Worldly Shakespeare: the theatre of our good will
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
2016
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 303 Seiten |
ISBN: | 9781474411325 9781474411349 |
Internformat
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Datensatz im Suchindex
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adam_text | Contents
Acknowledgements vii
Note on Texts viii
Introduction: No Offence in the World i
1 A Globe of Sinful Continents: Shakespeare Thinks the World 32
2 Too Long for a Play: Shakespeare and the Wars of Religion 53
3 Shakespeare in Hate: Performing the Virgin Queen 73
4 No Enemy But Winter: Shakespeare’s Rogue State 94
5 Fools of Time: Shakespeare and the Martyrs 125
6 Veiling an Indian Beauty: Shakespeare and the Hijab 148
7 When Golden Time Convents: Shakespeare and the Shah 172
8 Like an Olympian Wrestling: Shakespeare’s Olympic Game 202
9 As Mice by Lions: Political Theology and Measure for Measure 224
10 Incensing Relics: All’s Well That Ends Well in Shakespeare’s Spain 247
Epilogue: Flower Power in Bohemia 271
Index
293
‘What I love most about Worldly Shakespeare is its own deep worldli-ness. Wilson is equally at home with the ^critical violence” of Shakespearean drama, twentieth-century German political theory, and contemporary global crises around religion and terror. Wilsons philosophical investigations are enlivened with genuine wit, real ardour and an astounding intimacy with Shakespeare’s plays.’
Julia Reinhard Lupton, The University of California, Irvine
‘This book is an outstanding piece of Shakespearean scholarship, mastering a staggering amount of dramatic and critical material combined with bold intellectual and speculative powers. Highly relevant to contemporary questions, such as globalisation, the ethics of toleration and the philosophy of multicultural societies, Worldly Shakespeare lets the old plays speak anew to present-day readers and thinkers.’
Tobias Döring, LMU München
A powerful new study of the plays in light of current debates about globalisation, free speech and toleration
What was Shakespeare thinking when the players named their wide and universal theatre’ the Globe? In Worldly Shakespeare: The Theatre of Our Good Will, Richard Wilson situates this play-acting in the context of current concerns about the difference between globalisation and true ‘mondialisation’. Shakespeare was ‘thinking the world’ as a planetary drama without catharsis, Wilson suggests, and anticipating agonistic philosophers like Jacques Ranciere and Slavoj Zizek, who insist the essence of democracy is dissent, and ‘the presence of two worlds in one’.
Shakespeare’s worldliness consists of the right to give, but not to take offence, Worldly Shakespeare argues. So his plays stage the qualified toleration pictured by Velazquez, when he painted Catholics and Protestants embracing amidst their weapons. Living out his scenario of the guest who destroys the host, by welcoming the religious fanatic, paranoid queen, veiled woman and even terrorist into his play-world, Wilson concludes, Shakespeare provides a pretext for our own globalised communities in times of Facebook and fatwa, as we also come to depend on the right to offend, ‘with our good will5.
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title | Worldly Shakespeare the theatre of our good will |
title_auth | Worldly Shakespeare the theatre of our good will |
title_exact_search | Worldly Shakespeare the theatre of our good will |
title_full | Worldly Shakespeare the theatre of our good will Richard Wilson |
title_fullStr | Worldly Shakespeare the theatre of our good will Richard Wilson |
title_full_unstemmed | Worldly Shakespeare the theatre of our good will Richard Wilson |
title_short | Worldly Shakespeare |
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