Plateaus of Freedom: Nationality, Culture, and State Security in Canada, 1940-1960
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Canadian Social History Series
|
| Schlagworte: | |
| Online-Zugang: | DE-859 DE-860 DE-473 DE-739 DE-1046 DE-1043 DE-858 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442623156 |
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| 505 | 8 | |a 'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change' | |
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Datensatz im Suchindex
| _version_ | 1824408243216056320 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Kristmanson, Mark |
| author_facet | Kristmanson, Mark |
| author_role | aut |
| author_sort | Kristmanson, Mark |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV043492021 |
| collection | ZDB-23-DGG |
| contents | 'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change' |
| ctrlnum | (ZDB-23-DGG)9781442623156 (OCoLC)1165442419 (DE-599)BVBBV043492021 |
| dewey-full | 971.063 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 971 - Canada |
| dewey-raw | 971.063 |
| dewey-search | 971.063 |
| dewey-sort | 3971.063 |
| dewey-tens | 970 - History of North America |
| discipline | Geschichte |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
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| isbn | 9781442623156 |
| language | English |
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| publishDate | 2016 |
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| spelling | Kristmanson, Mark Verfasser aut Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 Mark Kristmanson Toronto University of Toronto Press [2016] © 2002 1 online resource txt rdacontent c rdamedia cr rdacarrier Canadian Social History Series Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) 'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change' Geschichte 1900-2000 Geschichte Art and state Canada History 20th century Intelligence service Canada History 20th century Internal security Canada History 20th century Politics and culture Canada History 20th century Kanada http://www.degruyter.com/doi/book/10.3138/9781442623156 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kristmanson, Mark Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 'Canadians are not accustomed to thinking of censorship, secret intelligence, and propaganda as a single entity. Much less do they consider that these covertly militaristic activities have anything to do with culture.' So writes Mark Krismanson in this important study of the intertwining activities and careers of those involved in Canada's security agencies and in the state-sanctioned culture industry during the delight of the Cold War. The connections between secret intelligence and culture might appear to be merely coincidental. Both the spies and the arts people worked with words, with symbols and hidden meanings, with ideas. They had regular informal luncheons together in Ottawa. Some members of the intelligence community even found careers in the arts. Less than a decade after defecting, the Russian Igor Gouzenko wrote a pulp fiction Cold War spy novel- for which he received a Governor General's award. And Peter Dwyer, Britain's top security official in North America during World War II, was a playwright who after the war worked in Canada's intelligence community before drafting the founding for the Canada Council and becoming its first director. But Plateaus of Freedom details much more than a casual relationship between security and the arts. As Kristmanson demonstrates, 'the censorship-intelligence-propaganda complex that proliferated in Canada after World War II played a counterpoint between national culture and state security, with the result that freedom, especially intellectual freedom, plateaued on the principle of nationality.' The security and cultural policy measures examined here, from the RCMP investigations at the National Film Board that led to numerous firings, to the harassment of the extraordinary African-American singer and Soviet sympathizer Paul Robeson, 'attest to the fragility and the enduring power of art to effect social change' Geschichte Art and state Canada History 20th century Intelligence service Canada History 20th century Internal security Canada History 20th century Politics and culture Canada History 20th century |
| title | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 |
| title_auth | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 |
| title_exact_search | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 |
| title_full | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 Mark Kristmanson |
| title_fullStr | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 Mark Kristmanson |
| title_full_unstemmed | Plateaus of Freedom Nationality, Culture, and State Security in Canada, 1940-1960 Mark Kristmanson |
| title_short | Plateaus of Freedom |
| title_sort | plateaus of freedom nationality culture and state security in canada 1940 1960 |
| title_sub | Nationality, Culture, and State Security in Canada, 1940-1960 |
| topic | Geschichte Art and state Canada History 20th century Intelligence service Canada History 20th century Internal security Canada History 20th century Politics and culture Canada History 20th century |
| topic_facet | Geschichte Art and state Canada History 20th century Intelligence service Canada History 20th century Internal security Canada History 20th century Politics and culture Canada History 20th century Kanada |
| url | http://www.degruyter.com/doi/book/10.3138/9781442623156 |
| work_keys_str_mv | AT kristmansonmark plateausoffreedomnationalitycultureandstatesecurityincanada19401960 |