Notebooks: Selections from the A.M. Klein Papers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
|
| Schriftenreihe: | Collected works of A.M. Klein
|
| Schlagworte: | |
| Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
| Beschreibung: | 1 online resource |
| ISBN: | 9781442623132 |
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| 245 | 1 | 0 | |a Notebooks |b Selections from the A.M. Klein Papers |c A.M. Klein; ed. by Zailig Pollock and Usher Caplan |
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| 490 | 0 | |a Collected works of A.M. Klein | |
| 500 | |a Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) | ||
| 505 | 8 | |a Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes | |
| 648 | 4 | |a Geschichte 1900-2000 | |
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Datensatz im Suchindex
| _version_ | 1804176121135104000 |
|---|---|
| any_adam_object | |
| author | Klein, A.M. (Abraham Moses) |
| author_facet | Klein, A.M. (Abraham Moses) |
| author_role | aut |
| author_sort | Klein, A.M. (Abraham Moses) |
| author_variant | a a m k aam aamk |
| building | Verbundindex |
| bvnumber | BV043492019 |
| collection | ZDB-23-DGG |
| contents | Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes |
| ctrlnum | (ZDB-23-DGG)9781442623132 (OCoLC)1165525570 (DE-599)BVBBV043492019 |
| dewey-full | 818/.5203 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 818 - American miscellaneous writings |
| dewey-raw | 818/.5203 |
| dewey-search | 818/.5203 |
| dewey-sort | 3818 45203 |
| dewey-tens | 810 - American literature in English |
| discipline | Anglistik / Amerikanistik |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
| format | Electronic eBook |
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| indexdate | 2024-07-10T07:27:08Z |
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| isbn | 9781442623132 |
| language | English |
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| series2 | Collected works of A.M. Klein |
| spelling | Klein, A.M. (Abraham Moses) Verfasser aut Notebooks Selections from the A.M. Klein Papers A.M. Klein; ed. by Zailig Pollock and Usher Caplan Toronto University of Toronto Press [2016] © 1995 1 online resource txt rdacontent c rdamedia cr rdacarrier Collected works of A.M. Klein Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes Geschichte 1900-2000 Geschichte Juden Authors, Canadian 20th century Correspondence Jews Canada History 20th century Sources Kanada (DE-588)4135952-5 Quelle gnd-content Caplan, Usher Sonstige oth Pollock, Zailig Sonstige oth http://www.degruyter.com/doi/book/10.3138/9781442623132 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Klein, A.M. (Abraham Moses) Notebooks Selections from the A.M. Klein Papers Much of A.M. Klein's finest prose is to be found in the mass of uncompleted work that he abandoned at the time of his breakdown, and that became accessible only when his papers were deposited in the National Archives. Notebooks offers a generous selection of this work, revealing previously unsuspected facets of Klein's character and artistry.The fiction, criticism, and memoirs collected here focus on Klein's exploration of the role of the artist. The works illuminate crucial periods of his career, especially the early 1940s, when he was transforming himself into a modernist, and the early 1950s, when he was struggling to overcome the misgivings about his art that were to lead to his final breakdown.The semi-autobiographical text which Klein referred to as 'Raw Material' and the unfinished novel of prison life entitled 'Stranger and Afraid' cast a new light on Klein's often frustrating relationship with the Montreal Jewish community. In 'Marginalia' he discusses poetic form and technique and makes observations on the nature of poetry, thereby providing insights into his own concerns as a writer. In 'The Golem,' a profoundly ambiguous treatment of the act of creation, a self-portrait emerges of a storyteller who has lost faith in the power and value of his story. The volume includes a critical introduction, that places the material in the context of Klein's other works, as well as textual and explanatory notes Geschichte Juden Authors, Canadian 20th century Correspondence Jews Canada History 20th century Sources |
| subject_GND | (DE-588)4135952-5 |
| title | Notebooks Selections from the A.M. Klein Papers |
| title_auth | Notebooks Selections from the A.M. Klein Papers |
| title_exact_search | Notebooks Selections from the A.M. Klein Papers |
| title_full | Notebooks Selections from the A.M. Klein Papers A.M. Klein; ed. by Zailig Pollock and Usher Caplan |
| title_fullStr | Notebooks Selections from the A.M. Klein Papers A.M. Klein; ed. by Zailig Pollock and Usher Caplan |
| title_full_unstemmed | Notebooks Selections from the A.M. Klein Papers A.M. Klein; ed. by Zailig Pollock and Usher Caplan |
| title_short | Notebooks |
| title_sort | notebooks selections from the a m klein papers |
| title_sub | Selections from the A.M. Klein Papers |
| topic | Geschichte Juden Authors, Canadian 20th century Correspondence Jews Canada History 20th century Sources |
| topic_facet | Geschichte Juden Authors, Canadian 20th century Correspondence Jews Canada History 20th century Sources Kanada Quelle |
| url | http://www.degruyter.com/doi/book/10.3138/9781442623132 |
| work_keys_str_mv | AT kleinamabrahammoses notebooksselectionsfromtheamkleinpapers AT caplanusher notebooksselectionsfromtheamkleinpapers AT pollockzailig notebooksselectionsfromtheamkleinpapers |