Materiality:
Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artis...
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| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Massachusetts
The MIT Press
2015
Whitechapel Gallery London |
| Schriftenreihe: | Documents of contemporary art
|
| Schlagworte: | |
| Zusammenfassung: | Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 239 Seiten |
| ISBN: | 9780262528092 9780854882373 |
Internformat
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| 505 | 8 | |a Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media<br><br>Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker<br><br>Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley | |
| 520 | |a Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation | ||
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| 650 | 4 | |a Art, Modern / Themes, motives / 21st century | |
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Datensatz im Suchindex
| _version_ | 1804175901128130560 |
|---|---|
| any_adam_object | |
| author2 | Lange-Berndt, Petra |
| author2_role | edt |
| author2_variant | p l b plb |
| author_GND | (DE-588)18848910X |
| author_facet | Lange-Berndt, Petra |
| building | Verbundindex |
| bvnumber | BV043348027 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N6490 |
| callnumber-raw | N6490 |
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| contents | Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media<br><br>Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker<br><br>Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley |
| ctrlnum | (OCoLC)946746231 (DE-599)BSZ434909807 |
| dewey-full | 709.04 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.04 |
| dewey-search | 709.04 |
| dewey-sort | 3709.04 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| era | Geschichte 1900-2000 Geschichte 1970-2015 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1970-2015 |
| format | Book |
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| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:23:39Z |
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| isbn | 9780262528092 9780854882373 |
| language | English |
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| physical | 239 Seiten |
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| publisher | The MIT Press London |
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| spelling | Materiality edited by Petra Lange-Berndt Cambridge, Massachusetts The MIT Press 2015 Whitechapel Gallery London 239 Seiten txt rdacontent n rdamedia nc rdacarrier Documents of contemporary art Includes bibliographical references and index Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media<br><br>Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker<br><br>Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter-considering material as the essentialized basis of medium specificity-and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools. This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation Geschichte 1900-2000 Geschichte 1970-2015 gnd rswk-swf Art, Modern / Themes, motives / 20th century Art, Modern / Themes, motives / 21st century Artists' materials Ästhetik (DE-588)4000626-8 gnd rswk-swf Theorie (DE-588)4059787-8 gnd rswk-swf Künstlerisches Material (DE-588)4304079-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kunst (DE-588)4114333-4 s Theorie (DE-588)4059787-8 s Ästhetik (DE-588)4000626-8 s Geschichte 1970-2015 z DE-604 Künstlerisches Material (DE-588)4304079-2 s Lange-Berndt, Petra (DE-588)18848910X edt Whitechapel Art Gallery (DE-588)1003465-1 isb |
| spellingShingle | Materiality Introduction -- Follow the materials -- The living fire of labour -- Formless blobs and trahs flows -- Bodies that matter -- Nature after nature -- Rematerialization of the void -- Materialities of media<br><br>Artists surveyed include Georges Adéagbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoumè, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker<br><br>Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-François Lyotard, Dietmar Rübel, Monika Wagner, Gillian Whiteley Art, Modern / Themes, motives / 20th century Art, Modern / Themes, motives / 21st century Artists' materials Ästhetik (DE-588)4000626-8 gnd Theorie (DE-588)4059787-8 gnd Künstlerisches Material (DE-588)4304079-2 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4059787-8 (DE-588)4304079-2 (DE-588)4114333-4 (DE-588)4143413-4 |
| title | Materiality |
| title_auth | Materiality |
| title_exact_search | Materiality |
| title_full | Materiality edited by Petra Lange-Berndt |
| title_fullStr | Materiality edited by Petra Lange-Berndt |
| title_full_unstemmed | Materiality edited by Petra Lange-Berndt |
| title_short | Materiality |
| title_sort | materiality |
| topic | Art, Modern / Themes, motives / 20th century Art, Modern / Themes, motives / 21st century Artists' materials Ästhetik (DE-588)4000626-8 gnd Theorie (DE-588)4059787-8 gnd Künstlerisches Material (DE-588)4304079-2 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Art, Modern / Themes, motives / 20th century Art, Modern / Themes, motives / 21st century Artists' materials Ästhetik Theorie Künstlerisches Material Kunst Aufsatzsammlung |
| work_keys_str_mv | AT langeberndtpetra materiality AT whitechapelartgallery materiality |