Holdings: Painting and narrative in France

Painting and narrative in France: from Poussin to Gauguin

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Bibliographic Details
Other Authors:	Cooke, Peter 1962- (Editor), Lübbren, Nina (Editor)
Format:	Book
Language:	English
Published:	London ; New York Routledge 2016
Edition:	First published
Series:	An Ashgate book
Subjects:	Geschichte 1600-1900 Narrative painting, French Malerei Frankreich Konferenzschrift > University of Manchester > 05.01.2010-07.01.2010 > Manchester
Online Access:	Inhaltsverzeichnis
Item Description:	"Versions of most of the chapters in this book were first delivered at the 'Narrative painting in France' conference, held at the University of Manchester on 5-7 January 2010" (Acknowledgements)
Physical Description:	xiv, 233 Seiten Illustrationen
ISBN:	9781472440105

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MARC


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Record in the Search Index

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adam_text	CONTENTS / /V/ T L-'IGUIVS \ II XITICS MI (_'T)IIFRIHTNUR,\ XN INTRODUCTION: NARRATIVITY AND (FRENCH) PAINTING ! I'I ; I-R I ( H K I A VI} SI K -\ : I' MTNI S SF,(T'H)\ I ANCICN REGIME 23 1 UNITS OF VISION AND NARRATIVE STRUCTURES: I'PON READING IN'S MAN TUT 25 '* I AL'L)!\! ML I I ML I ' 2 FIGURES OF NARRATION IN THE CONTEXT OF A PAINTED C YVLE: THE NORTH HAYS OF THE GRANDE (JALERIE AT VERSAILLES 40 M \UI.\NNI L '1)1 ANNO L-L !* IH -\\I 3 THE CRISIS OF NARRATION IN L-'IGHTEENTH-CENTURY FRENCH HISTORY PSIINTLNG 51 SI .S '* \\ \ F A'V II .1 !.\ 4 OBSCURE. CAPRICIOUS ANCI BIZARRE: NEOCLASSICAL PAINTING AND THE LIOICE OF SUBJECT 64 M VI'.K 1 L ; 0HL,I V II RESTORATION AND JULY MONARCHY 5 DELAVROIX AND THE WORK OF THE READER TM I 'I :* W IT IDLL !' IS VIRRATIU 1 AND HIRTO \ IN L,EFIKL ROL C-R(\ IRRINIL OFIHE IFUN'I"I(T'R\ IN THE PONTIIU- \UIR\HC\ GII"!) IN I':TUI F)CLUROCLIC' I THE DUE DE (HUM' "V III SECOND ICNIPIIT AND THIRD REPUHLIC 8 I'JTM\|UCIIT ()L)JCI:T' .: FERIIIF. LAURCNN ARID THE ARI OF INANIMATE \NRRATION L IJRANNITAL LISOPJKIIIOTIITY: (ITISTAVC 10 1 HTALIICIIT\ SVRSUS ANTI-TLIIH'ICSI!HV; FI IINI{)UTH IN ('STIICH LIII(H* PIIINTIAL I I "HIE ( )TIFIICU- F SLITTIN OF NARMLIVE IN TIN- VR( OF PAUL C.AUGTIIII KE\ ISSUES OF PICTORIAL NARRATIVE 1 '-* I 12 NARMTTVJTS, "ICINPORATITY AND AILEAORISATION. INNN I'OASSIIT TO \1 REAII T (F ' 13 TOWARDS A STUDY OF NARRATIOTI IN FJIINLIIIK: 1 LIE MODERN PERIOD FIGURES JEAU-I I'.JSNRC 1 N.INONARD. THE HALT \L,E H'IN U\ TO, LL'H}, OIL ON CUAUTX 7I * U,'I CM. YLUSEE DU LOUVRE, I'ARIV I I'IIILS OF VISION AND NARRATHE STRUCTURES: I'PON READING POUSSIN'S MANMI I.! NICUIAS I'OUSSIN. /'AT S-LANNA I H V' 38 5 L I, IIL ON EAUUIS, 149 * 200 CM. VHWOO DU I.OII\:V, PARIS. 26 1 2 VICOIAS I'OUSSIII, '/7K 1 MANNA ;DETAIL). 34 2 L-'IYURES OF" NARRATION IN THE CONTEXT OF A FAINTED CYCLE: THE NORTH (JAYS OF THE ( RANDE FIALERIE AT VERSAILLES 2. I ( HARK'.-. LX URUU. TIK ( V'AS///V.' / THE RHINE ANT! I HE HIKING * ' M H(\IRIEHI IN THE PRESENCE UF U .E !:NENTV J / E /'.MIA.V ;//.' IV'TUI C/ HI PRISE TIE \T IASINEHI TIL PRESEIH E TIES ENNEN/IS J I )(? ) S4), OIL UN CAM;;'-, APPLIED TO LIIC CCIIIIM OI'SHC TIRASULC IIALCNC AT THE I BATEAU DO \'ER AILK-S (DINICIIVION. UNKIIOWIII, 41 2.2 K-AN V1.I .SO, THE INTERNIR I H-EORANON AT THE ('EIUNV I'A.INIIN^S HI THE {'UIHEI'X LIT VERSAILLES \L)EVELOPPEINENT JE IN ILEI'URAIITW TNIENENIE EL LES PEINHUVS DU PLULOINL TIE LA GAIERTE .A I I-RSAILLES \ (I T.S.! ?. PRIM. 49,5 '() EIN. 43 - 3 I INIRLO, \X UNTIL, I J INURES * HEN"',;-)! /'RI/EHIITIIIIRJ; THE IS'III^'I OIL ON EARN AS APPLIED TO SHE CEILING OI'LLIC I IRANDC ( RAICRIE AT SL'IC * !T;'UEAU TIE VERSAILLES (DMIEI)SIONS UNKNOWN I, 44 3 THE CRISIS OF NARRATION IN FCIGHTCCNTII-CCNTURY FRENCH HISTORY PAINTING .'I I'LIINCOII BIHICLICR, AITROIA AND ( EPLHIIUS \L LUIMX EL L'EPHI!I'E\ (I" 1 "'" 1 ), OIL ON EANVAS. 2?' 1 "^5 CNU MUSCEIKS )U-AU :-AI P TS. \'ANC\. 53 DA L IIIIK, ?-, 11, ' ( I. ( ARK VON L,'T / RI^,PI" 'I,RI^'-III'.'\ (!' "' K OIL M . I;R, ". !')0 '-.'JU'I. HA-I. MI .''IU,I O! ''UI /LI.MIIR ' CI! .1 ''. FL,I,V.' I !, CIMIII'II MI 14 -,(, 4 OBSCURE, CAPRICIOUS AND JJI/ARRER NEOCKIV-IML I'JIIIITIIIF/ AND TLIT- CHOICE OF SUBJECT -S ! H'MI-WDI:'INIILIV I'T'I".TF'IS LULL !H' \L,III'T \ TURN L'III IR T IS 'IND III' ( II) :F T!IIII II ' TO ALONE \ L\'I V.V .H',!,!,' N,I \L\IIER\F IH'TII/II' I'LIHI'JE 11 .TII I "IPJ TN\TV )I;\| I 17).'), OIL UI, C.'IIV.! 1 , II \5 \|J6(UT MUST.'. J.; II,.AU., "',TI,,'\|(,I;I , (,(, 4,' JV;.N-I[O!'O:V I NTUONNRJ, 74- Y//C7; /'/ 'T ,T '/(-,.- '.MERIFI.-IN.; MUSE.,' DU L,'U\A I-'CIN. A/ 4.'. I'I'.T!'- I\-}"" !J. VHI'JHIIN (TILL, HIIL, 'I'I! FILLS ID IH'L. ITIULU WIN, IT . ILITOH' 1 , 'IH'.'IU ' JI'LU IK' '" '// '(' ' IVLC INR ' ,N I 'IT- .' TO TLV \IT)I':U:M ")!.'", ,/I'IIRT . UHCIIIENII'.S IN TINT -V %.'*' / //W ILL'' HI IRJT. (I,' \)LLH'ITITLIV . L I I "L.'\ { I /7A; - LL !! PUPT-I" HITIL I,I CIITIMI, "^ 9'; WILL. J H-. V WVLIIII.'MII \A JCUII"HJJMI',U; CTRC 1 !/^ 1 , S'JI'LIMIU^ SCY'HI\ ^HUU ,IVIVUIIL'I IS^W/HK' D'L LOIUK'. I'ARI-,. 7 II 4.* I.TC.JUV--L"III'. 1 IJ'/IT 1 , '//'.' /./I /I'/'S HI !N^I)I" T HOME TN IU TILTI, LLW IJ'MII'". F IN-, I)-'IJ-J '!/(, I /,,-". / F U'LLI". KI/I/'I)I I,'IIT N IU 01 US MUM.', DU I.'KJW. P'IRI-, " \ 5 DCLACRUIV AND '! BE WOI K OF THE UCAILET' 5.) I',ULIH, !)I'!UIT'U.\. J'LH' 'I'" LIN LION T I LLELN.'I', A\L KNI EUWM TIE UI'HX.' U/J 11 X4IJ\|, I I' (IN :.,IN\ A-, HI!) N.''.M MCHDPIILIIJIN VLII-CUNS, \CV ''IS('(, K;, '\2 R.II'JCUC IJV'!II(.RO. . FIIF WIII.L'I'OF IHT LII'-HOJ, I// / ; T;, 'II ' !I6CA' MI;,0I-ILN I ON 1 ,RC, I 1 UI'. VI ""." 1 I '.:;NC IJVL'ICI ^ , HIE I 'I/EIITION ( / , 1 .A/; ///N / ALIEN \| / / I-' //. (/'- \TU!'! 'F L- I ! EI'"I\ ! I'IL'F). ML NIL UUR.A-I L-'U ,4 ' ! I I FIN V/AIBIF; I'I)!I V 'CNT4I I ,N I I;I. X T 6 NARNILHT- AND HISTORV IN LEOPOLD KOBCR \ -IRRIVAL OF THE HARVESTER IN LITE PONTINE ILFURSHES (. I LEOPOLD KOLV.1. IRI-'S; ILL DI TIN 1 (I.I' VCWC/'S M THE P-IT/!NH \HN \ARNW' K ' !IITI'!\.\' I)!II'!TR\ .//;.\ N.-IIUN' 1 - F'EOIUR-,, I H : ILL), NIL IJ; I:I(IR.IH, I [1,5 ? 2 CIIK M I'-.LV TIN I .UMI." HIP-,. 7 NARRATIVE STRATEGIES IN PAUL I DAROCHE".S.-JVSO,S,S/////// OF THE DUE TK' (TTTKE 7.! J':UI' I )I'LURO(.HE //; * I\' :ISSNI:IIII N , F ILTC I UC J.~ (.!:!:: \L/:L Y\II',\,'L/LLT TILL JILL I/I' (/{(/'C; I JX/4). NIL ON CUIULLY 5 V 4 : CM, MN-.EE T.'UOFJC, FLSAIUILLV. ! \|0 "."' F HAI'LI.-^AIARIC LLOUUNI. ,SV/// /, ////* /; ///T-'/()'?;/' I,-/ HIS MNILU-R \SNIIN I OUR, AN IDIIIL'I'.ITT ;L \TF MCH"\ F NL'IL. NIL UP I.MW,. 2U'I * ! 12 TIN 1 'NIA!!ICHK';HI V1UM:C NALI IIT:(I (IN ( IIASCAU -JC )'(T\|IL:II!LCBLC T LLL, ! I. : .' ; WIDMOR MITL ; \ I?, L.I'IUII, L,S\NS\/I,IIII"T) "F FLIC I I--I TTI IJII'R,!.: L\LIHIIIIM, H\ \L I'LLLTL I )T'!UL'IH HI,' \| I,S SIFSSILHLL DI ILL/C HI' ( LLLI V I\ I(IL L:\IN / . \F. I'M/I UCUINU H-J\, H'U(RT) VTIL'RAX'I;!^. 2 I 5 12.1 CM IV.''.CLU(.LIIIL' LC\L). /- MII'.'N.UII/IITLI'IVM/M; 22 I \|MO) P. !I L I I I "* '.4 T 'IMRLEVBAIHCLI.'MX-JEAII I)URUPI. 7LH~ ASS,I\MINNI"II NI IL,I; DUE ,L (JIII,\ : J T;.;UI\;IIHI/ I/II -.IIIR U'R (ITII\C\ I IK-2L, MI! ON ^A^\A^. '* L "2 FIN. MH^CC DU HATCAII TK- HLUI^. I ID 7 5 ! LIU') I ICTAISNC. ?//' /.'/'(' /.' F '///'I- PIV\YIIN\ II\\ R .J S R Y( \/ . . (NUT "I L.I'IIINH'RS I I;J:T THE LI\V\ F'T'ILH' I ''HIIV.M IL FIT \L.I' DILI 1 TK' (.IIIISC ;N\ 'SIDIIIIL 'IN CTITIRIS'IUI-TTU' JC IN'JU'III'S \FIIH /.'-. .IRHIV JIT I'LIAU\NI D'L,U\ \ IS ^'IT OI! I!I C:HIV;U. "'. L - UI} CM. ]JJ- H FLIMPICNL OBJECTS: (IEROME, 1 AURENS AND THE ART OF INANIMATE NARRATION ^.1 JCAN-LCON (ICRIUIIC, 1 HE IH: N S I NF ('NCIIR \L I \LU, / /({ E\JR\ I INFIV;. NIL UII CATNAS. ^5 5 ?-T"".5 UII. WALLER AM MUM'UIII. IIAHIIN IV. AIIW.IIK IN THE PIIHIIC (LOINAIN. ILL) ^L ICAN-FASSI LAUICNS, !HV KXCIJI/ITUITITIT IIII.I "J KUHI } IL/E P;.;A\ \L 'L.\ 'TIINIIIIINIT' .ITINIT JE RIIHEII IC PIEUX\ {IS75I. OIL ON CANVAV SO DH CM. MTISCC D'ORSAV. I'ARI^. )3U V ' I N)(.-SI MCISMIIIICR. FLIC L.OM I'RU-XR \I 'U RELI'.'IEIIX NI\ ILII TI NN I HIL(II!E\IC. 1 X"K}, OIL MI CAINAS, 15 21 TIN, (.(VAIMO UIIJSIU \\II: LONIK'IJX 1 OCL'H AM TCI\LITIUS HISV.IRI^CH MI^I-IUN, K.-PROILFKCD M (/-,' JTIITI'RTN!. 40, !VS. I" (I ~S). LATNIL" P. 2 WT, \| \\ ') LU'AIIMICA! LIHIPPORTUMTV (IUSTTITC VJOJVJIMS AUTT-INTMUIVC STRAK^'I'-S ' \ ' "* .T;R I. VL'IJSAN FR ,IFI JJT;-U , ! T'L'IMSTH.'A ( I ^FF " ; I OIL''-!, '.HI'I'.U ., _'')" 112 ( :III MN ". '. HI L;T. FVLORT'JI;, I',,O , ! J . ' ? INWIC, C \)M,IJ.", ' I'LIILH,'-! \'NL ! ''H'C\ ( I'- 1 '-'', 1 ') * ;', ,' J.ICC' "',; ') UR, VIN-.I,',- IF M ,')* I'I!M ! !') '' ; ( '. IIL'. .' ^'1-. !* T:,RL SI//! ILL,J HI -LIT ' NIL LI'LI\" IL./TI!,'' ,I/R ',! JL/I', (IN"" 1 .1 %'. .T'CL ."I S NIL OIL ;I-.ILI,'I 7' ' -I.'I TI'L, M'L'H'.IIN!'! ISL,.I!!I MU'M.''LLI! ( .II' II I "I ', V.4 R JU.L,I,. M'LTI'IIN (JLI'/L IT' $ RPLIC-'\K I' ',-I /I , . III ' \|I \| ;ITI! I ! C 4 * ' '/ ; .;!',, M'.ST'VM' 1 ! J\|SI . [:,';'. ! ; '.'"** (F'.R.I.'N'.' V!I.M."T.I HIR '-.MM-I \I,I * I'N'II )L'JI IH\ ' !' "'.; ') ; .IL 'II CIKVA 1 . ; 4 !' ."'IN M,I V.'R ( IUS'-IV'. 1 MTI!'"I I I'AII. !'" PI I'HFIIFT'ICITLIIY VT-RSUS ANTI-'L LITALIIFAIIT}: \'A RII\O LI'T'HNIIJUCS IN FRENCLI LFIS OR\ PAHITIII" (IS~0- 1900) R'.'I I (.' ! I BVIL'IFC. I!C JI-.R HI ILH' I'L M'L"I'L'0 L !./." //' I,'IIH-IT' F/I ,INIHI\ I'K-\?J DT! .,11 I-IIN\ R . MN - 11 I R.NT I ,)!. '^.DIICIIII'' 1 - !'/? .\!C',:II;II'.' ' U\N,O, , \|.', WF. IN IH: I'II ",T N;,IN \ H'SI^ J'HH !* //LI'INLN J( I ^4' ; I. MIL ON T'UIVN I I-"' ! I J JC, ! IMII. F ! LIIOII'.TLI' L' ! J ICIJRT'V". ] (ICHW!I!I-.'V,,IH\LII, II T IN \| $IILR ITNIII ) T , JI ;.! ;.;; U! IMI I.I:)-,U, M'S J ) '') I-NI, VIU'.-WT I.!.'-- P._Y'IX -AILS R I: .I, KK I'L 4 I'.'NT-.C H'N.TCUJO- .-, ///.* (JIT,UI R I/'/ F V/;(V' : ' .:" !, ,L UU OIIV !-. -"-"X! - V' C;I'. L-CPI.HIUCEIL IIT M / UI ' ,{ / ,I . ! MAX ! X ; ;"* I:I . I TIN T IS;.! ; N ., L(I ( F LI.IHVL ,N :\ I ""/ 1 I. ','! "\|, .YR,-,N-. /T)0 ' '/')'I ***** KI-PI'.'DLLITC! S"'(IIH L ' II! I, A R-JI; -,PI;I.IIIL (,-,!'_. .') '" L I I/- 1 /! -\|II !I:I,:'I IL'/-I. I '' II 1'LIE C OTILLICTFFT STATUS F \URRALI\C IN THE AIL OF T'AUL FIAUGUIN ILL FUUMJ.'IICIIII: WHEN-!H, II * DINN-J'KHH' H H T -A- !!'.' (I /;, ///; IT,-HIHIS '1 ' T %\| I. ;) ON CMRWIS H'M - * -I -'* UU. MUVUNI FII I UK AR', HIV-S.SII I 1 1 I'.IUL (I.ITY.I-UU. LIUUI/FTL HI:NN JI \\L:\- J H' IIIODHIH* . J ( ) ; KI MJ HI VAN 1 ,AS 'I,? - '0, CI'I O/TLIIIPI'IIURTL F OFFI NHU'.'I N I!.' P'.'TII (I.III'.'I'III / // .- 'NH'FI'IL M'LHNTITITI \L\N U !'/ I/'/' - . .'-'I (1 V/'.'I. OIL UU C.!FI\.R,. ' ' !.)' 'HJI, I'LIII'-F LI'IF'I',',I VI'I - ID,! U! AM 12 NARRATIVITY, TEMPOMHTY AMI ALLCGORISUTION. FROM POUSSIN TO VLORCAU I 2.1 NICOLAS PIHISMH, THE .LIHLYYINAIL UI SULNINUN J/.I L JN^CME/II /, F SIIL)IIII )II\ (164'?). NIL ON CAINA.S, !00 150 CM. MUSCE TLU 1 ,OU\RC, I ! AN\. L L 5 12.2 JCAN-LLONOIV I'RAIIOIUINJ, TLIE BULL \|/.R L'CRR UT) (E. 1""'H), (NI ON C IN\;IS. '"'3 * L KY CM. ^LTI; CCDTI L.OUVRO, L';IRI , 197 1 2.3 JACQUCS-I .OUIS DAVIIL. I'HE (HUH UL ILIV LLNNNII \LV SCRMCIN TH:.\ LIUNIFCSL (I 7X5), OIL ON CANVU:-. 32Y.'-) * 424.S CM. MUMJC DU I.OUMV. I'ARIS. 1W ! 2.4 NICOKIS I'OIISSIII, TIN' MII-\ TNX' L ILH' /UN"I\'/ TS \!.C \/C/V;/(; ,* (/I'S INNI)T.X'IIIS\ T N 3 I -321, OIL NN CAM AS. 14S - I "4.5 ON. MU CC COIULC, CLI;TNLILK. 201 12.5 (.CON L'OI!,INE!, SVCUCFRUIN I/W L/S/.W,I,/N' NF IH-J HINOC.- TLS \|,\V;': DU LUDSSIK'IV LII'^ IN)H RCIIIS\ F 1X24). OIL ON CANVAS. 2^5 235 CM, MUSCC IKS BOAUX-ARIS. KCNNCN. 202 ! "L.H VICIOR ()RSCL. 'IIW INFAIN MOCS 1'IVSAILCTL IO /// * )'H.JR,;UH \ MO'I'SC. VNKINI. /;/'I'U'/T ; / L'FIURUI II\ I 1H3 1), OIL .O CANVAS, 32') -4^1 CM. VLUSCC CLCS I$CAUX-ARTS. L.SON. 204
any_adam_object	1
author2	Cooke, Peter 1962- Lübbren, Nina
author2_role	edt edt
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author_GND	(DE-588)124962572 (DE-588)188463070
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dewey-search	759.44
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era	Geschichte 1600-1900 gnd
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genre	(DE-588)1071861417 Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester gnd-content
genre_facet	Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester
geographic	Frankreich (DE-588)4018145-5 gnd
geographic_facet	Frankreich
id	DE-604.BV043271864
illustrated	Illustrated
indexdate	2025-01-16T15:02:03Z
institution	BVB
isbn	9781472440105
language	English
lccn	015031471
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-028693488
oclc_num	953459377
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owner	DE-29 DE-Y3 DE-12 DE-255 DE-Y2 DE-739
owner_facet	DE-29 DE-Y3 DE-12 DE-255 DE-Y2 DE-739
physical	xiv, 233 Seiten Illustrationen
publishDate	2016
publishDateSearch	2016
publishDateSort	2016
publisher	Routledge
record_format	marc
series2	An Ashgate book
spelling	Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren First published London ; New York Routledge 2016 xiv, 233 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier An Ashgate book "Versions of most of the chapters in this book were first delivered at the 'Narrative painting in France' conference, held at the University of Manchester on 5-7 January 2010" (Acknowledgements) Geschichte 1600-1900 gnd rswk-swf Narrative painting, French Malerei (DE-588)4037220-0 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf (DE-588)1071861417 Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester gnd-content Frankreich (DE-588)4018145-5 g Malerei (DE-588)4037220-0 s Geschichte 1600-1900 z DE-604 Cooke, Peter 1962- (DE-588)124962572 edt Lübbren, Nina (DE-588)188463070 edt SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028693488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Painting and narrative in France from Poussin to Gauguin Narrative painting, French Malerei (DE-588)4037220-0 gnd
subject_GND	(DE-588)4037220-0 (DE-588)4018145-5 (DE-588)1071861417
title	Painting and narrative in France from Poussin to Gauguin
title_auth	Painting and narrative in France from Poussin to Gauguin
title_exact_search	Painting and narrative in France from Poussin to Gauguin
title_full	Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_fullStr	Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_full_unstemmed	Painting and narrative in France from Poussin to Gauguin edited by Peter Cooke and Nina Lübbren
title_short	Painting and narrative in France
title_sort	painting and narrative in france from poussin to gauguin
title_sub	from Poussin to Gauguin
topic	Narrative painting, French Malerei (DE-588)4037220-0 gnd
topic_facet	Narrative painting, French Malerei Frankreich Konferenzschrift University of Manchester 05.01.2010-07.01.2010 Manchester
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028693488&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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