Australian fiction as archival salvage: making and unmaking the postcolonial novel
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden ; Boston
Brill Rodopi
[2016]
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| Schriftenreihe: | Cross/cultures
volume 187 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | xxxiv, 319 Seiten Illustration |
| ISBN: | 9789004309975 |
Internformat
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Datensatz im Suchindex
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| adam_text | Titel: Australian fiction as archival salvage
Autor: Johnson, A. Frances
Jahr: 2016
Contents Acknowledgements ix A Note on Style xi Introduction: Making and Unmaking the Postcolonial Historical Novel xiii 1 Genre Memory: Australian Historical Novels in Context 1 Postcolonial Provocations: Old and New Approaches to Genre 13/ Intercultural Representation: Intergeneric Strategies in Eugene’s Falls and Beyond 17 2 Intertextuality and the Postcolonial Novel of History 23 Recent Explorations of Intertextuality and Heteroglossia: The Influence of Benang and ThatDeadman Dance 23/ Theories of Intertextuality and the Postcolonial Context 47/ Intertextuality and Intercultural Subjectivity: Australian Contexts 52 3 Elision and Engagement: Writing Indigeneity in Post-Bicentennial Historical Novels 57 New Speech Genres: Portrayals of Indigeneity in White Writing 1989-2000 61/ Out of the Impasse? Re-thinking Intercultural Engagement and Subject-Positions 80 4 PostmodemRatsintheRanks:TheNovelist and the Historian as Raiders of the Colonial Archive 95 The Trouble with History: Scaling the Archive 96/ Ideology and Politics: A Background to the History Wars 107/ The Novelist in the Archive: Kate Grenville’s The Secret River Trilogy and Kim Scott’s Benang and That Deadman Dance 114/ White-Gloved Border Police: Archival Custody and the Protection of History 122/ Whose Treasure? Clendinnen’s Reef and the Wreck of the Postcolonial Novel 129
5 Speaking in Tongues: The Novelist as Historiographic Fool 143 Historiographic Metafiction as Postmodern, Postcolonial Intervention 143/ Metafictional Conceits in Peter Carey’s True History of the Kelly Gang and Robert Drewe’s Our Sunshine 151/ Metafictional Tactics in Eugene’s Falls 159/ Focalization and Radical Polyphony in Recent Postcolonial Historical Novels 162/ Learning from Scott and Carey: Polyphony, Translation, and Mistranslation in the Postcolonial Novel 176 6 Writing South of South: Extinction Discourse in Novelizations of Tasmanian Colonial Pasts 193 Roving History: Intercultural Representation in the Novels of Rohan Wilson 213/ Eden Unsettled: Parody and Post-Gothicism in Matthew Kneale’s English Passengers 228/ Richard Flanagan’s Gould’s Book of Fish: History and Story in the Postmodern Acquarium 238 Conclusion: Beyond the Dry Dock 251 Appendix 1: Postcolonial/Post-Colonial Debates in Context 263 Appendix 2: Lessons in ‘The Lost Garden’: A First-Contact Tasmanian Historical Novel in Progress 271 Works Cited 283 Index 303
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte 1989-2015 gnd |
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| title | Australian fiction as archival salvage making and unmaking the postcolonial novel |
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| title_exact_search | Australian fiction as archival salvage making and unmaking the postcolonial novel |
| title_full | Australian fiction as archival salvage making and unmaking the postcolonial novel by A. Frances Johnson |
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| title_sort | australian fiction as archival salvage making and unmaking the postcolonial novel |
| title_sub | making and unmaking the postcolonial novel |
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