 650 | 4 | |a Short stories, Italian |v Translations into English | |
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| 700 | 1 | |a Perella, Nicolas J. |d 1927-2015 |0 (DE-588)1283952319 |4 trl | |
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Datensatz im Suchindex
| _version_ | 1804176121267224576 |
|---|---|
| any_adam_object | |
| author | Palazzeschi, Aldo 1885-1974 |
| author2 | Perella, Nicolas J. 1927-2015 |
| author2_role | trl |
| author2_variant | n j p nj njp |
| author_GND | (DE-588)118789295 (DE-588)1283952319 |
| author_facet | Palazzeschi, Aldo 1885-1974 Perella, Nicolas J. 1927-2015 |
| author_role | aut |
| author_sort | Palazzeschi, Aldo 1885-1974 |
| author_variant | a p ap |
| building | Verbundindex |
| bvnumber | BV043492083 |
| collection | ZDB-23-DGG |
| contents | Introduction : tall tales and short -- solitary gentleman -- Servite Domino in Laetitia -- black mark -- Our friend Galletti -- Bistino and the Marquis -- small sentimental gem -- Little Maria -- beautiful king -- Dagobert -- gift -- small gastronomic gem -- portrait of the queen -- hunchback -- Summer noontide -- Silence Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with futurism.A Tournament of Misfits brings together a selection of Palazzeschi's short fiction for the first time in English. Through clear and fluid translations, Nicolas J. Perella demonstrates Palazzeschi's use of laughter to debunk social and literary myths. As a social being, Palazzeschi felt himself a deviant, but he was saved from a self-destructive bitterness by his capacity for irony, which he often directed at himself as well as at others. Yet, it would be a mistake not to see the desperate yearning for liberation from society’s rigid code behind the irony and the fun in Palazzeschi's work. With this translation, Perella brings Palazzeschi to life for a new audience to appreciate |
| ctrlnum | (ZDB-23-DGG)9781442628021 (OCoLC)1165545999 (DE-599)BVBBV043492083 |
| dewey-full | 853/.912 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 853 - Italian fiction |
| dewey-raw | 853/.912 |
| dewey-search | 853/.912 |
| dewey-sort | 3853 3912 |
| dewey-tens | 850 - Italian, Romanian & related literatures |
| discipline | Romanistik |
| format | Electronic eBook |
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| spelling | Palazzeschi, Aldo 1885-1974 Verfasser (DE-588)118789295 aut A Tournament of Misfits Tall Tales and Short Aldo Palazzeschi. Translated by Nicolas J. Perell Toronto University of Toronto Press [2016] © 2006 1 online resource txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Introduction : tall tales and short -- solitary gentleman -- Servite Domino in Laetitia -- black mark -- Our friend Galletti -- Bistino and the Marquis -- small sentimental gem -- Little Maria -- beautiful king -- Dagobert -- gift -- small gastronomic gem -- portrait of the queen -- hunchback -- Summer noontide -- Silence Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with futurism.A Tournament of Misfits brings together a selection of Palazzeschi's short fiction for the first time in English. Through clear and fluid translations, Nicolas J. Perella demonstrates Palazzeschi's use of laughter to debunk social and literary myths. As a social being, Palazzeschi felt himself a deviant, but he was saved from a self-destructive bitterness by his capacity for irony, which he often directed at himself as well as at others. Yet, it would be a mistake not to see the desperate yearning for liberation from society’s rigid code behind the irony and the fun in Palazzeschi's work. With this translation, Perella brings Palazzeschi to life for a new audience to appreciate Short stories, Italian Translations into English (DE-588)1071854844 Fiktionale Darstellung gnd-content Perella, Nicolas J. 1927-2015 (DE-588)1283952319 trl http://www.degruyter.com/doi/book/10.3138/9781442628021 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Palazzeschi, Aldo 1885-1974 A Tournament of Misfits Tall Tales and Short Introduction : tall tales and short -- solitary gentleman -- Servite Domino in Laetitia -- black mark -- Our friend Galletti -- Bistino and the Marquis -- small sentimental gem -- Little Maria -- beautiful king -- Dagobert -- gift -- small gastronomic gem -- portrait of the queen -- hunchback -- Summer noontide -- Silence Aldo Palazzeschi (1885-1974) is arguably the major twentieth-century Italian writer who has been most neglected by the English-speaking world. Born in Florence and trained as an actor, Palazzeschi ranks high as a poet and fiction writer in his homeland. His work, which attempts to recreate the experience of a spectator watching and listening to a character on stage, won him the praise of F.T. Marinetti, the founder of Italian futurism, who enrolled the young poet in his avant-garde coterie despite the fact that, stylistically, Palazzeschi's work had little in common with futurism.A Tournament of Misfits brings together a selection of Palazzeschi's short fiction for the first time in English. Through clear and fluid translations, Nicolas J. Perella demonstrates Palazzeschi's use of laughter to debunk social and literary myths. As a social being, Palazzeschi felt himself a deviant, but he was saved from a self-destructive bitterness by his capacity for irony, which he often directed at himself as well as at others. Yet, it would be a mistake not to see the desperate yearning for liberation from society’s rigid code behind the irony and the fun in Palazzeschi's work. With this translation, Perella brings Palazzeschi to life for a new audience to appreciate Short stories, Italian Translations into English |
| subject_GND | (DE-588)1071854844 |
| title | A Tournament of Misfits Tall Tales and Short |
| title_auth | A Tournament of Misfits Tall Tales and Short |
| title_exact_search | A Tournament of Misfits Tall Tales and Short |
| title_full | A Tournament of Misfits Tall Tales and Short Aldo Palazzeschi. Translated by Nicolas J. Perell |
| title_fullStr | A Tournament of Misfits Tall Tales and Short Aldo Palazzeschi. Translated by Nicolas J. Perell |
| title_full_unstemmed | A Tournament of Misfits Tall Tales and Short Aldo Palazzeschi. Translated by Nicolas J. Perell |
| title_short | A Tournament of Misfits |
| title_sort | a tournament of misfits tall tales and short |
| title_sub | Tall Tales and Short |
| topic | Short stories, Italian Translations into English |
| topic_facet | Short stories, Italian Translations into English Fiktionale Darstellung |
| url | http://www.degruyter.com/doi/book/10.3138/9781442628021 |
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