How poems think:
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Chicago and London
The University of Chicago Press
[2015]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references (pages [223]-231) and index |
Beschreibung: | 239 Seiten 1 Illustration |
ISBN: | 9780226277950 9780226278001 9780226278148 |
Internformat
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Datensatz im Suchindex
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adam_text | HOW POEMS THINK
/ GIBBONS, REGINALD [AUTHOR.]
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION: HOW POEMS THINK
THIS WORKING AGAINST THE GRAIN
FORTUNATELY, THE MARKS ON THE PAGE ARE ALIEN
ON RHYME
ON APOPHATIC POETICS (I): TEACH ME THAT NOTHING
ON APOPHATIC POETICS (II): VARIETIES OF ABSENCE
THE CURIOUS PERSISTENCE: TECHN?
SIMULTANEITIES: THE BOW, THE LYRE, THE LOOM
ONYX-EYED ODALISQUES
HAD I A HUNDRED MOUTHS, A HUNDRED TONGUES
AFTERWORD: A DEMONSTRATION
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Introduction: How Poems Think i
1 • This Working against the Grain 15
2 * Fortunately, the Marks on the Page Are Alien 42
3 * On Rhyme 5S
4 * On Apophatic Poetics (i): Teach Me That Nothing ” #7
5 * On Apophatic Poetics (II): Varieties of Absence 107
6 * The Curious Persistence: Techne 123
7 • Simultaneities: The Bow, the Lyre, the Loom 150
8 • Onyx-Eyed Odalisques 176
9 * Had I a Hundred Mouths, a Hundred Tongues” 191
Afterword: A Demonstration 213
ACKNOWLEDGMENTS 221
REFERENCES 223
INDEX 233
LITERARY CRITICISM / POETRY
To write or read a poem is often to think in distinctively poetic ways—
guided by metaphors, sound, rhythms, associative movement, and
more. Poetrys stance toward language creates a particular intelligence
of thought and feeling, a compressed articulation that expands inner
experience, imagining with words what cannot always be imagined
without them. Through translation, poetry has diversified poetic tradi-
tions, and some of poetry s ways of thinking begin in the ancient world
and remain potent even now. In How Poems Think, Reginald Gibbons
presents a rich gallery of poetic inventiveness and continuity drawn
from a wide range of poets—Sappho, Pindar, Shakespeare, Keats,
William Carlos Williams, Marina Tsvetaeva, Gwendolyn Brooks, and
many others. Gibbons explores poetic temperament, rhyme, meton-
ymy, etymology, and other elements of poetry as modes of thinking
and feeling. In celebration and homage, Gibbons attunes us to the pos-
sibilities of poetic thinking.
|
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author | Gibbons, Reginald 1947- |
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dewey-full | 808.1 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 808 - Rhetoric & collections of literature |
dewey-raw | 808.1 |
dewey-search | 808.1 |
dewey-sort | 3808.1 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Literaturwissenschaft |
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spellingShingle | Gibbons, Reginald 1947- How poems think Poetry Poetry Authorship Poetics Hermeneutik (DE-588)4128972-9 gnd Lyrik (DE-588)4036774-5 gnd |
subject_GND | (DE-588)4128972-9 (DE-588)4036774-5 |
title | How poems think |
title_auth | How poems think |
title_exact_search | How poems think |
title_full | How poems think Reginald Gibbons |
title_fullStr | How poems think Reginald Gibbons |
title_full_unstemmed | How poems think Reginald Gibbons |
title_short | How poems think |
title_sort | how poems think |
topic | Poetry Poetry Authorship Poetics Hermeneutik (DE-588)4128972-9 gnd Lyrik (DE-588)4036774-5 gnd |
topic_facet | Poetry Poetry Authorship Poetics Hermeneutik Lyrik |
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