Hamlet: fold on fold
"William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. More...
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2016]
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| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. Moreover, our desire to master this elusiveness, to "pluck the heart out of its mystery," as Hamlet himself says, precisely mirrors what is going on in the play; and what Shakespeare's play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided. Rather than rushing to conclusions or setting out a theory of what Hamlet is "about," therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici's valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process--at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our time"-- |
| Beschreibung: | xi, 279 Seiten |
| ISBN: | 9780300218329 |
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| 520 | |a "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. Moreover, our desire to master this elusiveness, to "pluck the heart out of its mystery," as Hamlet himself says, precisely mirrors what is going on in the play; and what Shakespeare's play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided. Rather than rushing to conclusions or setting out a theory of what Hamlet is "about," therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici's valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process--at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our time"-- | ||
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Datensatz im Suchindex
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| adam_text | GABRIEL JOSIPOVICI
HAMLET
FOLD OM FOLD
FFamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive — very like our own selves, argues Gabriel Josipovici in this stimulating and original study Moreover, our desire to master this elusiveness, to ‘pluck the heart out of its mystery’, as Hamlet himself says, precisely mirrors what is going on in the play; and what the play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided.
Rather than rushing to conclusions or setting out a theory of what Flam let is ‘about’, therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici’s valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process — at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our
:ime.
CONTENTS
Preface ix
Note on Sources xii
Introduction 1
Fold One 15
Fold Two 25
Fold Three 52
Fold Four 56
Fold Five 75
Fold Six 81
Fold Seven 118
Fold Eight 131
Fold Nine 163
Fold Ten 168
Fold Eleven 178
Fold Twelve 188
Fold Thirteen 196
Fold Fourteen 197
Fold Fifteen 204
Fold Sixteen 223
By Way of Conclusion 25 1
Notes 267
Bibliography 269
Index 271
|
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| dewey-full | 822.33 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.33 |
| dewey-search | 822.33 |
| dewey-sort | 3822.33 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| format | Book |
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| isbn | 9780300218329 |
| language | English |
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| spelling | Josipovici, Gabriel 1940- Verfasser (DE-588)119392070 aut Hamlet fold on fold Gabriel Josipovici New Haven ; London Yale University Press [2016] xi, 279 Seiten txt rdacontent n rdamedia nc rdacarrier "William Shakespeare's Hamlet is probably the best-known and most commented upon work of literature in Western culture. The paradox is that it is at once utterly familiar and strangely elusive--very like our own selves, argues Gabriel Josipovici in this stimulating and original study. Moreover, our desire to master this elusiveness, to "pluck the heart out of its mystery," as Hamlet himself says, precisely mirrors what is going on in the play; and what Shakespeare's play demonstrates is that to conceive human character (and works of art) in this way is profoundly misguided. Rather than rushing to conclusions or setting out a theory of what Hamlet is "about," therefore, we should read and watch patiently and openly, allowing the play to unfold before us in its own time and trying to see each moment in the context of the whole. Josipovici's valuable book is thus an exercise in analysis which puts the physical experience of watching and reading at the heart of the critical process--at once a practical introduction to a great and much-loved play and a sophisticated intervention in some of the key questions of theory and aesthetics of our time"-- Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William / 1564-1616 / Characters / Hamlet Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd rswk-swf Hamlet (Shakespeare, William) fast DRAMA / Shakespeare bisacsh LITERARY CRITICISM / Drama bisacsh Hamlet (Legendary character) fast Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 u DE-604 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028875088&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028875088&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Josipovici, Gabriel 1940- Hamlet fold on fold Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William / 1564-1616 / Characters / Hamlet Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd Hamlet (Shakespeare, William) fast DRAMA / Shakespeare bisacsh LITERARY CRITICISM / Drama bisacsh Hamlet (Legendary character) fast |
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| title_short | Hamlet |
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| topic | Shakespeare, William / 1564-1616 / Hamlet Shakespeare, William / 1564-1616 / Characters / Hamlet Shakespeare, William / 1564-1616 fast Shakespeare, William 1564-1616 Hamlet (DE-588)4099350-4 gnd Hamlet (Shakespeare, William) fast DRAMA / Shakespeare bisacsh LITERARY CRITICISM / Drama bisacsh Hamlet (Legendary character) fast |
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