Hiroshi Harada: the modesty of colour:
Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesnt exist in nature, it has always been Haradas ultimate ambition to express all facets of his private world within this wel...
Gespeichert in:
Weitere Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
[Oostkamp]
Stichting Kunstboek
[2015]
|
Schlagworte: | |
Zusammenfassung: | Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesnt exist in nature, it has always been Haradas ultimate ambition to express all facets of his private world within this well-defined shape. Therefore, his works cannot be seen as abstract in the strictest sense of the word. Harada stayed true to the monochrome, until one given day a burst of color appeared in his black and white world. Especially the sparkling yellow is typical in many of his works. The new vibrant color palette confirmed that Harada essentially has always been looking for a way to give expression to his inner happiness, spirituality and joie de vivre. The artwork of Hiroshi Harada can impossibly be captured in a single category. He is modern, not only in his way of painting, but also in the way he touches and overwhelms us with the exuberant colors from his inner repertoire, with lines and surfaces that intersect or not. Each of his paintings is an invitation to contemplation. In all, he stays true to his Eastern roots and the idea that beauty can be found in imperfection. |
Beschreibung: | 128 Seiten 32 cm |
ISBN: | 9789058565389 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043289936 | ||
003 | DE-604 | ||
005 | 20160923 | ||
007 | t | ||
008 | 160118s2015 |||| 00||| eng d | ||
020 | |a 9789058565389 |c (hbk.) |9 978-90-5856-538-9 | ||
035 | |a (OCoLC)1048203561 | ||
035 | |a (DE-599)BSZ45341091X | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-255 |a DE-12 | ||
050 | 0 | |a N6490 | |
082 | 0 | |a 700.411.2 | |
084 | |a LI 99999 |0 (DE-625)97471: |2 rvk | ||
084 | |a 9,11 |2 ssgn | ||
100 | 1 | |a Harada, Hiroshi |d 1942- |0 (DE-588)1080961488 |4 art | |
245 | 1 | 0 | |a Hiroshi Harada: the modesty of colour |c texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens |
246 | 1 | 3 | |a Hiroshi Harada: the modesty of color |
246 | 1 | 3 | |a Hiroshi Harada |
246 | 1 | 3 | |a The modesty of colour |
246 | 1 | 3 | |a The modesty of color |
264 | 1 | |a [Oostkamp] |b Stichting Kunstboek |c [2015] | |
300 | |a 128 Seiten |c 32 cm | ||
336 | |b sti |2 rdacontent | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | |a Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesnt exist in nature, it has always been Haradas ultimate ambition to express all facets of his private world within this well-defined shape. Therefore, his works cannot be seen as abstract in the strictest sense of the word. Harada stayed true to the monochrome, until one given day a burst of color appeared in his black and white world. Especially the sparkling yellow is typical in many of his works. The new vibrant color palette confirmed that Harada essentially has always been looking for a way to give expression to his inner happiness, spirituality and joie de vivre. The artwork of Hiroshi Harada can impossibly be captured in a single category. He is modern, not only in his way of painting, but also in the way he touches and overwhelms us with the exuberant colors from his inner repertoire, with lines and surfaces that intersect or not. Each of his paintings is an invitation to contemplation. In all, he stays true to his Eastern roots and the idea that beauty can be found in imperfection. | ||
600 | 1 | 7 | |a Harada, Hiroshi |d 1942- |0 (DE-588)1080961488 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1969-2014 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4145395-5 |a Bildband |2 gnd-content | |
689 | 0 | 0 | |a Harada, Hiroshi |d 1942- |0 (DE-588)1080961488 |D p |
689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
689 | 0 | 2 | |a Geschichte 1969-2014 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Ramette, Alain |4 wat | |
700 | 1 | |a Croes, Frank |4 pht | |
700 | 1 | |a Martens, Christine |e Sonstige |4 oth | |
710 | 2 | |a Stichting Kunstboek |0 (DE-588)5156333-2 |4 isb | |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-028711096 |
Datensatz im Suchindex
_version_ | 1811019419858501632 |
---|---|
adam_text | |
any_adam_object | |
author2 | Croes, Frank |
author2_role | pht |
author2_variant | f c fc |
author_GND | (DE-588)1080961488 |
author_facet | Croes, Frank |
building | Verbundindex |
bvnumber | BV043289936 |
callnumber-first | N - Fine Arts |
callnumber-label | N6490 |
callnumber-raw | N6490 |
callnumber-search | N6490 |
callnumber-sort | N 46490 |
callnumber-subject | N - Visual Arts |
classification_rvk | LI 99999 |
ctrlnum | (OCoLC)1048203561 (DE-599)BSZ45341091X |
dewey-full | 700.411.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 700 - The arts |
dewey-raw | 700.411.2 |
dewey-search | 700.411.2 |
dewey-sort | 3700.411 12 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
era | Geschichte 1969-2014 gnd |
era_facet | Geschichte 1969-2014 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV043289936</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160923</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160118s2015 |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789058565389</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-90-5856-538-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1048203561</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ45341091X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">N6490</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">700.411.2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 99999</subfield><subfield code="0">(DE-625)97471:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,11</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Harada, Hiroshi</subfield><subfield code="d">1942-</subfield><subfield code="0">(DE-588)1080961488</subfield><subfield code="4">art</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hiroshi Harada: the modesty of colour</subfield><subfield code="c">texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Hiroshi Harada: the modesty of color</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Hiroshi Harada</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The modesty of colour</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">The modesty of color</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Oostkamp]</subfield><subfield code="b">Stichting Kunstboek</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">128 Seiten</subfield><subfield code="c">32 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesnt exist in nature, it has always been Haradas ultimate ambition to express all facets of his private world within this well-defined shape. Therefore, his works cannot be seen as abstract in the strictest sense of the word. Harada stayed true to the monochrome, until one given day a burst of color appeared in his black and white world. Especially the sparkling yellow is typical in many of his works. The new vibrant color palette confirmed that Harada essentially has always been looking for a way to give expression to his inner happiness, spirituality and joie de vivre. The artwork of Hiroshi Harada can impossibly be captured in a single category. He is modern, not only in his way of painting, but also in the way he touches and overwhelms us with the exuberant colors from his inner repertoire, with lines and surfaces that intersect or not. Each of his paintings is an invitation to contemplation. In all, he stays true to his Eastern roots and the idea that beauty can be found in imperfection.</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Harada, Hiroshi</subfield><subfield code="d">1942-</subfield><subfield code="0">(DE-588)1080961488</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1969-2014</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4145395-5</subfield><subfield code="a">Bildband</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Harada, Hiroshi</subfield><subfield code="d">1942-</subfield><subfield code="0">(DE-588)1080961488</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Malerei</subfield><subfield code="0">(DE-588)4037220-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1969-2014</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ramette, Alain</subfield><subfield code="4">wat</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Croes, Frank</subfield><subfield code="4">pht</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Martens, Christine</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Stichting Kunstboek</subfield><subfield code="0">(DE-588)5156333-2</subfield><subfield code="4">isb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028711096</subfield></datafield></record></collection> |
genre | (DE-588)4145395-5 Bildband gnd-content |
genre_facet | Bildband |
id | DE-604.BV043289936 |
illustrated | Not Illustrated |
indexdate | 2024-09-23T20:18:27Z |
institution | BVB |
institution_GND | (DE-588)5156333-2 |
isbn | 9789058565389 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028711096 |
oclc_num | 1048203561 |
open_access_boolean | |
owner | DE-255 DE-12 |
owner_facet | DE-255 DE-12 |
physical | 128 Seiten 32 cm |
publishDate | 2015 |
publishDateSearch | 2015 |
publishDateSort | 2015 |
publisher | Stichting Kunstboek |
record_format | marc |
spelling | Harada, Hiroshi 1942- (DE-588)1080961488 art Hiroshi Harada: the modesty of colour texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens Hiroshi Harada: the modesty of color Hiroshi Harada The modesty of colour The modesty of color [Oostkamp] Stichting Kunstboek [2015] 128 Seiten 32 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Over 40 years ago Japanese painter Hiroshi Harada swapped his homeland for Paris, in search of a new artistic creative language and structure. Even though the rectangular doesnt exist in nature, it has always been Haradas ultimate ambition to express all facets of his private world within this well-defined shape. Therefore, his works cannot be seen as abstract in the strictest sense of the word. Harada stayed true to the monochrome, until one given day a burst of color appeared in his black and white world. Especially the sparkling yellow is typical in many of his works. The new vibrant color palette confirmed that Harada essentially has always been looking for a way to give expression to his inner happiness, spirituality and joie de vivre. The artwork of Hiroshi Harada can impossibly be captured in a single category. He is modern, not only in his way of painting, but also in the way he touches and overwhelms us with the exuberant colors from his inner repertoire, with lines and surfaces that intersect or not. Each of his paintings is an invitation to contemplation. In all, he stays true to his Eastern roots and the idea that beauty can be found in imperfection. Harada, Hiroshi 1942- (DE-588)1080961488 gnd rswk-swf Geschichte 1969-2014 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf (DE-588)4145395-5 Bildband gnd-content Harada, Hiroshi 1942- (DE-588)1080961488 p Malerei (DE-588)4037220-0 s Geschichte 1969-2014 z DE-604 Ramette, Alain wat Croes, Frank pht Martens, Christine Sonstige oth Stichting Kunstboek (DE-588)5156333-2 isb |
spellingShingle | Hiroshi Harada: the modesty of colour Harada, Hiroshi 1942- (DE-588)1080961488 gnd Malerei (DE-588)4037220-0 gnd |
subject_GND | (DE-588)1080961488 (DE-588)4037220-0 (DE-588)4145395-5 |
title | Hiroshi Harada: the modesty of colour |
title_alt | Hiroshi Harada: the modesty of color Hiroshi Harada The modesty of colour The modesty of color |
title_auth | Hiroshi Harada: the modesty of colour |
title_exact_search | Hiroshi Harada: the modesty of colour |
title_full | Hiroshi Harada: the modesty of colour texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens |
title_fullStr | Hiroshi Harada: the modesty of colour texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens |
title_full_unstemmed | Hiroshi Harada: the modesty of colour texts: Alain Ramette, Yasuo Kobayashi, Gerard-Georges Lemaire, Hiroshi Harada ; photography: Frank Croes ; editor: Christine Martens |
title_short | Hiroshi Harada: the modesty of colour |
title_sort | hiroshi harada the modesty of colour |
topic | Harada, Hiroshi 1942- (DE-588)1080961488 gnd Malerei (DE-588)4037220-0 gnd |
topic_facet | Harada, Hiroshi 1942- Malerei Bildband |
work_keys_str_mv | AT haradahiroshi hiroshiharadathemodestyofcolour AT ramettealain hiroshiharadathemodestyofcolour AT croesfrank hiroshiharadathemodestyofcolour AT martenschristine hiroshiharadathemodestyofcolour AT stichtingkunstboek hiroshiharadathemodestyofcolour AT haradahiroshi hiroshiharadathemodestyofcolor AT ramettealain hiroshiharadathemodestyofcolor AT croesfrank hiroshiharadathemodestyofcolor AT martenschristine hiroshiharadathemodestyofcolor AT stichtingkunstboek hiroshiharadathemodestyofcolor AT haradahiroshi hiroshiharada AT ramettealain hiroshiharada AT croesfrank hiroshiharada AT martenschristine hiroshiharada AT stichtingkunstboek hiroshiharada AT haradahiroshi themodestyofcolour AT ramettealain themodestyofcolour AT croesfrank themodestyofcolour AT martenschristine themodestyofcolour AT stichtingkunstboek themodestyofcolour AT haradahiroshi themodestyofcolor AT ramettealain themodestyofcolor AT croesfrank themodestyofcolor AT martenschristine themodestyofcolor AT stichtingkunstboek themodestyofcolor |