World's Fairs Italian-Style: The Great Expositions in Turin and their Narratives, 1860-1915
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Toronto Italian Studies
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| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 URL des Erstveröffentlichers |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442627307 |
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| 505 | 8 | |a According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity | |
| 648 | 4 | |a Geschichte 1900-2000 | |
| 648 | 4 | |a Geschichte 1800-1900 | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Nationalismus | |
| 650 | 4 | |a Exhibitions |z Italy |z Turin |x History |y 19th century | |
| 650 | 4 | |a Literature and society |z Italy |x History |y 19th century | |
| 650 | 4 | |a Nationalism |z Italy |x History |y 19th century | |
| 650 | 4 | |a Nationalism |z Italy |x History |y 20th century | |
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Datensatz im Suchindex
| _version_ | 1804176121209552896 |
|---|---|
| any_adam_object | |
| author | Coletta, Cristina Della |
| author_facet | Coletta, Cristina Della |
| author_role | aut |
| author_sort | Coletta, Cristina Della |
| author_variant | c d c cd cdc |
| building | Verbundindex |
| bvnumber | BV043492055 |
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| contents | According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity |
| ctrlnum | (ZDB-23-DGG)9781442627307 (OCoLC)903968482 (DE-599)BVBBV043492055 |
| dewey-full | 907.4/4512 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 907 - Education, research & related topics |
| dewey-raw | 907.4/4512 |
| dewey-search | 907.4/4512 |
| dewey-sort | 3907.4 44512 |
| dewey-tens | 900 - History & geography |
| discipline | Geschichte |
| era | Geschichte 1900-2000 Geschichte 1800-1900 |
| era_facet | Geschichte 1900-2000 Geschichte 1800-1900 |
| format | Electronic eBook |
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| geographic | Italien |
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| id | DE-604.BV043492055 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:27:09Z |
| institution | BVB |
| isbn | 9781442627307 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028908577 |
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| publishDate | 2016 |
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| spelling | Coletta, Cristina Della Verfasser aut World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 Cristina Della Coletta Toronto University of Toronto Press [2016] © 2006 1 online resource txt rdacontent c rdamedia cr rdacarrier Toronto Italian Studies Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity Geschichte 1900-2000 Geschichte 1800-1900 Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Italien (DE-588)4135467-9 Ausstellungskatalog gnd-content http://www.degruyter.com/doi/book/10.3138/9781442627307 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Coletta, Cristina Della World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 According to conventional wisdom, Italy was not an influential participant in the nationalistic and imperialistic discourses that world's fairs produced in countries such as Great Britain, France, and the United States. In the late nineteenth and early twentieth centuries, however, Italy hosted numerous national and international exhibitions expounding notions of national identity, imperial expansion, technological progress, and capitalist growth.World's Fairs Italian-Style explores world's fairs in Italy at the turn of the twentieth century in comparison to their more famous counterparts in France, England, and the United States. Cristina Della Coletta demonstrates that, because of its social fragmentation and hybrid history, Italy was a site of both hegemony and subordination - an aspiring imperial power whose colonization started from within. She focuses on two best-selling authors, Emilio Salgari and Guido Gozzano, and illustrates how these authors interpreted their age's 'exposition mentality.' Salgari and Gozzano's exposition narratives, Della Coletta argues, reveal Italy's uncertainties about own sense of national identity, and its belated commitment to Western imperialism.Of interest to students and scholars of literature, cultural history, and Italian, World's Fairs Italian-Style provides a fascinating glimpse into a hitherto unexplored area of study, and brings to light a cultural phenomenon that played a significant role in shaping Italy's national identity Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century |
| subject_GND | (DE-588)4135467-9 |
| title | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 |
| title_auth | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 |
| title_exact_search | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 |
| title_full | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 Cristina Della Coletta |
| title_fullStr | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 Cristina Della Coletta |
| title_full_unstemmed | World's Fairs Italian-Style The Great Expositions in Turin and their Narratives, 1860-1915 Cristina Della Coletta |
| title_short | World's Fairs Italian-Style |
| title_sort | world s fairs italian style the great expositions in turin and their narratives 1860 1915 |
| title_sub | The Great Expositions in Turin and their Narratives, 1860-1915 |
| topic | Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century |
| topic_facet | Geschichte Nationalismus Exhibitions Italy Turin History 19th century Literature and society Italy History 19th century Nationalism Italy History 19th century Nationalism Italy History 20th century Italien Ausstellungskatalog |
| url | http://www.degruyter.com/doi/book/10.3138/9781442627307 |
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