No Trespassing: Authorship, Intellectual Property Rights, and the Boundaries of Globalization
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Toronto
University of Toronto Press
[2016]
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Schriftenreihe: | Studies in Book and Print Culture
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Schlagworte: | |
Online-Zugang: | FKE01 FLA01 UBG01 FHA01 UPA01 FAW01 FAB01 FCO01 Volltext |
Beschreibung: | Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) |
Beschreibung: | 1 online resource |
ISBN: | 9781442620896 |
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505 | 8 | |a In this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg?s bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it | |
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Datensatz im Suchindex
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any_adam_object | |
author | Hemmungs Wirtén, Eva |
author_facet | Hemmungs Wirtén, Eva |
author_role | aut |
author_sort | Hemmungs Wirtén, Eva |
author_variant | w e h we weh |
building | Verbundindex |
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contents | In this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg?s bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it |
ctrlnum | (ZDB-23-DGG)9781442620896 (OCoLC)903968168 (DE-599)BVBBV043492001 |
dewey-full | 346.04/82 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 346 - Private law |
dewey-raw | 346.04/82 |
dewey-search | 346.04/82 |
dewey-sort | 3346.04 282 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft |
format | Electronic eBook |
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spelling | Hemmungs Wirtén, Eva Verfasser aut No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization Eva Hemmungs Wirtén Toronto University of Toronto Press [2016] © 2004 1 online resource txt rdacontent c rdamedia cr rdacarrier Studies in Book and Print Culture Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016) In this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg?s bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it Globalisierung Copyright, International Globalization Intellectual property Globalisierung (DE-588)4557997-0 gnd rswk-swf Geistiges Eigentum (DE-588)4136832-0 gnd rswk-swf Urheberrecht (DE-588)4062127-3 gnd rswk-swf Urheberrecht (DE-588)4062127-3 s Geistiges Eigentum (DE-588)4136832-0 s Globalisierung (DE-588)4557997-0 s 1\p DE-604 http://www.degruyter.com/doi/book/10.3138/9781442620896 Verlag URL des Erstveröffentlichers Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Hemmungs Wirtén, Eva No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization In this scholarly yet highly accessible work, Eva Hemmungs Wirtén traces three main themes within the scope of cultural ownership: authorship as one of the basic features of print culture, the use of intellectual property rights as a privileged instrument of control, and finally globalization as a pre-condition under which both operate. Underwritten by rapid technological change and increased global interdependence, intellectual property rights are designed to protect a production that is no longer industrial, but informational.No Trespassing tells the story of a century of profound change in cultural ownership. It begins with late nineteenth-century Europe, exploring cultural ownership in a number of settings across both spatial and temporal divides, and concludes in today's global, knowledge-based society. Wirtén takes an interdisciplinary and international approach, using a wide array of material from court cases to novels for her purposes. From Victor Hugo and the 1886 Berne Convention, to the translation of Peter Høeg?s bestseller Smilla's Sense of Snow, Wirtén charts a history of Intellectual property rights and regulations. She addresses the relationship between author and translator, looks at the challenges to intellectual property by the arrival of the photocopier, takes into account the media conglomerate's search for content as a key asset since the 1960s, and considers how a Western legal framework interacts with attempts to protect traditional knowledge and folklore. No Trespassing is essential reading for all who care about culture and the future regulatory structures of access to it Globalisierung Copyright, International Globalization Intellectual property Globalisierung (DE-588)4557997-0 gnd Geistiges Eigentum (DE-588)4136832-0 gnd Urheberrecht (DE-588)4062127-3 gnd |
subject_GND | (DE-588)4557997-0 (DE-588)4136832-0 (DE-588)4062127-3 |
title | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization |
title_auth | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization |
title_exact_search | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization |
title_full | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization Eva Hemmungs Wirtén |
title_fullStr | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization Eva Hemmungs Wirtén |
title_full_unstemmed | No Trespassing Authorship, Intellectual Property Rights, and the Boundaries of Globalization Eva Hemmungs Wirtén |
title_short | No Trespassing |
title_sort | no trespassing authorship intellectual property rights and the boundaries of globalization |
title_sub | Authorship, Intellectual Property Rights, and the Boundaries of Globalization |
topic | Globalisierung Copyright, International Globalization Intellectual property Globalisierung (DE-588)4557997-0 gnd Geistiges Eigentum (DE-588)4136832-0 gnd Urheberrecht (DE-588)4062127-3 gnd |
topic_facet | Globalisierung Copyright, International Globalization Intellectual property Geistiges Eigentum Urheberrecht |
url | http://www.degruyter.com/doi/book/10.3138/9781442620896 |
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