British and Irish fiction since 1940:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
2016
|
| Ausgabe: | First edition |
| Schriftenreihe: | The Oxford history of the novel in English
Volume 7 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | xiv, 609 Seiten |
| ISBN: | 9780198749394 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents
Acknowledgements ix
List of Contributors xi
General Editor s Preface xiii
Introduction: The Life and Death of the Post-War Novel 1
Note on British Currency before Decimalization 17
Part I: 1940-1973: Key Figures and Contexts
1. The Material History of the Novel I: 1940-1973 21
Andrew Nash
2. Fiction during the Second World War 37
Lara Feigel
3. The Question of Evil in Post-War British Fiction 53
Robert Eaglestone
4. Working-Class Fictions 64
Nicola Wilson
5. The Novel and the End of Empire 80
John McLeod
6. Migrant Fiction 94
C. L. Innes
7. Womens Fiction after the War 110
Liz Sage
8. Movement Fiction and Englishness 127
Zachary Leader
9. The Continuities of Late Modernism: Before and after Beckett 146
Tyrus Miller
10. Comedy, Class, and Nation 161
Philip Tew
Vi
TABLE OF CONTENTS
11. In the Wake of Joyce: Irish Writing after 1939 174
Michael G. Cronin
12. Judging the Distance: Fiction with Europe in Mind 190
Rod Mengham
Part II: Genres/Subgenres
13. Cinematic and Televisual Fiction 205
Laura Marcus
14. The Novel as History 243
John Brannigan
15. The Novel Sequence 258
Nick Bentley
16. Novel, Novella, Short Story 272
Adrian Hunter
17. Detectives, Spies, and Heroes: From the Cold War to the War on Terror 288
Martin Priestman
18. The Children s Novel 310
Peter Hunt
19. Queers, Gals, Chaps, Chicks, and Lads 328
Emma Parker
20. Jewish Fictions 347
Nadia Valman
21. The Regional and the Global 368
Liam Connell
22. Dystopian Science Fiction and the Return of the Gothic 383
Sherryl Vint
Part III: i 973 to Present: Key Figures and Contexts
23. The Material History of the Novel II: 1973-Present 401
Andrew Nash
24. Fiction and Trauma from the Second World War to 9/11 417
Paul Crosthwaite
25. Decentring Englishness 435
David James
26. The Feminist Novel 450
Mary Eagleton
27. Black British and British Asian Fiction 466
Peter Morey
TABLE OF CONTENTS
vii
28. A Plurinational Literature? Nationalism in British and Northern
Irish Literature since 1970 480
Matthew Hart
29. The New Scottish Renaissance? 494
Scott Hames
30. Ireland and Europe after 1973 512
Derek Hand
31. Welsh Fiction in English: 1979, 1997, and After 528
Kirsti Bohata
Part IV: Approaching the Twenty-First-Century Novel
32. Twenty-First-Century Fiction 549
Betthold Schoene
33. The Future of the Novel 564
Peter Boxall and Bryan Cheyette
Index of British and Irish Novelists since 1940 593
General Index 604
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive,
global, and up-to-date history of English-language prose fiction, written by a large, international
team of scholars. The series is concerned with novels as a whole, not just the ‘literary* novel,
and each volume includes chapters on the processes of production, distribution, and reception,
and on popular fiction and the fictional sub-genres, as well as outlining the work of major
novelists, movements, traditions, and tendencies.
This volume offers the fullest and most nuanced account available of the last eight decades of
British prose fiction. It begins during the Second World War, when novel production fell by
more than a third, and ends at a time when new technologies have made possible the publication
of an unprecedented number of fiction titles and have changed completely the relationship
between authors, publishers, the novel and the reader. The collection is made up of thirty-four
chapters by leading scholars in the field who detail the impact of global warfare on the
novel from the Second World War to the Cold War to the twenty-first century; the reflexive
continuities of late modernism; the influence of film and television on the novel form; mobile
and fluid connections between sexuality, gender and different periods of women s writing;
a broad range of migrant and ethnic fictions; and the continuities and discontinuities of prose
fiction in different regional, national, class and global contexts. Across the volume there is a
blurring of the boundary between genre fiction and literary fiction, as the literary thinking of the
period is traced in the spy novel, the childrens novel, the historical novel, the serial novel, shorter
fiction, the science fiction novel, and the comic novel. The final chapters of the volume explore
the relationship of twenty-first century fiction to post-war culture, and show how this new
fiction both emerges from the history of the novel, and prefigures the novel to come.
|
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