Mykola Budnyk i kobzarstvo: = Mykola Budnyk and kobzardom
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | Ukrainian |
Veröffentlicht: |
Lʹviv
Astroljabija
2015
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Abstract |
Beschreibung: | 319 Seiten Porträts, Illustrationen, Notenbeispiele 1 CD-ROM, 12 cm |
ISBN: | 9786176640622 |
Internformat
MARC
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245 | 1 | 0 | |a Mykola Budnyk i kobzarstvo |b = Mykola Budnyk and kobzardom |c Mychajlo Chaj |
246 | 1 | 1 | |a Mykola Budnyk and kobzardom |
264 | 1 | |a Lʹviv |b Astroljabija |c 2015 | |
300 | |a 319 Seiten |b Porträts, Illustrationen, Notenbeispiele |e 1 CD-ROM, 12 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
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546 | |a Text ukrainisch, Zusammenfassung englisch u.d.T.: Mykola Budnyk and kobzardom | ||
546 | |b Kyrillische Schrift | ||
600 | 1 | 7 | |a Budnyk, Mykola Petrovyč |d 1953-2001 |0 (DE-588)1081315970 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
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adam_text | 3MICT
BCTyn......................................................................................7
P03HIJ1 i. EfliHHA (BHJIHHHO-^MOBA) TA CTAPUIBCbKA (KOB3APCbKO-JllPHHUbKA)
TPAflUmï PyCH-yKPAÏHM.........................................................10
1.1. ilocTaTb Tapaca lileBMeHKa y KomeKCTi peaJiicTMMHoro ü
poMaHTM30BaHoro norflflfly na Ko63apcTBO..................................10
1.2. BMHMKHeHHfl M eBOJHOfliil KOÖ3apCbKOrO ¡HCTpyMeHTapiK) y cbítjií eTHoopraHOJioriMHMX KOHqenip iHaTa XoTKeBMMa, Bonoflwvmpa
Kyujneîa, Teopria TxaMeHKa i Mmkojim byflHMKa............................20
1.3. TeHe3a yKpaÏHCbKHX 6mjimh Ta flyvi: HayKOBi flMcxypcM
Bifl IßaHa (DpaHKa flo lOpia lilepexa-UJese/ibOBa.........................41
1.4. (Di/iapeï Ko/iecca — floc/iiflHMK Ko63apcbKo-nipHMi4bKoï Tpa^uufi........49
P03/P II. ICTOPMKO-COUIflJlbHMfi CTATyC EillHHOÏTA CTAPUIBCbKOÏ
BMKOHABCbKMX flPAKTMK.........................................................61
2.1. My3HMHO-eniHHa TpaflMip yxpampiß: Ma/iOBMBMeHi acnexTH...................61
2.2. «CnÎBOiiTBO»: HayKOBMM TepM iH mm Bep6a/ibHa e«Bi/ii6pMCTMKa?............62
2.3. BaH/iypa: Bifl aTpMôyiy TpaflMqiïflo flepMBaîy i «MMCTeflTBa».
Po3flyMM moflo npaifli THaia XoTKeBMMa «BaHflypa Tail penepîyap»..........69
2.4. (ipyKTypa Ko63apcbK(wiipHMUbKMX TOBapMCTB: qexoBMü aaTyT i qexoBe
argo, eTHoneflaroriMHi 3acafln i peKOHCTpyKuia............................82
2.5. /lipHMqbKaTpaflMqiflflKitieHOMeHyKpaïHCbKoïflyxoBHOCTM..................102
2.6. JlipHMflbKa npaKTMKa ByKpaÏHi BÏÏperlOHaJlbHO-CTMJlbOBMX
CniJlbHOCTHX i BiflMiHaX.................................................117
P03/1IJ1 III. CynPOBIflHHfi IHCTPyMEHTAPifi IWAHPOBA CTPyKTyPA
129
3.1. Orinen ¡HCTpyMemaplio....................................................129
1. ryc/ia (rycjii)........................................................131
2. HapoflHa (aapocBiTCbKa) óaHflypa......................................135
3. Ko63a Bepecaa..........................................................137
4. KojiiCHa/lipa......................................................... 139
3.2. Ko63apcbKO-JiipHMUbKMiipenepTyap..........................................145
1. Bhíihhh................................................................147
2. /lyMM..................................................................149
3. ICTOpUMHi niCHi........................................................153
4. dca/ibMH i KamM........................................................154
5. BaflBAH................................................................159
6. Ma/ii eniMHi 4 opMM....................................................161
7. HeeniMHi waHpn.........................................................162
P03/PIV. MMKOflA ByflHMK I KOB3APCbKO-/llPHI4UbKA TPAflMUIfl................................164
4.1. ByAHMK-6yflHTejib.JlioAMHa3JiereHAM.......................................164
4.2. TpaflmjiiíHi 3acafln cniBorpn IkaMeHKa i ByflHMKa: nopiBHJUibHnñ 3pi3.....181
4.3. EpronoriMHi Ta Mañapoei npuHAnnn BuroTOB/ieHHB
Ko63apcbKoro iHapyMeHTapiio................................................186
4.4. lMnpOBÍ3aL(ÍÍÍHt1M CTHJlb Bepcn | iKaip
i Ko63apcbKHü penepiyap Mmkojim ByflHMKa .................................191
4.5. «naM flTHWui» ByflHWKa — ¡HHOBaMM Ha Mex ¡ TpaAULiíua iwinpoBBapii...195
P03ÆIJ1V. flOflATKH.........................................................................203
5.1. ny6jiiKaMííipeueH3fí.......................................................203
5.2. CBÍTJIHHH..................................................................205
5.3. AyflioajibôoMM.............................................................231
5.4. Hothí rpaHCKpnrmiï.........................................................233
ílICJlflMOBA................................................................................309
IMEHHMÍÍ nOKAWHMK...........................................................................312
SUMMARY.....................................................................................318
KOMÍIAKT-PCK
Ha OÖK/iaflMHlji
SUMMARY
MYKHAILO KHAI. MYKOLA BUDNYK AND KOBZARDOM
The rise and fall of social changes which occur in nature, directly affects us — the native carriers of folk psychology, culture and, more broadly, mentality-factors that, in fact, distinguish one nation from another defining their greatness or smallness in comparison. The greatness of some — Imperial types — always rested on force of arms, coarse brutality, rudeness, lie and arrogance, and compared with others — enslaved — who were based on strength of spirit, intellect, culture, truth, sincerity and love... Accordingly, the struggle between the forces of good and evil lies in the antinomy of these two opposed planes and weapons which are also appropriately used...
One of the most remarkable knights in the kingdom of Spirit — an unforgettable patriarch of Ukrainian bandurists, husla and hurdy-gurdy players — Mykola Budnyk — not coincidentally chose for himself (and at the same time for us) this physically most unprotectable, but spiritually powerful weapon which tactically played in the straight fight of Ham and Shem, strategically always overcame the first one with the power of God s Word and a sonorous bandura. Having died a decade shy of the time when the struggle for dignity and spirit trumped the revolutionary prerogative over weapons of brute force, he left us an arsenal of weapons for an uphill battle against the insane to overcome the spiritual helplessness of the enraged enemy...
An inquisitive reader will find in the book many difficulties and contradictions through which the author discussed with Budnyk and his entourage where he had to move towards the comprehension of truth about kobzardom and the sanctuary of dignity and spirit that each of us must overcome alone with God and himself. It was not easy to wallow in that quagmire of lie and thick muck that the system of the kingdom of evil methodically used for centuries to withhold the truth about our nation and its culture being aware of danger to itself. It proceed in the same way convulsively by means of an ossified state system filling it with quasi-kobzar educational institutions and concert practice... Budnyk was physically broken by this world prematurely. However, it did not have the power to break Budnyks spirit, his strength of truth and purpose in his life.
MYKHA1L0 KHAI. MYKOLA BUDNYK AND KOBZARDOM
319
An important factor of the discourse concerning the current state of scientific reconstruction of the kobzar movement with regard to Mykola Budnyk’s original views is that this book is the first one, but it is by no means non-engaged «objective science» being free from subjectively biased and opinionated interpretations of complex issues of the history and theory of kobza and hurdy-gurdy playing and especially the hypothesis of genesis and evolution of Tkachenko-Budnyk. Critics of this view and phantasmagoric old Soviet opinion around the study of kob-zardom are numerous, and attempts at scientific hermeneutics of all the mirror opposites and distortions of this discourse are exposed here for the first time. This, in turn, means that after the publication of this research with the new interpretations of Budnyks postulates, kobzardom will receive a new impetus for debate.
The author does not claim an absolute truth in reporting the scientific interpretation of all the scientific issues and facts expressed, their ratings and other interpretations by Budnyk, but I hope that the book will qualify the most commonality with his views of kobzardom as a phenomenon of our anxious history and culture the main essence of which was to dive as deeply as possible into its origins of artistic and stylistic nature. However, it certainly does not preclude other interpretations of both the multidimensional and no less contradictory phenomena — Budnyk and kobzardom.
Questions raised in the book, I hope, will encourage the Kyiv and Irpin communities and a wide circle of admirers of life exploits of the famous companion of the kobzar to work systematically on its invaluable heritage. If in Kyiv a permanent refuge for the Kyiv kobza guild is problematic, then what is viable is the idea of transferring it from Budnyk’s «Kobza-room» in Ukrainian House in European Square again to Irpin where his spirit soared high above the heavens and there just dropped to the ground and slept. For us all of this becomes a matter of respect and gratitude to him for the happiness and joy of participation and co-existence in this highly complicated and disturbing yet beautiful world.
Mykola was not only an ardent fighter at the ideological front. Throughout all his life, his way of thinking and actions set an example of such wealth and power that the rank of his successors will overcome more than one column of riot police and heal the wounds of many future generations of freedom fighters of our dear Motherland. This force has shown itself at all fronts of our sacred struggle — on the stage and in the premises of the Maidan, in military units and hospitals at the front and rear. The dynamics of its cumulative development argues that its potential is growing and will continue to grow insomuch that the enemy will never destroy this spirit on our land... and it will cherish every day and every moment the confidence between the people and this Spirit — the Spirit of Budnyk the awakener, Budnyk the fighter, Budnyk the man and Budnyk — «the man of God».
|
any_adam_object | 1 |
author | Chaj, Mychajlo Josypovyč 1946- |
author_GND | (DE-588)158145216 |
author_facet | Chaj, Mychajlo Josypovyč 1946- |
author_role | aut |
author_sort | Chaj, Mychajlo Josypovyč 1946- |
author_variant | m j c mj mjc |
building | Verbundindex |
bvnumber | BV043288404 |
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era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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spelling | Chaj, Mychajlo Josypovyč 1946- Verfasser (DE-588)158145216 aut Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom Mychajlo Chaj Mykola Budnyk and kobzardom Lʹviv Astroljabija 2015 319 Seiten Porträts, Illustrationen, Notenbeispiele 1 CD-ROM, 12 cm txt rdacontent n rdamedia nc rdacarrier Text ukrainisch, Zusammenfassung englisch u.d.T.: Mykola Budnyk and kobzardom Kyrillische Schrift Budnyk, Mykola Petrovyč 1953-2001 (DE-588)1081315970 gnd rswk-swf Geschichte gnd rswk-swf Instrumentalmusik (DE-588)4129951-6 gnd rswk-swf Kobsa (DE-588)4304950-3 gnd rswk-swf Bandura (DE-588)4318453-4 gnd rswk-swf Laute (DE-588)4166936-8 gnd rswk-swf Ukraine (DE-588)4061496-7 gnd rswk-swf Budnyk, Mykola Petrovyč 1953-2001 (DE-588)1081315970 p DE-604 Ukraine (DE-588)4061496-7 g Instrumentalmusik (DE-588)4129951-6 s Bandura (DE-588)4318453-4 s Kobsa (DE-588)4304950-3 s Laute (DE-588)4166936-8 s Geschichte z Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028709612&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028709612&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
spellingShingle | Chaj, Mychajlo Josypovyč 1946- Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom Budnyk, Mykola Petrovyč 1953-2001 (DE-588)1081315970 gnd Instrumentalmusik (DE-588)4129951-6 gnd Kobsa (DE-588)4304950-3 gnd Bandura (DE-588)4318453-4 gnd Laute (DE-588)4166936-8 gnd |
subject_GND | (DE-588)1081315970 (DE-588)4129951-6 (DE-588)4304950-3 (DE-588)4318453-4 (DE-588)4166936-8 (DE-588)4061496-7 |
title | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom |
title_alt | Mykola Budnyk and kobzardom |
title_auth | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom |
title_exact_search | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom |
title_full | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom Mychajlo Chaj |
title_fullStr | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom Mychajlo Chaj |
title_full_unstemmed | Mykola Budnyk i kobzarstvo = Mykola Budnyk and kobzardom Mychajlo Chaj |
title_short | Mykola Budnyk i kobzarstvo |
title_sort | mykola budnyk i kobzarstvo mykola budnyk and kobzardom |
title_sub | = Mykola Budnyk and kobzardom |
topic | Budnyk, Mykola Petrovyč 1953-2001 (DE-588)1081315970 gnd Instrumentalmusik (DE-588)4129951-6 gnd Kobsa (DE-588)4304950-3 gnd Bandura (DE-588)4318453-4 gnd Laute (DE-588)4166936-8 gnd |
topic_facet | Budnyk, Mykola Petrovyč 1953-2001 Instrumentalmusik Kobsa Bandura Laute Ukraine |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028709612&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028709612&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT chajmychajlojosypovyc mykolabudnykikobzarstvomykolabudnykandkobzardom AT chajmychajlojosypovyc mykolabudnykandkobzardom |