KEIM:
Matt Lambert's Keim is a special kind of secret. It's a book wrapped in whispers, gossip, innuendo, rumour, myth, mystique, and mystery. His featured "Lovers, Friends, Muses, a Husband" shares in the duplicity of this masterful young photographer's lens. That his chosen cove...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin
POGOBOOKS
[2015]
|
| Ausgabe: | Second edition |
| Schriftenreihe: | PogoBooks
#104 |
| Schlagworte: | |
| Zusammenfassung: | Matt Lambert's Keim is a special kind of secret. It's a book wrapped in whispers, gossip, innuendo, rumour, myth, mystique, and mystery. His featured "Lovers, Friends, Muses, a Husband" shares in the duplicity of this masterful young photographer's lens. That his chosen cover is an anonymous cock is telling. It's mid-ejaculation. A double exposure shows its arc of movement and a small shower of sperm glides off the right hand side of the page. This camboy view is analogous to Lambert's generational twist on the documentation of adolescent sexual behaviour. The photographic diary as rite of passage for artist and subject is a well-documented path. Larry Clark's autobiographical Tulsa (1971) shocked people by revealing the sinewy torsos of his teenage friends-protrusions of cocks, needles, and gun barrels penetrating the sexualized silhouette. It was not what society wanted to see, but thats denial for you. If Lambert has a photographic lineage, it's more likely to be Nan Goldin and her seminal book The Ballad of Sexual Dependency (1985). The Kodachrome-rich reds and browns, the shot-from-the-hip angles, and the incredible intimacy of "Roommates in Bed" (1981), or "Skinhead Having Sex in London" (1978), is much echoed in Lambert's work. However, that's where the influence ends, Lambert's worldview is not a ballad, nor is it about dependency. Whereas Goldin's study of family and relationship is about the politics of sexual intimacy, Lambert is apolitical-he starts and ends with sex. It's therefore independent of relationships. He doesn't care to reveal who is who. Unlike in Goldin's book, no one in Keim has a name, a status, or a sense of purpose in the action other than sexual. All are anon. Most are turned on. - Jefferson Hack |
| Beschreibung: | 1000 copies |
| Beschreibung: | 168 ungezählte Seiten 22 cm x 39.5 cm, 1000 g |
| ISBN: | 9783942547543 |
Internformat
MARC
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| 250 | |a Second edition | ||
| 264 | 1 | |a Berlin |b POGOBOOKS |c [2015] | |
| 300 | |a 168 ungezählte Seiten |c 22 cm x 39.5 cm, 1000 g | ||
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| 490 | 1 | |a PogoBooks |v #104 | |
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| 520 | |a Matt Lambert's Keim is a special kind of secret. It's a book wrapped in whispers, gossip, innuendo, rumour, myth, mystique, and mystery. His featured "Lovers, Friends, Muses, a Husband" shares in the duplicity of this masterful young photographer's lens. That his chosen cover is an anonymous cock is telling. It's mid-ejaculation. A double exposure shows its arc of movement and a small shower of sperm glides off the right hand side of the page. This camboy view is analogous to Lambert's generational twist on the documentation of adolescent sexual behaviour. The photographic diary as rite of passage for artist and subject is a well-documented path. Larry Clark's autobiographical Tulsa (1971) shocked people by revealing the sinewy torsos of his teenage friends-protrusions of cocks, needles, and gun barrels penetrating the sexualized silhouette. It was not what society wanted to see, but thats denial for you. If Lambert has a photographic lineage, it's more likely to be Nan Goldin and her seminal book The Ballad of Sexual Dependency (1985). The Kodachrome-rich reds and browns, the shot-from-the-hip angles, and the incredible intimacy of "Roommates in Bed" (1981), or "Skinhead Having Sex in London" (1978), is much echoed in Lambert's work. However, that's where the influence ends, Lambert's worldview is not a ballad, nor is it about dependency. Whereas Goldin's study of family and relationship is about the politics of sexual intimacy, Lambert is apolitical-he starts and ends with sex. It's therefore independent of relationships. He doesn't care to reveal who is who. Unlike in Goldin's book, no one in Keim has a name, a status, or a sense of purpose in the action other than sexual. All are anon. Most are turned on. - Jefferson Hack | ||
| 600 | 1 | 7 | |a Lambert, Matt |d 1982- |0 (DE-588)1074370376 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Erotische Fotografie |0 (DE-588)4015374-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Männliche Jugend |0 (DE-588)4290802-4 |2 gnd |9 rswk-swf |
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| 689 | 0 | 2 | |a Männliche Jugend |0 (DE-588)4290802-4 |D s |
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| 700 | 1 | |a Pfeifer, Claudio |d 1978- |0 (DE-588)13998044X |4 edt | |
| 700 | 1 | |a Hack, Jefferson |d 1971- |0 (DE-588)138006032 |4 wat | |
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Datensatz im Suchindex
| _version_ | 1804176074757636096 |
|---|---|
| any_adam_object | |
| author2 | Lambert, Matt 1982- Pfeifer, Claudio 1978- |
| author2_role | pht edt |
| author2_variant | m l ml c p cp |
| author_GND | (DE-588)1074370376 (DE-588)13998044X (DE-588)138006032 |
| author_facet | Lambert, Matt 1982- Pfeifer, Claudio 1978- |
| building | Verbundindex |
| bvnumber | BV043461524 |
| ctrlnum | (OCoLC)959224196 (DE-599)DNB1081729910 |
| dewey-full | 770 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770 |
| dewey-search | 770 |
| dewey-sort | 3770 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte |
| edition | Second edition |
| format | Book |
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| id | DE-604.BV043461524 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:26:24Z |
| institution | BVB |
| institution_GND | (DE-588)1065868707 |
| isbn | 9783942547543 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028878698 |
| oclc_num | 959224196 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 168 ungezählte Seiten 22 cm x 39.5 cm, 1000 g |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | POGOBOOKS |
| record_format | marc |
| series | PogoBooks |
| series2 | PogoBooks |
| spelling | Lambert, Matt 1982- (DE-588)1074370376 pht KEIM Matt Lambert ; edited by Matt Lambert & Claudio Pfeifer Second edition Berlin POGOBOOKS [2015] 168 ungezählte Seiten 22 cm x 39.5 cm, 1000 g sti rdacontent n rdamedia nc rdacarrier PogoBooks #104 1000 copies Matt Lambert's Keim is a special kind of secret. It's a book wrapped in whispers, gossip, innuendo, rumour, myth, mystique, and mystery. His featured "Lovers, Friends, Muses, a Husband" shares in the duplicity of this masterful young photographer's lens. That his chosen cover is an anonymous cock is telling. It's mid-ejaculation. A double exposure shows its arc of movement and a small shower of sperm glides off the right hand side of the page. This camboy view is analogous to Lambert's generational twist on the documentation of adolescent sexual behaviour. The photographic diary as rite of passage for artist and subject is a well-documented path. Larry Clark's autobiographical Tulsa (1971) shocked people by revealing the sinewy torsos of his teenage friends-protrusions of cocks, needles, and gun barrels penetrating the sexualized silhouette. It was not what society wanted to see, but thats denial for you. If Lambert has a photographic lineage, it's more likely to be Nan Goldin and her seminal book The Ballad of Sexual Dependency (1985). The Kodachrome-rich reds and browns, the shot-from-the-hip angles, and the incredible intimacy of "Roommates in Bed" (1981), or "Skinhead Having Sex in London" (1978), is much echoed in Lambert's work. However, that's where the influence ends, Lambert's worldview is not a ballad, nor is it about dependency. Whereas Goldin's study of family and relationship is about the politics of sexual intimacy, Lambert is apolitical-he starts and ends with sex. It's therefore independent of relationships. He doesn't care to reveal who is who. Unlike in Goldin's book, no one in Keim has a name, a status, or a sense of purpose in the action other than sexual. All are anon. Most are turned on. - Jefferson Hack Lambert, Matt 1982- (DE-588)1074370376 gnd rswk-swf Erotische Fotografie (DE-588)4015374-5 gnd rswk-swf Männliche Jugend (DE-588)4290802-4 gnd rswk-swf GAY POGOBOOKS Lambert, Matt 1982- (DE-588)1074370376 p Erotische Fotografie (DE-588)4015374-5 s Männliche Jugend (DE-588)4290802-4 s DE-604 Pfeifer, Claudio 1978- (DE-588)13998044X edt Hack, Jefferson 1971- (DE-588)138006032 wat POGO BOOKS Verlag (DE-588)1065868707 pbl PogoBooks #104 (DE-604)BV042012101 104 |
| spellingShingle | KEIM PogoBooks Lambert, Matt 1982- (DE-588)1074370376 gnd Erotische Fotografie (DE-588)4015374-5 gnd Männliche Jugend (DE-588)4290802-4 gnd |
| subject_GND | (DE-588)1074370376 (DE-588)4015374-5 (DE-588)4290802-4 |
| title | KEIM |
| title_auth | KEIM |
| title_exact_search | KEIM |
| title_full | KEIM Matt Lambert ; edited by Matt Lambert & Claudio Pfeifer |
| title_fullStr | KEIM Matt Lambert ; edited by Matt Lambert & Claudio Pfeifer |
| title_full_unstemmed | KEIM Matt Lambert ; edited by Matt Lambert & Claudio Pfeifer |
| title_short | KEIM |
| title_sort | keim |
| topic | Lambert, Matt 1982- (DE-588)1074370376 gnd Erotische Fotografie (DE-588)4015374-5 gnd Männliche Jugend (DE-588)4290802-4 gnd |
| topic_facet | Lambert, Matt 1982- Erotische Fotografie Männliche Jugend |
| volume_link | (DE-604)BV042012101 |
| work_keys_str_mv | AT lambertmatt keim AT pfeiferclaudio keim AT hackjefferson keim AT pogobooksverlag keim |