Behind the lens: dispatches from the cinematographic trenches
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Burlington
Focal Press
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | xxvi, 440 Seiten Illustrationen (farbig) |
| ISBN: | 9781138813472 9781138813489 |
Internformat
MARC
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| 300 | |a xxvi, 440 Seiten |b Illustrationen (farbig) | ||
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Datensatz im Suchindex
| _version_ | 1804175994785890304 |
|---|---|
| adam_text | Contents
Dedication v
Acknowledgments xiii
Sources and Disclaimers xvii
Author Biography xix
Foreword xvi
Introduction xxiii
1 TECH 1
1.1 How a Digital Image is Born 3
1.2 Demystifying Digital: How Digital Cameras Capture a Color Image 7
1.3 The Film Look—Aspect Ratio 13
1.4 Death of a Standard .. .Goodbye to 1.85:1? 21
1.5 The Film Look—Frame Rates 25
1.6 The Film Look—Resolution 31
1.7 The Film Look—Sensor Size: Size Matters 35
1.8 Bits and Bytes: The Bottleneck of Data Rates 41
1.9 The Raw Deal: What s Involved in Recording Raw Imagery? 47
1.10 Digital Cameras and Color: The 411 on 4:4:4,4:2:2, and 4:2:0 51
1.11 Maintaining Your Image Integrity: Masterclass on Monitor
Calibration 55
viii CONTENTS
2 OPTICS 63
2.1 Deeper into Depth of Field: Understanding a Filmic Depth of Field 65
Field Notes: Depth of Field Pull in Miracles 73
2.2 Optical Illusions: Understanding Interchanging Optics 75
23 Making the Switch: Lens Mounts and Interchangeability 81
2.4 A Closer Look: Diopters 85
Field Notes: Split-Field Diopters Used In Popular Movies 89
2.5 Through the Looking Glass: Lens Adapters 91
2.6 Through Colored Glass: Lens Filtration 95
Field Notes: From the Trenches—Free Enterprise 103
2.7 One Plus One Equals Blue: Calculating Camera Filters 105
2.8 Light Reading: Learning to Create and Control Lens Flare 109
Field Notes: Paul Cameron on Total Recall 115
2.9 What Makes a Good Lens? Part I: Sizing Up Flow to Properly
Size Up Optics 117
2.10 What Makes a Good Lens? Part II: Considering Lens Style
and Focus Style 121
2.11 Modulation Transfer Function: Understanding Lens Resolution 125
2.12 Further into MTF: A Specific Look 131
3 CAMERA 135
3.1 What s the Best Camera? 137
3.2 ISO, El, ASA, and YOU 143
3.3 Flow to Determine Your Camera s ISO 153
3.4 The Tools of Digital Exposure, Part I—The Waveform Monitor 155
3.5 The Tools of Digital Exposure, Part II—The Flistogram 161
3.6 When is White Not White? A Look at White Balance 167
Field Notes: Different Colors in Time 171
CONTENTS IX
3.7 Seeing the Invisible, Part I: Dealing with Infrared Contamination
(Red Epic Test) 173
3.8 Seeing the Invisible, Part II: Dealing with Infrared Contamination
(Arri Alexa Test) 181
3.9 A Steady Hand: A Look at Camera Stabilizers 187
4 LIGHTING 191
4.1 Adventures in Lighting: Light Sources 101, Part I—Tungsten 193
4.2 Adventures in Lighting: Light Sources 101, Part II—Fluorescents 199
Field Notes: Fluorescents In-Shot 205
4.3 Adventures in Lighting: Light Sources 101, Part III—HMIs 207
4.4 Adventures in Lighting: Light Sources 101, Part IV—LEDs 211
4.5 Adventures in Lighting: Fixture Types 101, Part I—Through the
Eye of the Fresnel 217
4.6 Adventures in Lighting: Fixture Types 101, Part II—The Ellipsoidal
Reflector Spotlight 223
Field Notes: Night For Day 221
4.7 Adventures in Lighting: Fixture Types 101, Part III—The PAR 229
4.8 Mixology: Additive and Subtractive Color Mixing 233
4.9 Color Temperature 239
4.10 The Magic of Mireds: To Gel or Not to Gel, That is the Question! 245
4.11 White Balance On-the-Fly 249
4.12 Inverse Square Dancing: A Practical Look at the Inverse Square Law 253
4.13 Adventures in Lighting, Part I—Beauty Lighting 257
4.14 Adventures in Lighting, Part II—The Gleaming Specular 263
4.15 Adventures in Lighting, Part III—Unwanted Reflections 267
4.16 Smoke and Fog 273
4.17 Using a Light Meter to Maintain Atmosphere 279
UT C.H
X CONTENTS
4.18 More Adventures in Lighting: When Daylight Fades 281
4.19 The Composition of Sunlight 287
4.20 Art of Darkness: No Light Lighting 291
4.21 Night Lighting 297
4.22 Natural Day for Night 301
4.23 Ghostly Lighting: Cinematographer Bill Roe, ASC, Discusses Lighting
for The X-Files 305
4.24 Adventures in Lighting, Part IV—Eternal Flame 313
4.25 It Ain t Easy Being Green: Estimating Green Screen Lighting 321
4.26 Adventures in Lighting, Part V—12 Pages, Four Scenes, 12 Hours:
An Exercise in Lighting Simplicity and Versatility 325
4.27 A Motel-Room Meltdown: Shooting the Dollar Baby Paranoid 331
4.28 Dancing in the Dark: Shooting Under UV Light 335
4.29 Illuminating Workout: Lighting an Exercise Video Series 341
4.30 Keeping the Lights On: Basic Electrical Management 343
4.31 The Perfect Travel Companion: Lighting Kits 349
MISC
353
5.1
5.2
5.3
5.4
5.5
5.6
.8
A Twisty Tale: A Few Key Knots
Bring the Noise: Tips for Better Audio Production Recording
Sound Advice: Interview with Emmy Award-Winning Post Rerecording
Mixer Eric Lalicata
Shoot the Moon: Tips for Celestial Cinematography
Carnet Chronicles: International Travel with Equipment
Understanding Post Color Correction
Colorful Communication: Working with a Colorist
Raising the Roof: How to Build a Flat
Field Sola: Ciiri cntrySki!! Save (he Hay
355
361
367
373
375
379
ioi
389
39/
CONTENTS Xi
5.9 To Film School or Not to Film School? 395
5.10 Learning From Mistakes: Block, Light, Rehearse, Shoot 401
5.11 I m Captain Kirk! Musings on the Role of the Director 405
5.12 Great Relationships: Jack Green, ASC, Clint Eastwood,
Bruce Surtees, and Joe Dieves 415
Glossary 419
Suggested Reading 429
Index 431
Filmmaker Jay Holben has been battling in the production trenches for most of his life. For the past
17 years, he’s chronicled his adventures in the pages of American Cinematographer; Digital Video.
Videography, and TV Technology. Now, in Behind the Lens: Dispatches from the Cinematographic
Trenches, he’s compiled nearly 100 of his best articles on everything from camera technology and lenses
to tips and techniques for better lighting. Whether you re making independent films, commercials, music
videos, documentaries, television shows, event videos, or industrials, this full-color collection provides
the tools you need to take your work to the next level and succeed in the world of digital motion imaging.
Featured topics include:
* Tech, including the fundamentals of how digital images are formed and how they evolved to match
the look of film, as well as image compression and control
* Optics, providing a thorough examination of lenses and lens interchangeability, depth of field,
filters, flare, quality. MTF. and more
* Cameras, instructing you in using exposure tools. ISO. white balance, infrared, and stabilizers
* Lighting, featuring advice on using lighting sources and fixtures and how to tackle common lighting
problems
Additional tips and tricks cover improving audio, celestial photography, deciding if film school is right for
you. and much more.
For over a decade Jay Holben worked as a director of photography in Los Angeles on features,
commercials, television shows, and music videos. He is a former technical editor and frequent
contributing writer for American Cinematographer, for seven years he served as technical editor and
columnist for Digital Video and currently writes a lighting column for TV Technology. The author of A
Shot m the Dark: A Creative DIY Guide to Digital Video Lighting on (Almost) No Budget. Holben is also on
faculty for the Global Cinematography Institute. He is now an independent producer and director.
|
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| spelling | Holben, Jay Verfasser aut Behind the lens dispatches from the cinematographic trenches Jay Holben Burlington Focal Press 2016 xxvi, 440 Seiten Illustrationen (farbig) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Cinematography Filmtechnik (DE-588)4017144-9 gnd rswk-swf Filmtechnik (DE-588)4017144-9 s DE-604 Erscheint auch als Online-Ausgabe 978-1-315-74812-2 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028825626&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028825626&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Holben, Jay Behind the lens dispatches from the cinematographic trenches Cinematography Filmtechnik (DE-588)4017144-9 gnd |
| subject_GND | (DE-588)4017144-9 |
| title | Behind the lens dispatches from the cinematographic trenches |
| title_auth | Behind the lens dispatches from the cinematographic trenches |
| title_exact_search | Behind the lens dispatches from the cinematographic trenches |
| title_full | Behind the lens dispatches from the cinematographic trenches Jay Holben |
| title_fullStr | Behind the lens dispatches from the cinematographic trenches Jay Holben |
| title_full_unstemmed | Behind the lens dispatches from the cinematographic trenches Jay Holben |
| title_short | Behind the lens |
| title_sort | behind the lens dispatches from the cinematographic trenches |
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| topic | Cinematography Filmtechnik (DE-588)4017144-9 gnd |
| topic_facet | Cinematography Filmtechnik |
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