Critical craft: technology, globalization, and capitalism
"From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; Oxford ; New York ; Nel Delhi ; Sydney
Bloomsbury Academic
2016
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Zusammenfassung: | "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- |
| Beschreibung: | xvi, 298 Seiten Illustrationen |
| ISBN: | 1472594851 147259486X 9781472594853 9781472594860 |
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| 245 | 1 | 0 | |a Critical craft |b technology, globalization, and capitalism |c edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| 264 | 1 | |a London ; Oxford ; New York ; Nel Delhi ; Sydney |b Bloomsbury Academic |c 2016 | |
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| 505 | 8 | |a Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- | |
| 505 | 8 | |a 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- | |
| 505 | 8 | |a Mira Mohsini, Kalamazoo College, USABibliography -- Index | |
| 520 | |a "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- | ||
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Datensatz im Suchindex
| _version_ | 1804175888712990720 |
|---|---|
| adam_text | Contents
List of Figures ix List of Contributors xi Acknowledgments xv
1 Introduction: Taking Stock of Craft in Anthropology 1 Alicia Oiy DeNicola and Clare At Wilkinson-Weber
PART ONE Contentions 17
2 Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico 19
Alanna Cant
3 Forging Source: Considering the Craft of Computer Programming 35
Lane DeNicola
4 American Beauty: The Middle Class Arts and Crafts Revival in the United States 57
Frances E. Mascia-Lees
5 Designs on Craft: Negotiating Artisanal Knowledge and Identity in India 79
Alicia Ory DeNicola and Clare AT Wilkinson-Weber
vi
CONTENTS
6 Nomadic Artisans in Central America: Building Plurilocal Communities through Craft 99
Millaray Villalobos PART TWO Conundrums 113
7 Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems 115
Dawn Nafus and Richard Beckwith
8 Visions of Excess: Crafting Good Chocolate in France and the United States 135
Susan Terrio
9 Creativity and Tradition: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers 153
Myriem Naji
10 Refashioning a Global Craft Commodity Flow from Aklan,
Central Philippines 169
B. Lynne Milgram
PART THREE Conflicts 137
11 Conflicting Ideologies of the Digital Hand: Locating the Material in a Digital Age 189
Daniela Rosner
12 Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft 199 Geoffrey G owlland
CONTENTS
VII
13 Craft, Memory, and Loss: Babban riga robes, politics, and the quest for bigness” in Zaria City, Nigeria 217
Elisha P. Renne
14 Crafting Muslim Artisans: Agency and Exclusion in India’s Urban Crafts Communities 239
Mira Mohsini
Notes 259 References 271 Index 295
|
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| author2 | Wilkinson-Weber, Clare M. DeNicola, Alicia Ory |
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| building | Verbundindex |
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| contents | Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index |
| ctrlnum | (OCoLC)951785213 (DE-599)BVBBV043338862 |
| discipline | Soziologie Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| format | Book |
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| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028758825 |
| oclc_num | 951785213 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-473 DE-BY-UBG DE-703 |
| owner_facet | DE-12 DE-11 DE-473 DE-BY-UBG DE-703 |
| physical | xvi, 298 Seiten Illustrationen |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Bloomsbury Academic |
| record_format | marc |
| spelling | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola London ; Oxford ; New York ; Nel Delhi ; Sydney Bloomsbury Academic 2016 xvi, 298 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index "From Oaxacan wood carvings to dessert kitchens in provincial France, Critical Craft presents thirteen ethnographies which examine what defines and makes 'craft' in a wide variety of practices from around the world. Challenging the conventional understanding of craft as a survival, a revival, or something that resists capitalism, the book turns instead to the designers, DIY enthusiasts, traditional artisans, and technical programmers who consider their labor to be craft, in order to comprehend how they make sense of it. The authors' ethnographic studies focus on the individuals and communities who claim a practice as their own, bypassing the question of craft survival to ask how and why activities termed craft are mobilized and reproduced. Moving beyond regional studies of heritage artisanship, the authors suggest that ideas of craft are by definition part of a larger cosmopolitan dialogue of power and identity. By paying careful attention to these sometimes conflicting voices, this collection shows that there is great flexibility in terms of which activities are labelled 'craft'. In fact, there are many related ideas of craft and these shape distinct engagements with materials, people, and the economy. Case studies from countries including Mexico, Nigeria, India, Taiwan, the Philippines, and France draw together evidence based on linguistics, microsociology, and participant observation to explore the shifting terrain on which those engaged in craft are operating. What emerges is a fascinating picture which shows how claims about craft are an integral part of contemporary global change"-- Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Globalisierung (DE-588)4557997-0 gnd rswk-swf Kunsthandwerk (DE-588)4073883-8 gnd rswk-swf Ethnologie (DE-588)4078931-7 gnd rswk-swf Handwerk (DE-588)4023299-2 gnd rswk-swf Kulturvergleich (DE-588)4114328-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Handwerk (DE-588)4023299-2 s Kunsthandwerk (DE-588)4073883-8 s Kulturvergleich (DE-588)4114328-0 s Globalisierung (DE-588)4557997-0 s Ethnologie (DE-588)4078931-7 s DE-604 Wilkinson-Weber, Clare M. edt DeNicola, Alicia Ory (DE-588)1084216744 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4725-9488-4 Erscheint auch als Online-Ausgabe, PDF 978-1-4725-9487-7 https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV043338862.pdf Inhaltsverzeichnis Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028758825&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Critical craft technology, globalization, and capitalism Machine generated contents note: -- 1: Introduction -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- SECTION ONE: Claims -- 2: Who Authors Crafts? Producing Woodcarvings and Authorship in Oaxaca, Mexico -- Alanna Cant, University of Oslo, Norway -- 3: Number in Craft: Situated Numbering Practices in Do-It-Yourself Sensor Systems -- Richard Beckwith, Intel Corporation, USA -- 4: Arts and Crafts as a Lived Aesthetic -- Fran Mascia-Lees, Rutgers University, USA -- 5: Designs on Craft: Negotiating Artisanal Knowledge and Identity in India -- Clare M. Wilkinson-Weber, Washington State University Vancouver, USA and Alicia Ory DeNicola, Oxford College of Emory University, USA -- 6: Nomadic Artisans in Central America: Building Plurilocal Communities through Craft -- Villalobos Rojas, Dirección General de Migración y Extranjería, Costa RicaSECTION TWO: Conundrums -- 7. We Have Never Been Analog: Situating the Study of Digital Crafts -- Lane DeNicola, Emory University, USA -- 8: Crafting Good Chocolate in France and the US -- Susan Terrio, Georgetown University, USA -- 9: Creativity, Critique and Conservatism: Keeping Craft Alive among Moroccan Carpet Weavers and French Organic Farmers -- Myriem Naji, University College London, UK -- 10: Refashioning a Global Craft Commodity Flow from the Central Philippines -- B. Lynne Milgram, OCAD University, Canada -- SECTION THREE: Conflicts -- 11: Modern Craft: Locating the Material in a Digital Age -- Daniela Rosner, University of Washington, USA -- 12: Materials, the Nation and the Self: Division of Labor in a Taiwanese Craft -- Geoffrey Gowlland, University of Oslo, Norway -- 13: The Weight of Tradition: Crafting Robes, Power and Politics in Nigeria's Zaria City -- Elisha Renne, University of Michigan, USA -- 14: Crafting Muslim Artisans: Agency and Exclusion in India's Urban Craft Communities -- Mira Mohsini, Kalamazoo College, USABibliography -- Index Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Globalisierung (DE-588)4557997-0 gnd Kunsthandwerk (DE-588)4073883-8 gnd Ethnologie (DE-588)4078931-7 gnd Handwerk (DE-588)4023299-2 gnd Kulturvergleich (DE-588)4114328-0 gnd |
| subject_GND | (DE-588)4557997-0 (DE-588)4073883-8 (DE-588)4078931-7 (DE-588)4023299-2 (DE-588)4114328-0 (DE-588)4143413-4 |
| title | Critical craft technology, globalization, and capitalism |
| title_auth | Critical craft technology, globalization, and capitalism |
| title_exact_search | Critical craft technology, globalization, and capitalism |
| title_full | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_fullStr | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_full_unstemmed | Critical craft technology, globalization, and capitalism edited by Clare M. Wilkinson-Weber and Alicia Ory DeNicola |
| title_short | Critical craft |
| title_sort | critical craft technology globalization and capitalism |
| title_sub | technology, globalization, and capitalism |
| topic | Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General bisacsh ART / General bisacsh Artisans fast Folk art fast Handicraft industries fast Material culture fast Workmanship fast Globalisierung (DE-588)4557997-0 gnd Kunsthandwerk (DE-588)4073883-8 gnd Ethnologie (DE-588)4078931-7 gnd Handwerk (DE-588)4023299-2 gnd Kulturvergleich (DE-588)4114328-0 gnd |
| topic_facet | Material culture Artisans Handicraft industries Folk art Workmanship SOCIAL SCIENCE / Anthropology / General ART / General Globalisierung Kunsthandwerk Ethnologie Handwerk Kulturvergleich Aufsatzsammlung |
| url | https://content.ub.hu-berlin.de/monographs/toc/ethnologie/BV043338862.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028758825&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wilkinsonweberclarem criticalcrafttechnologyglobalizationandcapitalism AT denicolaaliciaory criticalcrafttechnologyglobalizationandcapitalism |
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Inhaltsverzeichnis