The epiphany of Hieronymus Bosch: imagining antichrist and others from the Middle Ages to the Reformation
This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madri...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Harvey Miller publishers
[2016]
|
| Schriftenreihe: | Studies in medieval and early renaissance art history
77 |
| Schlagworte: | |
| Zusammenfassung: | This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), 'Ethiopians', and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church |
| Beschreibung: | 301 Seiten Illustrationen |
| ISBN: | 9782503530369 2503530362 |
Internformat
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| 520 | |a This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), 'Ethiopians', and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church | ||
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Datensatz im Suchindex
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| author | Strickland, Debra Higgs 1958- |
| author_GND | (DE-588)133711277 (DE-588)11851380X |
| author_facet | Strickland, Debra Higgs 1958- |
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| author_sort | Strickland, Debra Higgs 1958- |
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| building | Verbundindex |
| bvnumber | BV043488071 |
| callnumber-first | N - Fine Arts |
| callnumber-label | NX554 |
| callnumber-raw | NX554 |
| callnumber-search | NX554 |
| callnumber-sort | NX 3554 |
| callnumber-subject | NX - Arts in General |
| classification_rvk | LI 17409 |
| ctrlnum | (OCoLC)932068762 (DE-599)BVBBV043488071 |
| dewey-full | 700-9492 7009492 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 700 - The arts |
| dewey-raw | 700-9492 7009492 |
| dewey-search | 700-9492 7009492 |
| dewey-sort | 3700 49492 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV043488071 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:27:02Z |
| institution | BVB |
| isbn | 9782503530369 2503530362 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028904657 |
| oclc_num | 932068762 |
| open_access_boolean | |
| owner | DE-11 DE-29 DE-2948 |
| owner_facet | DE-11 DE-29 DE-2948 |
| physical | 301 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Harvey Miller publishers |
| record_format | marc |
| series | Studies in medieval and early renaissance art history |
| series2 | Studies in medieval and early renaissance art history |
| spelling | Strickland, Debra Higgs 1958- Verfasser (DE-588)133711277 aut The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation Debra Higgs Strickland London Harvey Miller publishers [2016] 301 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Studies in medieval and early renaissance art history 77 This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), 'Ethiopians', and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church Bosch, Hieronymus 1450-1516 Epiphanie Museo del Prado (DE-588)7558625-3 gnd rswk-swf Bildprogramm (DE-588)4006632-0 gnd rswk-swf Bosch, Hieronymus 1450-1516 Epiphanie Museo del Prado (DE-588)7558625-3 u Bildprogramm (DE-588)4006632-0 s 1\p DE-604 Bosch, Hieronymus 1450-1516 (DE-588)11851380X art Studies in medieval and early renaissance art history 77 (DE-604)BV022298921 77 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Strickland, Debra Higgs 1958- The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation Studies in medieval and early renaissance art history Bosch, Hieronymus 1450-1516 Epiphanie Museo del Prado (DE-588)7558625-3 gnd Bildprogramm (DE-588)4006632-0 gnd |
| subject_GND | (DE-588)7558625-3 (DE-588)4006632-0 |
| title | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation |
| title_auth | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation |
| title_exact_search | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation |
| title_full | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation Debra Higgs Strickland |
| title_fullStr | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation Debra Higgs Strickland |
| title_full_unstemmed | The epiphany of Hieronymus Bosch imagining antichrist and others from the Middle Ages to the Reformation Debra Higgs Strickland |
| title_short | The epiphany of Hieronymus Bosch |
| title_sort | the epiphany of hieronymus bosch imagining antichrist and others from the middle ages to the reformation |
| title_sub | imagining antichrist and others from the Middle Ages to the Reformation |
| topic | Bosch, Hieronymus 1450-1516 Epiphanie Museo del Prado (DE-588)7558625-3 gnd Bildprogramm (DE-588)4006632-0 gnd |
| topic_facet | Bosch, Hieronymus 1450-1516 Epiphanie Museo del Prado Bildprogramm |
| volume_link | (DE-604)BV022298921 |
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