Mainstream or marginal?: a study of the musical practices of three African immigrant performers in Norway
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Oslo
Faculity of Humanities, Department of Musicology, University of Oslo
2014
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XI, 313 Seiten Illustrationen |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043334097 | ||
| 003 | DE-604 | ||
| 005 | 20160627 | ||
| 007 | t | ||
| 008 | 160202s2014 a||| m||| 00||| eng d | ||
| 035 | |a (OCoLC)952621598 | ||
| 035 | |a (DE-599)BVBBV043334097 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Anundsen, Tormod Wallem |d 1967- |e Verfasser |0 (DE-588)1096231298 |4 aut | |
| 245 | 1 | 0 | |a Mainstream or marginal? |b a study of the musical practices of three African immigrant performers in Norway |c Tormod Wallem Anundsen |
| 264 | 1 | |a Oslo |b Faculity of Humanities, Department of Musicology, University of Oslo |c 2014 | |
| 264 | 4 | |c © 2014 | |
| 300 | |a XI, 313 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |b Dissertation |c University of Oslo |d 2014 | ||
| 600 | 0 | 7 | |a Ras Nas |d 1958- |0 (DE-588)1104714310 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Kossa, Diom de |0 (DE-588)1104714574 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Mwangi, Stella |d 1986- |0 (DE-588)1015780520 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Afrikanischer Einwanderer |0 (DE-588)4390962-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Popmusik |0 (DE-588)4046781-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Kulturkontakt |0 (DE-588)4033569-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Weltmusik |0 (DE-588)4267804-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Norwegen |0 (DE-588)4042640-3 |2 gnd |9 rswk-swf | |
| 655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
| 689 | 0 | 0 | |a Norwegen |0 (DE-588)4042640-3 |D g |
| 689 | 0 | 1 | |a Afrikanischer Einwanderer |0 (DE-588)4390962-0 |D s |
| 689 | 0 | 2 | |a Weltmusik |0 (DE-588)4267804-3 |D s |
| 689 | 0 | 3 | |a Popmusik |0 (DE-588)4046781-8 |D s |
| 689 | 0 | 4 | |a Kulturkontakt |0 (DE-588)4033569-0 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Mwangi, Stella |d 1986- |0 (DE-588)1015780520 |D p |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Ras Nas |d 1958- |0 (DE-588)1104714310 |D p |
| 689 | 2 | |5 DE-604 | |
| 689 | 3 | 0 | |a Kossa, Diom de |0 (DE-588)1104714574 |D p |
| 689 | 3 | |5 DE-604 | |
| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028754193&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028754193 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0905 |g 67 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 48 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0905 |g 66 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0905 |g 48 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 67 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 66 |
Datensatz im Suchindex
| _version_ | 1804175881507176448 |
|---|---|
| adam_text | CONTENTS
Contents......................................................i
Acknowledgements........................................... ix
Chapter 1: Constructing the field........................... 1
Purpose and implications....................................1
Perspectives................................................2
Three combinations of world and ‘music’....................2
Searching for the ‘diverse’...............................3
Discourses of difference or sameness......................8
From observation to research design.......................9
Theoretical sampling of research participants..............10
Research participants selected...........................11
Recurring ‘thematic strands’...............................14
The world of‘world music’................................15
Africa on stage..........................................16
Norway: Contexts, society, policies, discourses..........17
The researcher as insider or outsider......................19
Chapter overview...........................................21
Chapter 2: Approaching the music of the Other................27
Is this world music to you? Entering a field of critical discourse
..........................................................28
The ‘Other’ in musical production..........................29
World music: distance and marginalization................31
Postcolonial perspectives in world music discourse.......33
Hybridity and the global imagination.....................34
Points of departure........................................35
Turning to subjects and actions..........................36
From genre to methodology....................................37
Theoretical framing............................................38
Essentializing origin ......................................39
The Other/Same dichotomy in postcolonial discourse...........43
Critique of postcolonial theory..............................48
Decontextualization and recontextualization - of sounds and people
.............................................................49
Research questions.............................................54
Chapter 3: Adapting grounded theory..............................57
Methodology, epistemology, ontology............................57
The selection of grounded theory.............................59
What is grounded theory?.......................................60
Grounded theory terminology..................................61
Methodological procedures of grounded theory.................61
Critique of grounded theory: subjectivity and construction....64
The ‘neutral’ observer.......................................65
Gadamer on subjectivity and prejudice........................67
Conclusions on grounded theory: Researcher subjectivity and
grounded theory ideals.......................................68
Delimitations................................................70
Ontology: talk and text........................................71
Phenomenology: Observing actions.............................72
Performance: music as action............................... 72
Ethnomusicology, popular musicology and the culture term......75
Popular musicology...........................................75
Musical analysis as a mapping of horizons....................76
Ethnomusicology..............................................79
Practice.....................................................85
Performance and discourse....................................86
u
Conclusions: combining grounded and extant theories and
methods.......................................................90
Further methodological considerations.........................92
Notes on translation........................................92
Confidentiality.............................................94
Chapter 4: A minority thing ............................... 97
Introduction: Going with the mainstream .....................97
Nasibu......................................................98
Context and view...........................................100
Concert description..........................................101
Concert introduction.......................................101
Music......................................................102
Representing African music.................................103
Audience interaction.......................................105
Storytelling...............................................106
A family thing’...........................................106
Rounding up................................................108
Recognizing difference.......................................109
Multiculturalist discourse.................................Ill
Interview and developing questions...........................112
The market versus public support...........................112
Themes for further analysis................................115
Model of ideas.............................................116
Paradoxes..................................................118
Access to funding..........................................119
The concept of Bantaba.......................................120
Year of storytelling.......................................121
Improving the reports......................................121
Critique and need for adjustments..........................122
Concert setting............................................123
m
The conceptual producer.....................................124
The role of the storyteller.................................125
Phenomenological view.......................................126
Multiculturalism..............................................127
Multiculturalist dilemmas...................................129
Multiculturalism and Norwegian political context............132
Governance through funding....................................133
The Year of Cultural Diversity..............................135
The national project .......................................136
The national project’ and the responsibility of minority artists.. 138
The Year of Cultural Diversity and production of difference.139
Downloading of concepts and absorption of multiculturalist axioms
............................................................140
Summing up: Discourse, governance and power...................141
Delimitations...............................................143
Conclusions: Opposing models of empowerment and
marginalization...............................................144
Mainstream?.................................................146
Application to overall research and dissertation topics.....147
Chapter 5: Transcending tradition...............................149
Introducing Kossa.............................................149
Relocating to Norway........................................150
Kossa and Touba Orchestra...................................151
Selecting data to present...................................152
Introducing the horns.........................................152
‘Cow horn’ rehearsal sequence...............................153
Building analytical categories................................157
Category 1: The sound of horns..............................158
Category 2: Tradition.......................................159
Category 3: Composition, or building the score..............160
IV
Category 4: Types of professionalism......................162
Category 5: Band community................................164
Concept: From tradition to composition.......................165
The village and the National Ballet.......................166
Kossa’s acquired role.....................................169
Critical perspectives........................................171
Distance as valuing factor................................173
Tradition as provider of authenticity...................174
Moving between representations...............................176
Chapter 6: Reconstructing Africa...............................179
Introduction.................................................179
Rikskonsertene’s multicultural programmes.................179
Context, expectation.........................................181
Establishing the space for performance....................182
Setting the rules of performance.............................183
Greetings and dialogue: Call and response.................183
Performance introduction: Laughter and imitation..........186
Introducing discourses: Origin, Africa, otherness............187
Origin - of performers....................................187
Origin - of instruments...................................189
Discursive categories................................... 190
Storytelling and theatricality...............................191
Signs of production.......................................192
Critical analysis............................................194
On comedy and the clown - minstrelsy or traditional performance?
..........................................................194
Embodying discourse.......................................197
Representing Africa and origin............................199
Participation and experience.................................200
Drum Workshop.............................................201
Deconstructing dance....................................202
De- and reconstructing Africa...........................203
Entrepreneurship and community............................205
Summing up................................................207
Critiques of postcolonialism..............................209
Chapter 7: Building in-between spaces.......................211
Introduction..............................................211
A diasporic audience......................................211
The Mantra club event...................................213
A reconnective diaspora.................................215
Soukous as a globalized, Pan African music style..........217
A Ras Nas performance in Mid-Norway.......................219
Performing soukous......................................220
The role of the toaster...................................227
Performance roles and soukous as African cosmopolitanism.229
Soukous and reggae as Black Atlantic reconnections....230
Ras Nas’ performance as establishing a diasporic space..232
Two types of diaspora...................................233
Conclusions............................................. 234
Chapter 8: Taking it back................................. 237
Background: hip hop and discourses of otherness...........237
Small places, big places ................................238
Becoming a hip hop community............................241
Hip hop and rap as urban culture........................243
Providing urbanity......................................244
Making it big - in Africa.................................245
Reception............................................... 246
Becoming an artist........................................249
Africa as centre........................................250
vi
Musical reconnections.................................... 252
Taking it back - to the market...........................254
Reconnection as strategy.................................256
Concept: A double reconnective orientation.................257
Virtual realities, mediascapes and future research.......259
Really going with the mainstream: Eurovision Song Contest 2011
............................................................260
Reciprocal gazes...........................................266
Diasporic modern-ness....................................267
On otherness, sameness and reciprocal gazes..............269
Pointing towards conclusions.............................271
Chapter 9: Conclusions.......................................273
Research questions and analytical concepts.................273
Analytical concepts......................................274
Same and Other...........................................276
A grounded theory of recontextualizing musical performers...280
Grounded theory part 1: Constructing sameness through
community.............................................. 281
Diaspora as living opportunity...........................283
Grounded theory part 2: Transcending the national project.285
Relevance, implications and future research................286
Implications.............................................288
Representing or presenting?...............................289
List of figures..............................................293
References...................................................295
Appendix I: Initial handout with information about the research
project.................................................. 309
Appendix II: Statement of consent (to be signed by participants)
...........................................................311
Vll
|
| any_adam_object | 1 |
| author | Anundsen, Tormod Wallem 1967- |
| author_GND | (DE-588)1096231298 |
| author_facet | Anundsen, Tormod Wallem 1967- |
| author_role | aut |
| author_sort | Anundsen, Tormod Wallem 1967- |
| author_variant | t w a tw twa |
| building | Verbundindex |
| bvnumber | BV043334097 |
| ctrlnum | (OCoLC)952621598 (DE-599)BVBBV043334097 |
| format | Thesis Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02562nam a2200613 c 4500</leader><controlfield tag="001">BV043334097</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160627 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160202s2014 a||| m||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)952621598</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043334097</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Anundsen, Tormod Wallem</subfield><subfield code="d">1967-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1096231298</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Mainstream or marginal?</subfield><subfield code="b">a study of the musical practices of three African immigrant performers in Norway</subfield><subfield code="c">Tormod Wallem Anundsen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oslo</subfield><subfield code="b">Faculity of Humanities, Department of Musicology, University of Oslo</subfield><subfield code="c">2014</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XI, 313 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="502" ind1=" " ind2=" "><subfield code="b">Dissertation</subfield><subfield code="c">University of Oslo</subfield><subfield code="d">2014</subfield></datafield><datafield tag="600" ind1="0" ind2="7"><subfield code="a">Ras Nas</subfield><subfield code="d">1958-</subfield><subfield code="0">(DE-588)1104714310</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Kossa, Diom de</subfield><subfield code="0">(DE-588)1104714574</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mwangi, Stella</subfield><subfield code="d">1986-</subfield><subfield code="0">(DE-588)1015780520</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Afrikanischer Einwanderer</subfield><subfield code="0">(DE-588)4390962-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturkontakt</subfield><subfield code="0">(DE-588)4033569-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Weltmusik</subfield><subfield code="0">(DE-588)4267804-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Norwegen</subfield><subfield code="0">(DE-588)4042640-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Norwegen</subfield><subfield code="0">(DE-588)4042640-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Afrikanischer Einwanderer</subfield><subfield code="0">(DE-588)4390962-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Weltmusik</subfield><subfield code="0">(DE-588)4267804-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Popmusik</subfield><subfield code="0">(DE-588)4046781-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Kulturkontakt</subfield><subfield code="0">(DE-588)4033569-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Mwangi, Stella</subfield><subfield code="d">1986-</subfield><subfield code="0">(DE-588)1015780520</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Ras Nas</subfield><subfield code="d">1958-</subfield><subfield code="0">(DE-588)1104714310</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">Kossa, Diom de</subfield><subfield code="0">(DE-588)1104714574</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028754193&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028754193</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">67</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">48</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">66</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">48</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">67</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">66</subfield></datafield></record></collection> |
| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Norwegen (DE-588)4042640-3 gnd |
| geographic_facet | Norwegen |
| id | DE-604.BV043334097 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:23:20Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028754193 |
| oclc_num | 952621598 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XI, 313 Seiten Illustrationen |
| publishDate | 2014 |
| publishDateSearch | 2014 |
| publishDateSort | 2014 |
| publisher | Faculity of Humanities, Department of Musicology, University of Oslo |
| record_format | marc |
| spelling | Anundsen, Tormod Wallem 1967- Verfasser (DE-588)1096231298 aut Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen Oslo Faculity of Humanities, Department of Musicology, University of Oslo 2014 © 2014 XI, 313 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dissertation University of Oslo 2014 Ras Nas 1958- (DE-588)1104714310 gnd rswk-swf Kossa, Diom de (DE-588)1104714574 gnd rswk-swf Mwangi, Stella 1986- (DE-588)1015780520 gnd rswk-swf Afrikanischer Einwanderer (DE-588)4390962-0 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Kulturkontakt (DE-588)4033569-0 gnd rswk-swf Weltmusik (DE-588)4267804-3 gnd rswk-swf Norwegen (DE-588)4042640-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Norwegen (DE-588)4042640-3 g Afrikanischer Einwanderer (DE-588)4390962-0 s Weltmusik (DE-588)4267804-3 s Popmusik (DE-588)4046781-8 s Kulturkontakt (DE-588)4033569-0 s DE-604 Mwangi, Stella 1986- (DE-588)1015780520 p Ras Nas 1958- (DE-588)1104714310 p Kossa, Diom de (DE-588)1104714574 p Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028754193&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anundsen, Tormod Wallem 1967- Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway Ras Nas 1958- (DE-588)1104714310 gnd Kossa, Diom de (DE-588)1104714574 gnd Mwangi, Stella 1986- (DE-588)1015780520 gnd Afrikanischer Einwanderer (DE-588)4390962-0 gnd Popmusik (DE-588)4046781-8 gnd Kulturkontakt (DE-588)4033569-0 gnd Weltmusik (DE-588)4267804-3 gnd |
| subject_GND | (DE-588)1104714310 (DE-588)1104714574 (DE-588)1015780520 (DE-588)4390962-0 (DE-588)4046781-8 (DE-588)4033569-0 (DE-588)4267804-3 (DE-588)4042640-3 (DE-588)4113937-9 |
| title | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway |
| title_auth | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway |
| title_exact_search | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway |
| title_full | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen |
| title_fullStr | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen |
| title_full_unstemmed | Mainstream or marginal? a study of the musical practices of three African immigrant performers in Norway Tormod Wallem Anundsen |
| title_short | Mainstream or marginal? |
| title_sort | mainstream or marginal a study of the musical practices of three african immigrant performers in norway |
| title_sub | a study of the musical practices of three African immigrant performers in Norway |
| topic | Ras Nas 1958- (DE-588)1104714310 gnd Kossa, Diom de (DE-588)1104714574 gnd Mwangi, Stella 1986- (DE-588)1015780520 gnd Afrikanischer Einwanderer (DE-588)4390962-0 gnd Popmusik (DE-588)4046781-8 gnd Kulturkontakt (DE-588)4033569-0 gnd Weltmusik (DE-588)4267804-3 gnd |
| topic_facet | Ras Nas 1958- Kossa, Diom de Mwangi, Stella 1986- Afrikanischer Einwanderer Popmusik Kulturkontakt Weltmusik Norwegen Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028754193&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT anundsentormodwallem mainstreamormarginalastudyofthemusicalpracticesofthreeafricanimmigrantperformersinnorway |