Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.): Častyna 2 Prydil svv. apostoliv Petra i Pavla
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| Format: | Buch |
| Sprache: | Ukrainian |
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Kyïv
Horobecʹ ; Instytut ukraïnsʹkoï archeohrafiï ta džereloznavstva im. M.S. Hruševsʹkoho NAN Ukraïny
2010
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| Online-Zugang: | Inhaltsverzeichnis Abstract Literaturverzeichnis |
| Beschreibung: | 270 Seiten Illustrationen |
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MARC
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| 100 | 1 | |a Kornijenko, Vjačeslav Vasylʹovyč |d 1979- |e Verfasser |0 (DE-588)138679061 |4 aut | |
| 245 | 1 | 0 | |a Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |n Častyna 2 |p Prydil svv. apostoliv Petra i Pavla |c V.V. Kornijenko |
| 264 | 1 | |a Kyïv |b Horobecʹ ; Instytut ukraïnsʹkoï archeohrafiï ta džereloznavstva im. M.S. Hruševsʹkoho NAN Ukraïny |c 2010 | |
| 300 | |a 270 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
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| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
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Datensatz im Suchindex
| _version_ | 1804175885343916032 |
|---|---|
| adam_text | 3míct
riepe^MOBa ..................................................................3
P03AÍJT I.
rpa £ ÍTÍ np^niijia cb«tmx anocTOJiÍB Ilexpa i IlaBJia.......................6
TaöjiMni uiïocTpauiw.......................................................129
P03AÍJT IL
KoMeHTapi Ta AOCJiizpKemra rpac|}iTi neTponaBJTÍBCBKoro npvmuia............213
IlicjiíiMOBa...............................................................236
Bi6jiiorpa4 i5ï............................................................239
JHoffaTOK
KoopA^tHaTw po3TamyBannH rpac£ ÍTÍ cbíitmx anocTOJiÍB IleTpa i IlaBJia.....246
BKa3ÍBHWK cjiíb rpacJÚTi npvnuia cbhtwx anocTOJiÍB IleTpa i IlaBJia.261
Afterword..................................................................267
3míct......................................................................270
270
AFTERWORD
In the second part of The Collection of Graffiti of St. Sophia of Kyiv 367
inscriptions and drawings were published, which had been preserved in the
chapel of Sts. Peter and Paul the Apostles. They are less than in the chapel of St.
George the Great Martyr, due to greater losses of ancient mural plaster, especially
in the chancel. During research conducted by S. Vysotsky only 12 graffiti of this
cubage were published. The overwhelming majority of rather interesting authentic
sources was disregarded by scientists, which enabled to receive important
information, missing in the sources.
In particular, three memorial inscriptions can be regarded as a peculiar kind
of the chronicle of St. Sophia Cathedral, which informs about several chronological
milestones missing in it that are connected with the history of the spiritual
hierarchy of Kyivan Rus: enthronement of Hilarion by Yaroslav Volodymyrovych
(February 12, 1051), the arrival of the Metropolitan Nykyta in Kyiv (October 15,
1122) and the departure of the Metropolitan Michael to Constantinople (March
29, 1145 at 2 p.m.). According to the manner of execution, the inscriptions are
close to chronicles written by experienced bookmen that obviously belonged to
St. Sophia s scriptorium. One of them, the author of graffito No. 112, calls himself
Sudyslav that enables to speculate about his belonging to the princely family
or approximate to it and gives additional information about social layers of St.
Sophia s bookmen. Another author of graffito No. 1362 about the departure of
the Metropolitan Nykyta hasn t indicated his name, but due to peculiarities of
his dialect, we can determine his north, probably Novgorod origin. Two more
clergymen indicated the place of their activity in devout inscriptions and namely,
the deacon of Turov bishop Luke and Uglych priest Thomas. These inscriptions
are very important sources as to the internal pilgrimage of Kyivan Rus.
Of great interest was the discovery of rather long inscriptions executed
in Glagolitic script, namely a memorial inscription by Theodoulos and a devout
inscription by unknown author executed using a traditional pattern Lord Have
Mercy... Until recently, our information about the usage of Glagolitic script in
epigraphy of St. Sophia of Kyiv was limited to several separate letters, fragment
of inscription and record of the year.
In our previous work we drew our attention to the importance of data
of graffiti for the study of murals of St. Sophia Cathedral, in particular, for the
determination of images of saints, as the majority of them hasn t preserved their
accompanying inscriptions. Owing to inscriptions within the chapel, we were
able to determine the portrayals of Holy Martyr Anastasius of Thessalonica, St.
Lazarus of the Four Days, St. Agape of Palermo and St. Ammon of Alexandria.
The identification of St. Paul the Apostle was also confirmed. It s necessary to
remark that due to field observations, partially preserved dipinti in the fresco
with portrayal of Holy Martyr Cyprilla (Cyrilla) was discovered.
It s necessary to make several remarks as to statistical data. A few of
graffiti in the north chapels of St. George the Great Martyr and Sts. Peter and Paul
the Apostles published by S. Vysotsky made an impression of great advantage of
graffiti in the nave and the south chapels of Sts. Joachim and Anna and Michael
the Archangel. This observation enabled the researcher to take up the position that
a few of inscriptions in the north part and their predominance in the south reflects
the peculiarities of arrangement of believers in the church during divine service,
when the men were from the south side and the women from the north side. In its
turn, the conclusion about illiteracy of the latter was supported by this statement.
267
Kopmemco B.B. Kopnyc rpacfnii Cocf)ii Kwi’BCfeKoi
Similar conclusions were prevailed in historiography, in particular, they were
accepted by A. Medyntseva and S. Franklin. However, such statements are not
well-grounded, as modern research enabled to determine that on no condition
the peculiarities of graffiti arrangement can give evidence of arrangement of
believers during divine service: names and verbal forms indicate that the majority
of inscriptions was executed by men, including those in the north chapels.
Though, the predominance of a number of graffiti in the south part of the church
in comparison with the north part is not so fundamental, in our opinion, is due
to greater sacral significance of the south over the north. Moreover, their number
depends on the popularity of cult of one or another saint depicted on the fresco.
The key role there could play relicts, embedded in the walls of the cathedral. It
was a common practice of church architecture of Byzantine cultural influence.
However, this issue requires separate research.
As we mentioned above, there are more inscriptions in the chapel of St.
George the Great Martyr than in the chapel of Sts. Peter and Paul the Apostles,
due to greater loss of plaster in the chancel, where quite a number of inscriptions
is usually located. In this context, one should draw his attention to the problem of
microchronology of graffiti, i.e. determination of a probable time of scratching of
inscriptions or drawings within the epoch.
In the Soviet historiography, there was a widespread opinion that
inscriptions were executed stealthily during long divine services, as such actions
cutting on the walls of the church were prohibited by the Church Statute of
prince Volodymyr. However, the majority of graffiti are located at the level of
human height and their letters are rather big, many drawings are executed in a
high professional manner that required a long time and special skills. All these
facts demonstrate authors striving for general survey of their works . In most
cases, namely the clergymen were the authors of inscriptions, who would, on the
contrary, adhere to the statute and follow the implementation of this norm by
laity. According to Yu. Artamonov and I. Zaitsev, the prohibition to cut walls
was specified in subsequent versions of Volodymyr s Statute (13th -17th cc.), so
this norm was not introduced until the second half of the 13th - the beginning of
the 14th c. that explains the fact of a gradual decrease of a number of graffiti in St.
Sophia of Kyiv at the turn of the 13th -14th cc. However, it should be noted that
researchers based themselves only upon 416 graffiti published by S. Vysotsky
that didn t reflect a real number of existing inscriptions and drawings in the
church. Taking into consideration the results of modern research of epigraphy of
St. Sophia Cathedral, we can state that later inscriptions of the 14th -17th cc. differ
a little from inscriptions executed in the 11th -13th cc. as to the quantity. So, we can
take up the position that during all chronological period of existence of tradition
to scratch graffiti on the walls of St. Sophia of Kyiv, such actions were neither
allowed nor denied by clergy. And in no case the inscriptions and drawings were
executed during divine service.
The social status of authors of graffiti enables to determine the time of
graffiti appearance within the epoch. Of course, here we face some problems,
because the authors rarely indicate their belonging to a certain stratum. For this
reason, we have to refer to indirect data and, first of all, location of graffiti within
the cathedral. Whereas many of them are located in the chancel, then we can
assume that they were executed by the representatives of clergy, because access
there was limited to ordinary believers. We can t confidently refer highly artistic
drawings, quotations of literary compositions and inscriptions executed at a high
level to clergymen, as they probably belonged to the experienced bookmen,
268
Afterword
who could work in St. Sophia scriptorium. Therefore, it won t be mistakingly to
assume that the majority of graffiti were executed by clergymen of the cathedral,
however, it s impossible to imagine that they were engaged in it during divine
service, in which they took direct part. Correspondingly, we can say with greater
confidence that inscriptions and drawing were scratched on the walls of the
cathedral not during divine service, when there were no believers in the church
(at least the majority).
Bayer? sen e
S * a a ? s b I b i / o t h e k
Mu richer?
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245
|
| any_adam_object | 1 |
| author | Kornijenko, Vjačeslav Vasylʹovyč 1979- |
| author_GND | (DE-588)138679061 |
| author_facet | Kornijenko, Vjačeslav Vasylʹovyč 1979- |
| author_role | aut |
| author_sort | Kornijenko, Vjačeslav Vasylʹovyč 1979- |
| author_variant | v v k vv vvk |
| building | Verbundindex |
| bvnumber | BV043336714 |
| ctrlnum | (OCoLC)951068084 (DE-599)BVBBV043336714 |
| format | Book |
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| id | DE-604.BV043336714 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:23:24Z |
| institution | BVB |
| language | Ukrainian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028756723 |
| oclc_num | 951068084 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 270 Seiten Illustrationen |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Horobecʹ ; Instytut ukraïnsʹkoï archeohrafiï ta džereloznavstva im. M.S. Hruševsʹkoho NAN Ukraïny |
| record_format | marc |
| spelling | Kornijenko, Vjačeslav Vasylʹovyč 1979- Verfasser (DE-588)138679061 aut Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) Častyna 2 Prydil svv. apostoliv Petra i Pavla V.V. Kornijenko Kyïv Horobecʹ ; Instytut ukraïnsʹkoï archeohrafiï ta džereloznavstva im. M.S. Hruševsʹkoho NAN Ukraïny 2010 270 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier (DE-604)BV042291587 2 Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis |
| spellingShingle | Kornijenko, Vjačeslav Vasylʹovyč 1979- Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |
| title | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |
| title_auth | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |
| title_exact_search | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |
| title_full | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) Častyna 2 Prydil svv. apostoliv Petra i Pavla V.V. Kornijenko |
| title_fullStr | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) Častyna 2 Prydil svv. apostoliv Petra i Pavla V.V. Kornijenko |
| title_full_unstemmed | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) Častyna 2 Prydil svv. apostoliv Petra i Pavla V.V. Kornijenko |
| title_short | Korpus hrafiti Sofiï Kyïvsʹkoï (XI-počatok XVIII st.) |
| title_sort | korpus hrafiti sofii kyivsʹkoi xi pocatok xviii st prydil svv apostoliv petra i pavla |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028756723&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV042291587 |
| work_keys_str_mv | AT kornijenkovjaceslavvasylʹovyc korpushrafitisofiikyivsʹkoixipocatokxviiistcastyna2 |