What the eye hears: a history of tap dancing
"The first authoritative history of tap dancing, one of the great art forms...along with jazz and musical comedy...created in America Most dance arises from an interaction between music and movement. Tap is both dancing to music and dancing as music. We don't just watch it; we hear its rhy...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Farrar, Straus and Giroux
2015
|
| Ausgabe: | First edition |
| Schlagworte: | |
| Online-Zugang: | Cover image |
| Zusammenfassung: | "The first authoritative history of tap dancing, one of the great art forms...along with jazz and musical comedy...created in America Most dance arises from an interaction between music and movement. Tap is both dancing to music and dancing as music. We don't just watch it; we hear its rhythms and feel them in our muscles and bones. Like jazz, tap was born in the United States. It's a hybrid of traditional African dances brought over by slaves and jig, clog, and other folk-dance forms from the British Isles. Brian Seibert's magisterial history illuminates tap's complex origins and its theatricalization in blackface minstrelsy. He charts tap's growth in the vaudeville circuits and nightclubs of the early twentieth century, chronicles its spread to ubiquity on Broadway and in Hollywood, analyzes its post-World War II decline, and celebrates its reinvention by new generations of American and international performers. It is a story with a huge cast of characters, from Master Juba (whose performance Charles Dickens described) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap while guiding us through the often surprising history of cultural exchange between black and white over centuries. What the Eye Hears is a central account of American popular culture, as well as the saga of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy".. |
| Beschreibung: | Includes index |
| Beschreibung: | vi, 612 pages, 16 unnumbered pages of plates illustrations |
| ISBN: | 9780865479531 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043295688 | ||
| 003 | DE-604 | ||
| 005 | 20160921 | ||
| 007 | t | ||
| 008 | 160120s2015 a||| |||| 00||| eng d | ||
| 010 | |a 015005010 | ||
| 020 | |a 9780865479531 |c (hbk) |9 978-0-86547-953-1 | ||
| 035 | |a (OCoLC)937384037 | ||
| 035 | |a (DE-599)BVBBV043295688 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 050 | 0 | |a GV1794 | |
| 082 | 0 | |a 792.7809 |2 23 | |
| 100 | 1 | |a Seibert, Brian |e Verfasser |0 (DE-588)1082320544 |4 aut | |
| 245 | 1 | 0 | |a What the eye hears |b a history of tap dancing |c Brian Seibert |
| 250 | |a First edition | ||
| 264 | 1 | |a New York |b Farrar, Straus and Giroux |c 2015 | |
| 300 | |a vi, 612 pages, 16 unnumbered pages of plates |b illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 520 | |a "The first authoritative history of tap dancing, one of the great art forms...along with jazz and musical comedy...created in America Most dance arises from an interaction between music and movement. Tap is both dancing to music and dancing as music. We don't just watch it; we hear its rhythms and feel them in our muscles and bones. Like jazz, tap was born in the United States. It's a hybrid of traditional African dances brought over by slaves and jig, clog, and other folk-dance forms from the British Isles. Brian Seibert's magisterial history illuminates tap's complex origins and its theatricalization in blackface minstrelsy. He charts tap's growth in the vaudeville circuits and nightclubs of the early twentieth century, chronicles its spread to ubiquity on Broadway and in Hollywood, analyzes its post-World War II decline, and celebrates its reinvention by new generations of American and international performers. It is a story with a huge cast of characters, from Master Juba (whose performance Charles Dickens described) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap while guiding us through the often surprising history of cultural exchange between black and white over centuries. What the Eye Hears is a central account of American popular culture, as well as the saga of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy".. | ||
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 7 | |a PERFORMING ARTS / Dance / Tap |2 bisacsh | |
| 650 | 7 | |a HISTORY / United States / General |2 bisacsh | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Tap dancing |x History | |
| 650 | 4 | |a PERFORMING ARTS / Dance / Tap | |
| 650 | 4 | |a HISTORY / United States / General | |
| 650 | 0 | 7 | |a Steptanz |0 (DE-588)4057306-0 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 689 | 0 | 0 | |a Steptanz |0 (DE-588)4057306-0 |D s |
| 689 | 0 | 1 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 856 | 4 | |u http://www.netread.com/jcusers2/bk1388/531/9780865479531/image/lgcover.9780865479531.jpg |3 Cover image | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028716697 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780 |e 22/bsb |f 0904 |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |f 0904 |g 73 |
Datensatz im Suchindex
| _version_ | 1804175827788627968 |
|---|---|
| any_adam_object | |
| author | Seibert, Brian |
| author_GND | (DE-588)1082320544 |
| author_facet | Seibert, Brian |
| author_role | aut |
| author_sort | Seibert, Brian |
| author_variant | b s bs |
| building | Verbundindex |
| bvnumber | BV043295688 |
| callnumber-first | G - Geography, Anthropology, Recreation |
| callnumber-label | GV1794 |
| callnumber-raw | GV1794 |
| callnumber-search | GV1794 |
| callnumber-sort | GV 41794 |
| callnumber-subject | GV - Leisure and Recreation |
| ctrlnum | (OCoLC)937384037 (DE-599)BVBBV043295688 |
| dewey-full | 792.7809 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.7809 |
| dewey-search | 792.7809 |
| dewey-sort | 3792.7809 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| edition | First edition |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03238nam a2200529 c 4500</leader><controlfield tag="001">BV043295688</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160921 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160120s2015 a||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015005010</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780865479531</subfield><subfield code="c">(hbk)</subfield><subfield code="9">978-0-86547-953-1</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)937384037</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043295688</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">GV1794</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.7809</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Seibert, Brian</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1082320544</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">What the eye hears</subfield><subfield code="b">a history of tap dancing</subfield><subfield code="c">Brian Seibert</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">First edition</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Farrar, Straus and Giroux</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vi, 612 pages, 16 unnumbered pages of plates</subfield><subfield code="b">illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The first authoritative history of tap dancing, one of the great art forms...along with jazz and musical comedy...created in America Most dance arises from an interaction between music and movement. Tap is both dancing to music and dancing as music. We don't just watch it; we hear its rhythms and feel them in our muscles and bones. Like jazz, tap was born in the United States. It's a hybrid of traditional African dances brought over by slaves and jig, clog, and other folk-dance forms from the British Isles. Brian Seibert's magisterial history illuminates tap's complex origins and its theatricalization in blackface minstrelsy. He charts tap's growth in the vaudeville circuits and nightclubs of the early twentieth century, chronicles its spread to ubiquity on Broadway and in Hollywood, analyzes its post-World War II decline, and celebrates its reinvention by new generations of American and international performers. It is a story with a huge cast of characters, from Master Juba (whose performance Charles Dickens described) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap while guiding us through the often surprising history of cultural exchange between black and white over centuries. What the Eye Hears is a central account of American popular culture, as well as the saga of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy"..</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Dance / Tap</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">HISTORY / United States / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Tap dancing</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">PERFORMING ARTS / Dance / Tap</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">HISTORY / United States / General</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Steptanz</subfield><subfield code="0">(DE-588)4057306-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Steptanz</subfield><subfield code="0">(DE-588)4057306-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.netread.com/jcusers2/bk1388/531/9780865479531/image/lgcover.9780865479531.jpg</subfield><subfield code="3">Cover image</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028716697</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| geographic | USA |
| geographic_facet | USA |
| id | DE-604.BV043295688 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:22:29Z |
| institution | BVB |
| isbn | 9780865479531 |
| language | English |
| lccn | 015005010 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028716697 |
| oclc_num | 937384037 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | vi, 612 pages, 16 unnumbered pages of plates illustrations |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Farrar, Straus and Giroux |
| record_format | marc |
| spelling | Seibert, Brian Verfasser (DE-588)1082320544 aut What the eye hears a history of tap dancing Brian Seibert First edition New York Farrar, Straus and Giroux 2015 vi, 612 pages, 16 unnumbered pages of plates illustrations txt rdacontent n rdamedia nc rdacarrier Includes index "The first authoritative history of tap dancing, one of the great art forms...along with jazz and musical comedy...created in America Most dance arises from an interaction between music and movement. Tap is both dancing to music and dancing as music. We don't just watch it; we hear its rhythms and feel them in our muscles and bones. Like jazz, tap was born in the United States. It's a hybrid of traditional African dances brought over by slaves and jig, clog, and other folk-dance forms from the British Isles. Brian Seibert's magisterial history illuminates tap's complex origins and its theatricalization in blackface minstrelsy. He charts tap's growth in the vaudeville circuits and nightclubs of the early twentieth century, chronicles its spread to ubiquity on Broadway and in Hollywood, analyzes its post-World War II decline, and celebrates its reinvention by new generations of American and international performers. It is a story with a huge cast of characters, from Master Juba (whose performance Charles Dickens described) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap while guiding us through the often surprising history of cultural exchange between black and white over centuries. What the Eye Hears is a central account of American popular culture, as well as the saga of African Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy".. Geschichte gnd rswk-swf PERFORMING ARTS / Dance / Tap bisacsh HISTORY / United States / General bisacsh Geschichte Tap dancing History PERFORMING ARTS / Dance / Tap HISTORY / United States / General Steptanz (DE-588)4057306-0 gnd rswk-swf USA Steptanz (DE-588)4057306-0 s Geschichte z DE-604 http://www.netread.com/jcusers2/bk1388/531/9780865479531/image/lgcover.9780865479531.jpg Cover image |
| spellingShingle | Seibert, Brian What the eye hears a history of tap dancing PERFORMING ARTS / Dance / Tap bisacsh HISTORY / United States / General bisacsh Geschichte Tap dancing History PERFORMING ARTS / Dance / Tap HISTORY / United States / General Steptanz (DE-588)4057306-0 gnd |
| subject_GND | (DE-588)4057306-0 |
| title | What the eye hears a history of tap dancing |
| title_auth | What the eye hears a history of tap dancing |
| title_exact_search | What the eye hears a history of tap dancing |
| title_full | What the eye hears a history of tap dancing Brian Seibert |
| title_fullStr | What the eye hears a history of tap dancing Brian Seibert |
| title_full_unstemmed | What the eye hears a history of tap dancing Brian Seibert |
| title_short | What the eye hears |
| title_sort | what the eye hears a history of tap dancing |
| title_sub | a history of tap dancing |
| topic | PERFORMING ARTS / Dance / Tap bisacsh HISTORY / United States / General bisacsh Geschichte Tap dancing History PERFORMING ARTS / Dance / Tap HISTORY / United States / General Steptanz (DE-588)4057306-0 gnd |
| topic_facet | PERFORMING ARTS / Dance / Tap HISTORY / United States / General Geschichte Tap dancing History Steptanz USA |
| url | http://www.netread.com/jcusers2/bk1388/531/9780865479531/image/lgcover.9780865479531.jpg |
| work_keys_str_mv | AT seibertbrian whattheeyehearsahistoryoftapdancing |