Classics for the masses: shaping Soviet musical identity under Lenin and Stalin
Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of...
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Yale University Press
[2016]
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Zusammenfassung: | Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how "undesirable" repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were "canonized" during different, distinct periods in Stalinist culture. Fairclough's fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West. - Pauline Fairclough is senior lecturer in music, University of Bristol, United Kingdom, where her special interest is Soviet music and culture. |
Beschreibung: | x, 283 Seiten Illustrationen |
ISBN: | 9780300217193 |
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CONTENTS
List of Illustrations vii
Acknowledgements viii
Note on Transliteration and Archival Sources xi
Soviet Acronyms and Abbreviations xii
Introduction 1
1 Propagandizing the Classics, 1917-1929 12
2 Cultural Revolution, Repertoire Politics and the
Classics 75
3 Internationalism, Modernism and the ‘Stalinist
Enlightenment’, 1932-1941 101
4 Turning Inwards: The Rise of Russian Nationalism,
1937-1941 140
5 From the Great Patriotic War to the
Zhdanovshchina, 1941-1953 172
Conclusion 222
Biographies 228
Notes 239
Select Bibliography 265
Index 277
SELECT BIBLIOGRAPHY
Books
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Moscow: Muzgiz, 1958
Anon., N. A. Rimskiy-Korsakov i ego vremya. Kratkiy putevoditeVpo vistavke v russkom muzee
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Artizov, Andrey, and Oleg Naumov, Vlast i khudozhestvennaya intelligentsiya: dokumenti
TsKRKP (b) - VKP (b) - VChK - NKVD o kuVturnoy politike, 1917-1953 [Power and the
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Asaf yev, Boris, Pamyati Petra iVicha Chaykovskogo 1840-1940 [In memory of Peter Il’ich
Chaykovskiy], Leningrad and Moscow: Muzgiz, 1940
Bacht, Nikolaus, ed., Music, Theatre and Politics in Germany. 1848 to the Third Reich,
Farnham: Ashgate, 2006
Bake ye va, V. N., and A. N. Kotlyaredskiy, Magnifikat I. S. Bakha [J. S. Bachs Magnificat],
Leningrad: Leningrad Philharmonia, 1939
Barenboym, L., Iz istorii sovetskogo muzikalhogo obrazovaniya [From the history of Soviet
musical education], Leningrad: Muzi'ka, 1969
Bartlett, Rosamund, Wagner and Russia, Cambridge: Cambridge University Press, 1995
Bassin, Mark, and Catriona Kelly, Soviet and Post-Soviet Identities, Cambridge: Cambridge
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Beckerman, Michael Brim, ed., Martinus Mysterious Accident: Essays in Honor of Michael
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Bekker, Paul, Die Sinfonie von Beethoven bis Mahler (1918), trans. into Russian by Roman
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Belyayev, Viktor, Igor Glebov, Pavel Lamm et al., Musorgskiy: Boris Godunov. Stafi i issle-
dovaniya [Musorgskiy: Boris Godunov. Articles and research], Moscow: Gosudarstvennaya
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266
SELECT BIBLIOGRAPHY
Belza, Igor, S. V. Rakhmaninov, Moscow and Leningrad: Muzgiz, 1946
Belza, Igor, ed., S. V. Rakhmaninov, Moscow: All-Russian Theatre Society, 1947
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—, and Andrey Rimskiy-Korsakov, Boris Godunov Musorgskogo [Musorgskys Boris
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Bronfin, Yelena, Muzikalhaya kuVtura Petrograda pervogo poslerevolyutsionnogo pyatiletiya
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Budyakovskiy, Andrey, R I. Chaykovskiy. Simfonicheskaya muzika [P. L Chaykovskiy.
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RAPM, Voprost natsionaVnoy muztki [Questions of national music], Moscow: Muzgiz, 1931
Ratskaya, Tsetsiliya, M, P. Musorgskiy. K stoletiyu so dnya rozhdeniya (1839-1939) [M. R
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Sala, Luca, ed„ The Legacy of Richard Wagner, Speculum Musicae, Turnhout: Brepols
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Schwarz, Boris, Music and Musical Life in Soviet Russia, 1917-1981, enlarged edn,
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Shaverdyan, Aleksandr, Simfonii Betkhovena [Beethovens symphonies], Moscow: Moscow
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Sheremet yeva, Nadezhda, M. G. Klimov. Dirizher Leningradskoy akademicheskoy kapelli [M.
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Shneyerson, Grigoriy, Sovremennaya Amerikanskaya muzika [Contemporary American
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1950
Shteynpress, Boris, Klassicheskaya muzika [Classical music], Moscow: State publishing for
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Sollertinskiy, Ivan, Gustav Maler, Leningrad: Triton, 1932
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1938
Solovtsov, Anatoliy, S. V. Rakhmaninov, Moscow and Leningrad: Muzgiz, 1947
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Cresset Press Ltd, 1939
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1934
Vinogradov, Viktor, Protiv tserkovshchini v muzike [Against church style in music], Moscow:
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Articles and Theses
Al'shvang, Arnold, ‘Narodnosf v Rossiskoy klassicheskoy muzike’ [Folk qualities in Russian
classical music], Sovetskaya muzïka, 1938, no. 5, 5
Anisimov, G., ‘Na bor’ba s tserkovshchinoy v muzike’ [On the struggle with the churchs
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Anon., ‘Dovesti do kontsa s nepmanskoy muzïkoy' [Let us bring an end to Nepman music],
Za proletarskuyu muzïku, 1930, no. 9, 1-3
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6, 6-7
—, 4 “Levïy” flang sovremennoy muzïki' [The ‘left' wing of contemporary music], Muzïka i
revoliutsiya, 1927, no. 1, 6
—, ‘Betkhoven v ispolnenii dvukh germanskikh dirizherov' [Beethoven performed by two
German conductors], Za proletarskuyu muzïku, February-March 1932, 36-8
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NEPman music], Za proletarskuyu muzïku, 1930, no. 9, 1-3
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Rabochiy i teatr, 12 March 1930, 11
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muzïkant, 1929, no. 4, 3-12
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Muzïka i revoliutsiya, 1928, no. 3, 5
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music: on the opera ‘Lady Macbeth of Mtsensk'], Pravda, 28 January 1936, 3
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—, ‘Klassicheskaya muzïka v strane sovetov [Classical Music in the Land of the Soviets],
Sovetskoe iskusstvo, 5 February 1936, 1
—, ‘Filarmonicheskie delà [Philharmonia affairs], Sovetskoe iskusstvo, 25 January 1938, 4
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272
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Artamonova, Elena, ‘Between Tradition and Modernity: Sergei Vasilenko and His Unknown
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Asmus V, ‘Muzïkal’naya estetika filosofkogo romantizma’ [Musical aesthetics of philosoph-
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Baksan, D., ‘Nasledstvo Vagnera’ [Wagner’s legacy], Izvestiya, 18 September 1937, 3
Belyayev, Viktor, ‘Myaskovskiy, Gedike i Aleksandrov’, Sovremennaya muzïka, 1924, no. 8,
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Belza, Igor, ‘O tvorcheskikh napravleniyakh v sovremennoy angliyskoy muzïke’ [On creative
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Bogdanov-Berezovskiy, Valerian, and A. Aldanov, ‘Kontserff Ansermet’ [Ansermet’s
concerts], Rabochiy i teatr, 2 June 1929, 10
Bogdanov- Berezovskiy, Valerian, ‘O rabote Leningradskogo muz'ikal’nogo veshchaniya
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Braudo, Yevgeniy, ‘Betkhoven-grazhdanin’ [Beethoven-Citizen], Muzi'ka i revoliutsiya,
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Brooke, Caroline, ‘The Development of Soviet Music Policy 1932-194T, PhD diss.,
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Bruk, M., ‘Shubert i ego pesni’ [Schubert and his songs], Za proletarskuyu muzikuy no. 16
(26), 1931,6-12
Chemodanov, Sergey, ‘Muzïka i teoriya istoricheskogo materializma’ [Music and the theory
of historical materialism], MuzikaVnaya nov [Musical virgin soil], 1923, no. 1, 15-16
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1923, no. 2, 14-16
Cheremukhin, Mikhail, ‘K voprosu o putyakh sovetskoy muzïki’ [On the question of the
path for Soviet music], Sovetskaya muzïka, 1933, no. 5, 23-30
Chernov, Ya„ ‘V Vetoshnom pereulka’ [In Vetoshniy lane], Sovetskoe iskusstvoy 18 February
1938, 4
‘D’, ‘O simfonicheskikh kontsertakh dlya rabochikh’ [On symphony concerts for workers],
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akademiya, 1998, nos 3-4, 159-76
Dmitr’yev, M„ ‘Mechtaem o simfonicheskom orkestre’ [We dream of a symphony orchestra],
Muzïka i bit, no. 4 (August), 1927, 13
Dreyden, Simon, ‘Na volye revoliutsii’ [At the will of the revolution], Sovetskaya muzïka,
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Druskin, Mikhail, ‘Repertuar i ispolniteli simfonicheskie kontserfi filarmonii’ [Repertoire
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worker listener], Sovetskaya muzika, 1934, no. 7, 71-2
Dubinets, Elena, ‘Pervootkrivatel’ novoy muziki’ [The Groundbreaker of new music],
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V. F., ‘O voennikh orkestrakh’ [On military orchestras], Proletarskiy muzikant, 1929,
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Gachev, Dmitriy, ‘Vagner i Feyerbakh’ [Wagner and Feuerbach], Sovetskaya muzika, 1934,
no. 7, 61-2
Gaub, Albrecht, ‘Mikhail Glinka as Preached and Practiced in the Soviet Union Before and
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Glebov, Igor, ‘Mozart and Sovremennost’ [Mozart and the present], Sovremennaya muzika
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—, ‘Muzika goroda i derevni’ [Music of town and country], Muzika i revoliutsiya, 1926, no. 3, 6
—, ‘Petrogradskie Kuranti’ [Petrograd chimes], K nov'im beregam, 1923, no. 3, 42
Glier, Reyngol’d, ‘Vidaushchiysya russkiy kompozitor’ [A distinguished Russian composer],
Izvestiya, 31 March 1943, 4
Glumov, A., ‘Lelio’, Sovetskaya muzika, 1934, no. 2, 44-50
Gorodinskiy, Viktor, ‘Etyud o Bakhe’ [Study on Bach], Sovetskoe iskusstvo, 11 April 1935, 2
Grinberg, Moysey, ‘RAPMovskie perepevi’ [RAPMovsky re-hashing], Sovetskoe iskusstvo,
11 May 1937,3
Groman, Anatoliy, ‘Bela Bartók’, Proletarskiy muzikant, 1929, no. 1, 36-8
—, ‘Istoriya Russkoy muziki i RAPM’ [The history of Russian music and RAPM], Sovetskoe
iskusstvo, 11 May 1937, 5
Groman-Solovtsov, Anatoliy, and V. Voloshinov, ‘Betkhoven v ispolnenii dvukh german-
skikh dirizherov’ [Beethoven as performed by two German conductors], Zaproletarskuyu
muziku, nos 4-5 (38-9) 1932, 36-8
Gruber, Roman, ‘Kak slushaet muziku rabochaya auditoriya’ [How a workers’ audience
listens to music], Muzika i revoliutsiya, 1928, no. 12, 12
—, ‘Bakh i Gendel” [Bach and Handel], Sovetskaya muzika, 1935, no. 3, 5-29
Iokhel’son, Vladimir, ‘Muzikal’niy front i reshenie partii’ [The Musical Front and the Party’s
Decision], Rabochiy i teatr, 1932, no. 16, n. p.
Iokhelson, Vladimir, ‘Tvorcheskaya diskussiya v Leningrade’ [The creative discussion in
Leningrad], Sovetskaya muzika, 1936, no. 4, 13
Ivanov-Boretskiy, Mikhail, ‘E.T.A. Gofman” [E.T.A. Hoffmann], MuzikaVnoe obrazovanie,
1926, no. 1, 15
—, ‘Dz’oakino Rosini’ [Gioacchino Rossini], Proletarskiy muzikant, 1930, no. 7(15), 19-26
—, ‘Revoliutsionn'ie khori Shumana [Schumanns revolutionary choruses], MuzikaVnoe
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—, ‘Ot oper'i k oratorii’ [From opera to oratorio], Sovetskaya muzika, 1935, no. 3, 30-7
Kal’tat, Lev, ‘Zametki o Sofile’ [Notes on Sofil], Proletarskiy muzikant, 1929, nos 7-8, 13
—, and David Rabinovich, ‘V boyakh za nasledstvo’ [Fighting for a heritage], Sovetskaya
muzika, 1933, no. 3, 7-40
Kelly, Catriona, ‘Socialist Churches: Heritage Preservation and “Cultic Buildings” in
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Khubov, Georgiy, ‘Ivan Susanin, Sovetskaya muzika, 1939, no. 2, 34
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274
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Kiprianov, V., "Ot yablochka k Betkhovenu’ [From yablochka to Beethoven], Rabochiy i
teatra, no. 10, 1937, 3
Koposov, A., "O rukovoditelyakh klubnYkh muzikalmkh kruzhkov’ [On the leadership of
club music groups], Muzika i revoliutsiya, 1929, nos 7-8, 5
Korotkov, M., "Leningradskaya muzikalnaya samodeyatel’nost” [Leningrad’s amateur music
scene], Rabochi i teatr, 21 February 1931, 16
Koval’, Marian, "Mavra Stravinskogo’ [Stravinsky’s Mavra], Proletarskiy muzikanU 1929,
no. 3, 33-5
Koval’, Marian, ‘Aleko M. G. K.’ [Aleko in the Moscow State Conservatoire], Proletarskiy
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Kovnatskaya, Lyudmila, " “Vagnerovskie golosa” v Sankt-Peterburge. Razocharovanie i
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Kristiansen, Lev, ‘Likvidirovat’ ostatki RAPMovshchini’ [To finish off the remnants of the
rapmovshchina], Sovetskaya muzika, 1938, no. 5, 9-14
Kudryatsev, N., "Kak ozdorovit muzikal’niy repertuar klubov’ [How to improve club music
repertoire], Proletarskiy muzikanU 1929, no. 4, 29
Kuznetsov, Konstantin, "Etiudi o Gluke’ [Notes on Gluck], Sovetskaya muzika, 1937, no. 12,
94-100
LaPasha, L. Robin C., ‘From Chastushki to Tchaikovsky: Amateur Activity and the
Production of Popular Culture in the Soviet 1930s’, PhD diss., Duke University, 2001
Lebedinskiy, Lev, ‘Kontsertnaya rabota v rabochey auditorii’ [Concert works for workers],
Proletarskiy muzikant, 1929, 2, 9
—, "O zhivikh muzeyakh’ [On living museums], Za proletarskuyu muziku, 1931, no. 6,
8-9
Liberson, S. A., ‘Sumerki muzikal’nogo tvorchestva’ [The twilight of musical creativity],
Muzika i revoliutsiya, 1927, nos 7-8, 8
Lovell, Stephen, "Broadcasting Bolshevik: The Radio Voice of Soviet Culture, 1920s-1930s’,
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Lunacharskiy, Anatoliy, "Velikie sestri’ [‘Great Sisters’], Muzika i revoliutsitya, 1926,
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— "Romantika^ Muzika i revoliutsiya, 1928, no. 10, October, 3-6
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—, "Novie puti operi i baleta’ [New steps in opera and ballet], Proletarskiy muzikant, 1930,
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Maddox, Steven, ‘These Monuments Must Be Protected! The Stalinist Turn to the Past and
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Makar’in, Aleksandr, and Rafael Suslovich, ‘Izuchayte rabochego zritelya!’ [Study the
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Mal’ko, Nikolay, ‘O “diletantakh” i liubitelyakh’ [On "dilettantes’ and music lovers], Muzika i
bit, no. 2, June 1927, 1 -2
Mirov, N. V., ‘Dukhovie rabochie orkestri-kruzhki’ [Workers’ orchestral groups], Muzika i
revoliutsiya, 1927, nos 5-6, 8
Mitchell, Rebecca, ‘Nietzsche’s Orphans: Music and the Search for Unity in Revolutionary
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Moore, Christopher, "Socialist Realism and the Music of the French Popular Front’, The
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‘Muzrabotnik’, "Za sotsialisticheskoe nastuplenie v muzike’ [Towards a socialist offensive in
Music], Rabochiy i teatr, 2 June 1929, 8
Nadol’skiy, D„ "Muzika v goscapella’ [Music in the State capella], Rabis, 15 March 1926, 10
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Neygauz, Genrikh, ‘O prostote v iskusstve’ [On simplicity in music], Sovetskoe iskusstvo,
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Novitskiy, Sergey, ‘Shto delat’?’ [What is to be done?], Muzika i revoliutsiya, 1929, no. 4, 35-6
ORKiMD, ‘Nash protest’ [Our protest], Muzika i revoliutsiya, 1928, nos 5-6, 43
Pekelis, Mikhail, ‘Frants Shubert’, Muzika i revoliutsiya, 1928, no. 10, 7-15
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Ratskaya, Tsetsiliya, ‘Voprosi metodiki kontsertno-lektsionnoy rabofi’ [Questions of
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Remezov, I., ‘Massovaya rabota s rabochim zritelem v Bolshom teat re’ [Mass work with
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Rizhkin, Iosef, ‘Arnold Shenberg - likvidator muziki’ [Arnold Schoenberg - the liquidator
of music], Sovetskaya muzika, 1949, no. 8, 97-103
Roslavets, Nikolay, ‘Nash muzikaTniy front’ [Our musical front], Rabis, 5 December 1925,2-3
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Shneyerson, Grigoriy, ‘Alan Bush’, Sovetskaya muzika, 1938, no. 9, 86-7
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Sovetskaya muzika, 1941, no. 5, 108
—, ‘Muz'ikal’naya Frantsiya’ [Musical France], Sovetskaya muzika, 1946, no. 11, 95-100
—, ‘Boguslav Martinu - Lidice’, Sovetskaya muzika, 1947, no. 2, 102
—, ‘Amerikanskaya muzikal’naya inzheneriya’ [American musical engineering], Sovetskaya
muzika, 1948, no. 2, 167
Shtangrud, Mikhail, ‘History of Moscow State Choral College from 1944 through 1991’,
DMA diss., Thornton School of Music, University of Southern California, 2006
Shteynpress, Boris, ‘Ob instrumental’nom tvorchestve Motsarta [On Mozart’s instrumental
music], Sovetskaya muzika, 1935, no. 6, 58
Smith, Suzannah Lockwood, ‘Soviet Arts Policy, Folk Music, and National Identity: The
Piatnitskii State Russian Folk Choir, 1927-1945’, PhD dissertation, University of
Minnesota, 1997
Sollertinskiy, Ivan, ‘Iuda Makkabey’ [Judas Maccabeus], Leningradskaya pravda, 22 April
1939, 3
—, ‘Georg Gendel’. 250 let so dnya rozhdeniya’ [George Handel. 250 years since his birth],
Izvestiya, 27 February 1935, 2
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—, ‘O puti Rikharda Vagnera [On the path of Richard Wagner], Rabochiy i teatr, 1933, nos
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Swift, Megan, ‘The Bronze Horseman Rides Again: The Stalinist Reimaging of Alexander
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INDEX
Abendroth, Hermann 60, 62, 86
Abezgauz, Isabella 210-13
Albéniz, Isaac 176
Aleksandrov, Aleksandr 117, 152
Aleksandrov, Georgiy 199, 205
Alshvang, Arnold 155
Anderson, Marian 157, 179
Andreyev, Andrey 118, 142, 205, 254
Ansermet, Ernest 58, 62-3, 86, 112,
115-17, 157, 179, 254
Antheil, George 67, 181
Arenskiy, Anton 18-19, 59, 69, 147, 206
Arkad’yev, Mikhail 143, 254
Arkhangelskiy, Aleksandr 183
Arne, Thomas 182
Arosev, Aleksandr 200, 220
Asafyev, Boris 18, 20-5, 30, 51-2, 65, 68,
71, 76, 82, 87, 98-9, 133, 163, 169,
202, 254
Atovmyan, Levon 99, 202
Auer, Leopold 12
Auric, Georges 61-2, 114
Avraamov, Arseniy 216
Bach, Johann Sebastian 2-3, 6, 9, 17,
27, 28-30, 54, 56, 72, 76, 81, 83, 88,
100, 123-5, 133, 137-8, 147, 149,
168, 171, 173, 179, 208-11, 216, 223,
225-7
250-year anniversary 9, 123
B Minor Mass 17, 70, 73, 92, 119,
126-7, 215
Cantata No. 80 70
Magnificat 125-7, 139, 148
St John Passion 28, 70, 73, 92, 123, 126,
248nl61, 253n54
St Matthew Passion 28, 30, 70-71, 73, 92,
123, 126, 248nl61, 253n54
Bach Society 39, 94, 96-7
Balakirev, Miliy 13, 33, 146, 148, 153
Balanchivadze, Andria 226
Bamberger, Carl 86, 91
Barber, Samuel 181
Barraine, Elsa 114, 158
Bartlett, Rosamund 35
Bartók, Bela 60, 62, 64, 85-6, 215
Bax, Arnold 179
Beethoven, Ludwig van 3-4, 6,17,
26-7, 30-2, 34, 37, 54, 56, 59, 63,
72, 76, 81, 83-4, 88-9, 99, 105-6,
118-19, 123, 129, 131-3, 137, 143,
145, 147, 156, 160, 171, 176, 212,
216,226
Appassionata* 67, 129
Fidelio 45, 131-2
Missa Solemnis 17, 70, 73, 132
Ninth Symphony 26, 88, 119, 131-3,
160, 212
Beethoven Society 39, 94-6
Bekker, Paul 82
Beliy, Viktor 58, 82
Belyayev, Viktor 23, 37
Belza, Igor 188, 202, 262n75
Berg, Alban 60-2, 85, 111-13, 138
Wozzeck 62, 172
Berlioz, Hector 17, 34-5, 90, 115, 123,
145-6, 148,215, 223
Funeral and Triumphal Symphony 34
Grande Messe des Morts (Requiem) 34,
70, 73, 120-1, 149
Lelio 35
Symphonie Fantastique 34-5
278
INDEX
Bizet, Georges 58, 77, 83, 176, 212
Carmen 77, 176, 212-13, 244n89
Bliss, Arthur 62, 85, 179, 181-2
Blech, Leo 173
Blok, Aleksandr 35-6
Bogdanov-Berezovskiy, Valerian 83, 109,
163-5, 254
Borodin, Aleksandr 58, 146, 149, 153-5,
165, 169-70, 206
Prince Igor 69, 88, 155
Bortnyanskiy, Dmitriy 183
Brahms, Johannes 58-9, 88, 90, 213, 215
Requiem 70, 73, 92
Brandenberger, David 140-1, 152-3
Braudo, Yevgeniy 22-3, 32, 36-7, 83,
121,255
Brecher, Gustav 116
Brecht, Bertolt 109
Breisach, Paul 112, 116
Britten, Benjamin 178
Bruckner, Anton 59, 88, 110, 174-5
Bryusova, Nadezhda 14, 65, 67, 71-2, 83
Bubnov, Andrey 93
Budyakovskiy, Andrey 159
Bukharin, Nikolay 102
Bulgakov, Mikhail 25, 168-9
Busch, Fritz 62, 86
Bush, Alan 158, 178-1
Busoni, Ferruccio 85
Byrd, William 182
Casadesus, Robert 156
Casals, Pablo 157
Casas, Pères 157
Casella, Alfredo 60-1, 65, 86, 110-12, 116,
144, 172
Castelnuovo-Tedesco, Mario 61
Chaliapin see Shalyapin
Chaykovskiy, Boris 226
Chaykovskiy, Pëtr 3, 6-7, 17-18, 19-21,
24-5, 30, 45, 54, 59-60, 77, 82, 87-8,
116, 120, 137-9, 146, 149-50, 153-5,
158-66, 169-70, 175-6, 183, 187-9,
205, 209,212,216, 225-7
Francesca de Rimini 88, 163
Liturgy of St John Chrysostom 70, 73, 184
‘Moscow’ Cantata 184, 188
Queen of Spades, The 20, 76, 163
Yevgeniy Onegin 20, 55, 168
Chelyapov, Nikolay 102, 107, 119, 143, 255
Chemberdzhi, Nikolay 152
Chemodanov, Sergey 27, 30-1, 63, 255
Cheremukhin, Mikhail 34
Cherni'shevskiy, Nikolay 23, 171
Chernomordikov, David 19-20
Chesnokov, Pavel 183
Chopin, Frederic 32-3, 54, 56, 58, 99-100,
147-8, 176,215
Funeral March (from Piano Sonata
op. 35) 70, 88
Chulaki, Mikhail 144, 255
Clark, Katerina 6-7, 75, 103, 120,
140, 149
Coates, Albert 15, 86, 91, 116-17, 157,
179, 186
Copland, Aaron 178, 181, 219
Cortot, Alfred 205
Couperin, François 80
Cowell, Henry 109, 178, 223
Cui, Cesar 16
Dargom'izhskiy, Aleksandr 43, 54, 59, 148
Darnton, Christian 181
Davidenko, Aleksandr 64, 79, 82-3, 99,
107,216, 255
Debray, Régis 5-6, 81
Defauw, Desire 116-17
Debussy, Claude 17, 59, 100, 111-12, 115,
147, 179,215
De Falla, Manuel 61-2, 112
Delibes, Léo 176
Delius, Frederick 180
Deshevov, Vladimir 67-8, 82, 88, 91
Dickens, Charles 108
Dobrenko, Evgeny 3, 75
Dobrolyubov, Nikolay 23, 171
Donizetti, Gaetano 58, 179
Downes, Olin 189-90
Dranishnikov, Vladimir 61, 88
Dubinets, Elena 178
Dukas, Paul 17
Dunayevskiy, Isaak 152
Dunstable, John 182
Dvorak, Antonín 146, 148, 215
Dzerzhinskiy, Ivan 107, 138, 151
Edmunds, Neil 41, 43
Eisenstein see Eyzenshteyn
Eisler, Hanns 109
Elgar, Edward 179, 181-2
Eliasberg, Karl 176-7
Engels, Friedrich 124, 160-1, 165
Entelis, Leonid 151
Erlich, Julius 86
Eyzenshteyn, Sergey 75, 133, 140, 167,
173,212
Feynberg, Samuil 39, 56
Fitelberg, Gregor 116-17
Fitzpatrick, Sheila 107
INDEX
279
Foley, Charles 190
Foster, Stephen 181
Franck, César 115
Franckenstein, Clemens von 62, 85
Frescobaldi, Girolamo 179
Frid, Emilya 169-70
Fried, Oskar 58, 60, 63, 86, 103, 110, 112,
116-17, 256
Frolova-Walker, Marina 76, 87, 99, 168
Gachev, Dmitriy 136
Gaub, Albrecht 24-5
Gauk, Aleksandr 61-2, 82, 84, 87-8, 91,
117, 156-7, 256
Gedike, Aleksandr 39, 67, 152, 214
Gerasimov, Sergey 199
Gershwin, George 178, 181, 197, 219
Porgy and Bess 181, 197, 261nn60-2
Gide, André 108
Ginzburg, Grigoriy 39
Ginzburg, Lev 114
Ginzburg, Semën 127-8, 256
Gladkovskiy, Arseniy 82, 91, 151
Glazunov, Aleksandr 15, 17, 30, 39, 59-60,
82, 146, 206
Glebov, Igor see Asaf yev, Boris
Glier, Reyngol’d 39, 58-9, 152
Glikman, Isaak 82, 84, 177
Glinka, Mikhail 6, 18-19, 24-6, 30, 54, 59,
69, 89, 138, 146, 148, 153, 155, 164,
168-71, 187, 204-5, 209, 225-7
Hammer and Sickle 24
Ivan Susanin see Life for the Tsar
Life for the Tsar 24-5, 147-8, 168, 211
Ruslan and Lyudmila 25, 43, 147, 168
Gluck, Christoph Willibald 27, 123, 138-9,
146, 148-9, 209, 211, 226
Gnesin, Mikhail 68, 84, 98-9, 256
Goethe, Johann Wolfgang von 33, 84, 108,
131,160-1
Gol’denveyzer, Aleksandr 14, 39, 117, 202,
204-7, 210, 256
Golovanov, Nikolay 174, 205
Gorkiy, Maksim 15, 35
Gorodetskiy, Sergey 25, 168-9
Gorodinskiy, Viktor 123-4, 256
Gounod, Charles 69, 176, 211-13
Grieg, Edvard 54, 58, 146, 148, 176, 215
Grechaninov, Aleksandr 13, 15, 19, 59, 187,
194-5
Grinberg, Moysey 107, 153-4, 256
Groman, Anatoliy 63-4, 83, 153-4, 257
Groman-Solovtsëv, Anatoliy see
Groman
Gruber, Roman 53-4, 123, 210, 257
Grunberg, Louis 178
Gui, Vittorio 116
Gumilev, Nikolay 5
Günther, Hans 4
Haba, Alois 66
Handel, Georg Frederik 2-3, 6, 81, 83, 88,
100, 117, 122-3, 133, 137-8, 146,
148-9, 156, 171, 173, 179, 208-9, 211,
216, 223, 225-6
250-year anniversary 123
Israel in Egypt 122
ludas Maccabeus 70, 122, 148
Messiah 69
Samson 70, 122, 139
Harris, Roy 181, 195-6, 217, 219
Haydn, Josef 27, 45, 80, 88, 119, 132, 138,
146, 148, 206, 208,211
Seasons, The 120, 139, 148-9
Hayes, Roland 58, 179
Heifetz, Jascha 12, 187, 195
Herdlichker, Gertrude 86
Hindemith, Paul 61-3, 65, 67, 85, 90,
110- 13, 138, 144, 172, 208
Holst, Gustav 179
Honegger, Arthur 4, 61-2, 64, 67, 82, 85,
111- 14, 158
Pacific 231 82, 85, 88, 100, 112-13, 115,
158, 172
Horenstein, Jascha 112, 114, 116-17
Horowitz, Vladimir 15, 195-6
Iokhelson, Vladimir 137
Ippolitov-Ivanov, Mikhail 19, 22
Ireland, John 178, 180-1
Ivanov-Boretskiy, Mikhail 34, 39, 152, 257
Ives, Charles 178
Janäcek, Leos 62, 112
Jochum, Eugen 63
Joyce, James 108
Kabalevskiy, Dmitriy 116, 151 -2, 175,
182, 199
Kalinnikov, Vasiliy 19, 146, 148
Kaltat, Lev 46-7, 83, 105-7
Kamenev, Lev 102
Karaganov, Aleksandr 198-9
Karat'igin, Vyacheslav 21-2, 35-6
Karayev, Kara 214, 226
Karlowicz, Mieczeslaw 215
Kastalskiy, Aleksandr 16, 56, 59, 147, 183
Keld'ish, Yuriy 83, 147
Kemenev, Vladimir 191, 195, 197, 199-201,
207-8, 220, 257
280
INDEX
Kern, Jerome 181
Kerzhentsev, Platon 76-7, 101-2, 104, 107,
118-19, 141-4, 148, 156, 158, 168, 257
Keynes, John Maynard 193
Kharachturyan, Aram 176, 181, 202,
207, 227
Khmelnitskiy, Konstantin 40, 97
Khrapchenko, Mikhail 156-7, 192-8,
201-2, 205, 210, 257
Khrennikov, Tikhon 202
Khubov, Georgiy 125-6, 168-9, 225, 258
Kirov, Sergey 102
Kleiber, Erich 61, 86, 115, 117, 157
Klemperer, Otto 58, 60-1, 70, 73, 86, 110,
115-17, 157, 173, 195, 258
Klimov, Mikhail 9, 16, 28-30, 69-72, 91-2,
123, 258
Knappertsbusch, Hans 62, 86
Knipper, Lev 59, 117, 151-2, 214
Knushevitskiy, Svyatoslav 39
Kodaly, Zoltán 112, 114, 215
Kogan, Petr 23-4, 171, 241-2n31
Kon, Feliks 87, 93-5, 98, 258
Kondrashin, Kirill 91
Korev, Semen 82, 95-8, 258
Korngold, Erich 112
Koval’, Marian 64, 82, 84, 105, 151-2, 202
Krasheninnikov, Nikolay 24, 26
Krauss, Clemens 86
Kreisler, Fritz 157
Kremlev, Yuliy 131, 258
Krenek, Ernst 61-3, 85, 111-12, 138, 144
Kreyn, Aleksandr 59, 68, 152
Krilova, Sarra 54-6, 258
Kristiansen, Lev 155
Krupskaya, Nadezhda 2, 5
Kryukov, Andrey 175
Kubatskiy, Viktor 39
Kulyabko, Nikolay 117-18, 142-3, 258
Kuznetsov, Konstantin 82
Kuper, Emil 15-16, 35-7, 59-60, 91,
185, 259
Kusevitsky, Sergey 14, 15-16, 59, 91, 187,
189, 195-6
Kuznetsov, Konstantin 25, 178, 188
Lamm, Pavel 18, 20, 22-3, 87, 191
Lassus, Orlande de 72, 117
Lebedev, Polikarp 205
Lebedinskiy, Lev 39, 54-6, 76-7, 82-3,
105-7, 259
Lehmann, Lotte 157
Leo, Leonardo 128
Levitin, Yuriy 226
Lermontov, Mikhail 84
Liszt, Franz 17, 33-4, 54, 59, 83, 88,
147,215
La Campanella 54
Litolff, Henri 88
Livanova, Tamara 124-5, 210-11, 225, 259
Lualdi, Adriano 111-12, 116
Lunacharskiy, Anatoliy 5, 13, 16, 31-2,
34-5, 38, 69, 72, 79, 93, 259
Lutyens, Elizabeth 223
Lyadov, Anatoliy 16, 19, 60, 69, 149
Lyapunov, Sergey 206
Mahler, Gustav 4, 7, 36-7, 59, 88, 90, 110,
173-4
Maksimenkov, Leonid 203-4
Malenkov, Georgiy 194, 205
Malipiero, Gian Francesco 61, 112
Mal’ko, Nikolay 16, 43-4, 60, 62, 90-1
Maikov, Nikolay 82, 84
Martinov, Ivan 125-6, 259
Martinú, Bohuslav 110, 112, 218-19
Massine, Leonid 195
Mayakovskiy, Vladimir 75
McDowell, Edward 178
Medtner, Nikolay 15, 19, 59, 67, 147
Mendelssohn, Felix 88, 168, 174, 206, 215
Menuhin, Yehudi 157, 195-6
Messiaen, Olivier 217-19
Meyerbeer, Giacomo 83
Meyerkhol’d, Vsevolod 35, 141, 260
Mikkonen, Simo 156
Milhaud, Darius 60-2, 64, 67, 86, 112,
172,217
Miner, Stephen Merritt 185
Mitchell, Rebecca 14, 41
Modarelli, Antonio 62, 85
Molotov, Vyacheslav 142, 156, 194,
198-9, 206
Monteux, Pierre 35, 61, 86, 116
Monteverdi, Claudio 69
Mordvinov, Boris 25
Mosolov, Aleksandr 59, 63, 65, 67-8, 82, 84,
87-8, 91,260
Mowinkel, Johan 86
Mozart, Wolfgang Amadeus 3, 6, 27, 30-1,
45, 80, 83, 88, 119, 128-31, 132-3,
137-8, 156, 164, 176, 206, 208,
211,226
Don Giovanni 128, 213
Magic Flute, The 128, 130-1, 168, 225
Marriage of Figaro, The 30, 128, 130
Requiem 26, 31, 70, 73, 92, 119, 139, 216
Mravinsky, Yevgeniy 91, 110, 196, 213
Mukhina, Vera 199
Muradeli, Vano 202-3, 206, 214
INDEX
281
Musorgskiy, Modest 18, 21-4, 25, 31, 33,
76, 84, 99, 105-6, 131, 137-8, 153,
155, 164, 165, 169-71, 212
Boris Godunov 22-3, 36, 168, 169, 211
Khovanshchina 36, 69, 77, 169, 211
Myaskovsky, Nikolay 16, 39, 59-60, 67, 76,
91, 116, 150-2, 202-3, 214, 227, 260
Nazarov, Aleksey 156, 260
Nebol’sin, Vasiliy 114-15
Nelson, Amy 41
Nestyev, Izrail’ 220
Neygauz, Genrikh 39, 137, 260
Nielsen, Carl 85, 88
Novikov, Anatoliy 202
Novitskiy, Pavel 39
Oystrakh, David 182
Palaster, Roman 114
Palestrina, Giovanni Pierluigi da 69,
117, 209
Missa Papae Marcelli 69
Panufnik, Andrzej 215
Pärt, Arvo 224
Pashchenko, Andrey 82, 84, 91
Pavlov-Arbenin, Aleksandr 88
Pekelis, Mikhail 32-3, 159
Pergolesi, Giovanni Battista 127-8
Petri, Egon 156, 205
Peyko, Nikolay 226
Picasso, Pablo 108
Piston, Walter 178
Pfitzner, Hans 61
Platt, Kevin M. F. 153
Poliak, Egor 112, 116
Polovinkin, Leonid 91, 151-2
Pons, Lily 195
Popov, Gavriil 84, 137-8, 151, 202, 220,
254n79, 261
Pospelov, Pëtr 205
Poulenc, Francis 61, 67, 172
Prokof yev, Sergey 12, 16, 29, 31, 56, 59-60,
62, 64, 82, 88, 90, 100, 116, 151-2, 167,
198, 202, 204, 214, 217, 227
Pshïbïshevskiy, Boleslav 105, 143, 159-61,
163, 165, 260
Puccini, Giacomo 212-13
Purcell, Henry 179, 181-2
Pushkin, Aleksandr 2, 84, 150, 153, 165
Pyatigorskiy, Gregor 13
Pyatnitskiy Choir 51-2
Rabelais, François 108
Rabinovich, David 105-7
Rakhmaninov, Sergey 6-7, 12, 15, 19, 54,
59-60, 63, 67, 78, 89-90, 147, 183,
185-191,216
All-Night Vigil 70, 73, 90, 92, 184, 191,
237n
Bells, The 6-7, 89-90, 186
Raku, Marina 10, 20, 168
Rameau, Jean-Philippe 80, 88, 100
Rathaus, Karol 112
Ratskaya, Tsetsiliya 170-1
Ravel, Maurice 59, 61-2, 65, 85, 111-15,
158, 215
Rawsthorne, Alan 178
Rebikov, Vladimir 56
Reger, Max 61-2, 85, 111
Renzin, Isay 144, 261
Repin, Ilya 21
Respighi, Ottorino 61, 85, 110-12, 145
Revutskiy, Levko 226
Rhene-Baton, Emmanuel 86
Riegger, Wallingford 181
Rimskiy-Korsakov, Andrey 18, 22
Rimskiy-Korsakov, Georgiy 18
Society for Quarter-Tone Music 18
Rimskiy-Korsakov, Nikolay 17-18, 25,
30, 36, 44, 60, 69, 77, 82, 137, 146,
148, 150, 153-155, 160, 164, 165-70,
175, 206
Rizhkin, Iosif 220
Rodchenko, Aleksandr 75
Rodzinski, Artur 116
Rogal-Levitskiy, Dmitriy 151
Rolland, Roman 108-9
Rosenstock, Joseph 86
Roslavets, Nikolay 4, 45, 56, 59, 63, 73, 76,
78, 216, 261
Rossini, Gioachino 83, 212-13
Roussel, Albert 114, 158
Rubinstein, Anton 33, 55, 59
The Demon 55, 76
Rubinstein, Artur 156
Sabaneyev, Leonid 21-2, 35, 37, 261
Safiullina, Nailya 108
Saint-Saëns, Camille 4, 100, 148,
212,215
Samosud, Samuil 25, 169
Sanderling, Kurt 110, 182, 215, 262
Sandler, Stephanie 153
Sargeant, Lynn M. 14, 41
Satie, Eric 61
Sauveplan, Henri 114, 158
Savic, Vladimir 86
Scarlatti, Domenico 100, 128
Schiller, Friedrich 84
282
INDEX
Schillinger, Joseph 68, 219
Schmitt, Franz 85
Schmuller, Alexander 61, 86
Schoenberg, Arnold 9, 61-2, 65-7,
109, 111-14, 138, 144, 150, 172,
208,217
Schrecker, Franz 61-2, 86, 173
Schubert, Franz 17, 31-3, 44-5, 54, 56,
83-4, 88, 146, 148, 179, 206, 216
Schumann, Robert 32-4, 54, 59, 83-4, 115,
132, 147, 206,212
Schwarz, Boris 63, 109
Sébastian, Georges 86, 110, 115-17,
157, 262
Segovia, Andre 58
Serov, Aleksandr 209, 211
Shakespeare, William 30-1, 84, 108, 121,
139, 209
Shalyapin, Fëdor 13-15, 185
Shaporin, Yuriy 151, 181, 202, 214
Shatilov, Sergey 104, 141, 143-5, 148, 156,
158, 262
Shaverdyan, Aleksandr 132-3, 139, 261
Shcherbachev, Vladimir 151-2
Shcherbakov, Aleksandr 205
Shebalin, Vissarion 151-2, 202, 204-5, 207
Shekhter, Boris 82
Shepilov, Dmitriy 205
Sherman, Nikolay 83, 262
Sheydler, Georgiy 62, 87
Shneyerson, Grigoriy 158, 178-9, 182, 188,
197, 200, 216-20, 262
Shnitke, Al’fred 224
Shostakovich, Dmitriy 3, 9, 12, 44, 60, 91,
99, 101, 105, 107, 113, 120, 137, 141,
151-2, 177, 198-9, 202-4, 207, 214,
217, 226
Golden Age, The 82, 151
Lady Macbeth ofMtsensk District, The
102, 137
Limpid Stream, The 102
Nose, The 82
Piano Concerto No. 1 44
Symphony No. 1 44, 68, 87-8, 152
Symphony No. 2, ‘To October’ 68, 82
Symphony No. 3, ‘First of May’ 82, 87
Symphony No. 6, 149
Symphony No. 7, ‘Leningrad’ 117,
176, 196
Shui’gin, Lev 44, 58, 65, 67-8, 263
Shteynberg, Maksimilian 18, 59, 82, 91,
151, 166
Shteynpress, Boris 129
Sibelius, Jean 179, 215
Siegmeister, Elie 181,219
Simonov, Konstantin 199
Skryabin, Aleksandr 16, 19, 37, 59-60, 82,
100
Smetana, Bedfich 146, 148, 215
Smith, Susanna Lockwood 51
Smrz, Jifi 7, 240nl4
Society for Wagner’s Art 40, 94, 97
Soilertinskiy, Ivan 9, 37-8, 59, 82, 88, 109,
122, 124, 129-31, 134-5, 144, 150,
172, 175, 223, 225, 263
Solovtsov, Anatoliy 189
Starokadomskiy, Mikhail 39
Stasov, Vladimir 21-2, 33, 154, 170,
209, 212
Steinberg, Heinz-Wilhelm 86
Stekel, Erich Paul 86
Stiedry, Fritz 61, 86-7, 110-13, 115-17,
157, 263
Stokowski, Leopold 195, 217
Strasser, Stefan 117
Strauss, Johann 175
Strauss, Richard 4, 17, 36-7, 59, 61, 85, 88,
90, 175,213
Also Sprach Zarathustra 100
Ein Heldenleben 37, 60
Salomes Dance 60, 215
Till Eulenspiegel 60
Tod und Verklärung 174
Stravinsky, Igor 12, 16, 56, 60-2, 73, 82, 85,
100, 111-15, 147, 227
Strel’nikov, Nikolay 25-6
Sveshnikov, Aleksandr 35, 117, 127, 149,
184-5, 202, 224, 263
Szell, George 116
Szenkar, Eugen 103, 110, 114-17, 157, 263
Szigeti, Josef 58, 157
Szymanowski, Karol 112, 114, 172, 227
Taktakishvili, Otar 226
Talich, Vaclav 86, 116
Taneyev, Sergey 16, 30, 59, 146-7, 188,
212,216
Taruskin, Richard 21-2, 159
Tatlin, Vladimir 35
Tchaikovsky, Peter see Chaykovskiy
Tcherepnin, Nikolay 60, 69
Tibbett, Lawrence 157
Tolstoy, Aleksey 2
Tolstoy, Alexandra 5
Tolstoy, Lev 2, 150, 163
Tomoff, Kiril 201-2, 204, 213-14
Toscanini, Arturo 118, 156, 195
Trotskiy, Leon 75
Tsenovskiy, Anton 28-9, 47
Tukhachevskiy, Marshal Mikhail 142-3
INDEX
283
Uglov, Anton 29-30, 124
Unger, Heinz 60, 86, 103, 110, 116,
157, 264
Utésov, Leonid 63, 76
Vasilenko, Sergey 117,152
Vasilyev-Buglay, Dmitriy 56, 58
Vaughan-Williams, Ralph 179-82
Vendel, Ernst 86
Veprik, Aleksandr 65-8, 151-2
Verdi, Giuseppe 55-6, 83, 212, 223
Aida 55
Requiem 70, 73, 120-2
Veys, Pavel 105-6
Veysberg, Yuliya 151
Vilyams, Petr 168, 193
VTshinisky, Andrey 102, 194, 199
Vlasova, Yekaterina 13, 97, 204-5, 210
Vogel, Vladimir 112,114
Vblkonskiy, Andrey 224
Wagner, Cosima 40
Wagner, Richard 7, 17, 26, 35-6, 43, 59,
83-4, 88, 90, 100, 129, 133-7, 138,
143, 145-6, 148, 169, 212-13, 227
Fliegende Hollander, Der 35, 134, 174
Götterdämmerung 26, 134, 136
Lohengrin 35-36, 133-4, 174, 213
Meistersinger.; Die 35, 134, 174, 213
Parsifal 35-6, 134
Rheingold, Das 40-1
Rienzi 35-6, 134, 175
Ring Der 135-7,213
Tannhäuser 69, 134, 174, 213
Tristan und Isolde 174, 213
Walküre, Die 35, 41, 133-4, 173, 212
Wagner Society see Society for
Wagner s Art
Walker, Jonathan 76, 87, 99
Walter, Bruno 37, 86, 118, 156, 173
Walton, William 180, 182
Weinberger, Jaromir 112, 114-15
Weingartner, Felix 86, 118
Wiener, Jean 61
Yamada, Kozaku 112, 116
Yavorskiy, Boleslav 71
Yershov, Ivan 35, 40
Yezhov, Nikolay 118, 264
Yudin, Gavriil 152
Yudina, Mariya 40, 264
Yurlov, Aleksandr 185
Zakharov, Vladimir 52, 202
Zemlinsky, Alexander 86
Zhelobinskiy, Valeriy 151-2
Zhilayev, Nikolay 142, 155, 264
Ziegel, Rudolf 86
Zinoviev, Grigory 102
Zhdanov, Andrey 3, 146-8, 201-5, 207-11,
216, 220
Zhivotov, Aleksey 151
Bayerische A
Staatsbibliothek |
München J |
any_adam_object | 1 |
author | Fairclough, Pauline 1970- |
author_GND | (DE-588)102972007X |
author_facet | Fairclough, Pauline 1970- |
author_role | aut |
author_sort | Fairclough, Pauline 1970- |
author_variant | p f pf |
building | Verbundindex |
bvnumber | BV043315221 |
classification_rvk | KK 1030 LQ 86007 NK 4700 |
contents | Propagandizing the classics, 1917-1929 -- Cultural revolution, repertoire politics, and the classics -- Internationalism, modernism, and the 'Stalinist enlightenment,' 1932-1941 -- Turning inwards : the rise of Russian nationalism, 1937-1941 -- From the great patriotic war to the Zhdanovshchina, 1941-1953 |
ctrlnum | (OCoLC)954234360 (DE-599)BVBBV043315221 |
discipline | Geschichte Slavistik Musikwissenschaft |
era | Geschichte 1917-1953 gnd |
era_facet | Geschichte 1917-1953 |
format | Book |
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id | DE-604.BV043315221 |
illustrated | Illustrated |
indexdate | 2025-02-24T11:08:58Z |
institution | BVB |
isbn | 9780300217193 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028735777 |
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physical | x, 283 Seiten Illustrationen |
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publisher | Yale University Press |
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spelling | Fairclough, Pauline 1970- (DE-588)102972007X aut Classics for the masses shaping Soviet musical identity under Lenin and Stalin Pauline Fairclough New Haven ; London Yale University Press [2016] © 2016 x, 283 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Propagandizing the classics, 1917-1929 -- Cultural revolution, repertoire politics, and the classics -- Internationalism, modernism, and the 'Stalinist enlightenment,' 1932-1941 -- Turning inwards : the rise of Russian nationalism, 1937-1941 -- From the great patriotic war to the Zhdanovshchina, 1941-1953 Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how "undesirable" repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were "canonized" during different, distinct periods in Stalinist culture. Fairclough's fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West. - Pauline Fairclough is senior lecturer in music, University of Bristol, United Kingdom, where her special interest is Soviet music and culture. Geschichte 1917-1953 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Musikpolitik (DE-588)4135111-3 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Klassische Musik (DE-588)4164043-3 gnd rswk-swf Nationalismus (DE-588)4041300-7 gnd rswk-swf Sowjetunion (DE-588)4077548-3 gnd rswk-swf Sowjetunion (DE-588)4077548-3 g Musikpolitik (DE-588)4135111-3 s Nationalismus (DE-588)4041300-7 s Klassische Musik (DE-588)4164043-3 s Musikleben (DE-588)4075128-4 s Kulturelle Identität (DE-588)4033542-2 s Geschichte 1917-1953 z DE-604 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister |
spellingShingle | Fairclough, Pauline 1970- Classics for the masses shaping Soviet musical identity under Lenin and Stalin Propagandizing the classics, 1917-1929 -- Cultural revolution, repertoire politics, and the classics -- Internationalism, modernism, and the 'Stalinist enlightenment,' 1932-1941 -- Turning inwards : the rise of Russian nationalism, 1937-1941 -- From the great patriotic war to the Zhdanovshchina, 1941-1953 Musikleben (DE-588)4075128-4 gnd Musikpolitik (DE-588)4135111-3 gnd Kulturelle Identität (DE-588)4033542-2 gnd Klassische Musik (DE-588)4164043-3 gnd Nationalismus (DE-588)4041300-7 gnd |
subject_GND | (DE-588)4075128-4 (DE-588)4135111-3 (DE-588)4033542-2 (DE-588)4164043-3 (DE-588)4041300-7 (DE-588)4077548-3 |
title | Classics for the masses shaping Soviet musical identity under Lenin and Stalin |
title_auth | Classics for the masses shaping Soviet musical identity under Lenin and Stalin |
title_exact_search | Classics for the masses shaping Soviet musical identity under Lenin and Stalin |
title_full | Classics for the masses shaping Soviet musical identity under Lenin and Stalin Pauline Fairclough |
title_fullStr | Classics for the masses shaping Soviet musical identity under Lenin and Stalin Pauline Fairclough |
title_full_unstemmed | Classics for the masses shaping Soviet musical identity under Lenin and Stalin Pauline Fairclough |
title_short | Classics for the masses |
title_sort | classics for the masses shaping soviet musical identity under lenin and stalin |
title_sub | shaping Soviet musical identity under Lenin and Stalin |
topic | Musikleben (DE-588)4075128-4 gnd Musikpolitik (DE-588)4135111-3 gnd Kulturelle Identität (DE-588)4033542-2 gnd Klassische Musik (DE-588)4164043-3 gnd Nationalismus (DE-588)4041300-7 gnd |
topic_facet | Musikleben Musikpolitik Kulturelle Identität Klassische Musik Nationalismus Sowjetunion |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000005&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028735777&sequence=000006&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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