Luigi Nono: a composer in context
The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamatio...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
[2015]
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| Schriftenreihe: | Music since 1900
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. - Carola Nielinger-Vakil is a freelance flautist and musicologist based in London. She has published widely on the music of Luigi Nono. In collaboration with Martin Brady, she has also written on film music by Paul Dessau. |
| Beschreibung: | xix, 343 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780521845342 |
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| 520 | |a The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. - Carola Nielinger-Vakil is a freelance flautist and musicologist based in London. She has published widely on the music of Luigi Nono. In collaboration with Martin Brady, she has also written on film music by Paul Dessau. | ||
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Datensatz im Suchindex
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| adam_text |
Contents
List of figures page x
List of music examples xi
Preface and acknowledgements xiii
PART I. MUSIC AND MEMORY 1
1 Political and musical premises 3
2 II canto sospeso (1955-56) 21
3 Towards spatial composition 85
4 Music to Die Ermittlung by Peter Weiss (1965) 123
PART II. MUSIC AS MEMORY 145
5 Towards other shores 147
6 Fragmente - Stilley an Diotima (1979-80) 152
7 Prometeo. Tragedia delVascolto (1975-85) 191
Bibliography 317
Index 337
[ix] |
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| spelling | Nielinger-Vakil, Carola 1966- Verfasser (DE-588)1022010980 aut Luigi Nono a composer in context Carola Nielinger-Vakil Cambridge Cambridge University Press [2015] © 2015 xix, 343 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music since 1900 The anti-fascist cantata Il canto sospeso, the string quartet Fragmente - Stille, an Diotima and the 'Tragedy of Listening' Prometeo cemented Luigi Nono's place in music history. In this study, Carola Nielinger-Vakil examines these major works in the context of Nono's amalgamation of avant-garde composition with Communist political engagement. Part I discusses Il canto sospeso in the context of all of Nono's anti-fascist pieces, from the unfinished Fucik project (1951) to Ricorda cosa ti hanno fatto in Auschwitz (1966). Nielinger-Vakil explores Nono's position at the Darmstadt Music Courses, the evolution of his compositional technique, his penchant for music theatre and his use of spatial and electronic techniques to set the composer and his works against the diverging circumstances in Italy and Germany after 1945. Part II further examines these concerns and shows how they live on in Nono's work after 1975, culminating in a thorough analysis of Prometeo. - Carola Nielinger-Vakil is a freelance flautist and musicologist based in London. She has published widely on the music of Luigi Nono. In collaboration with Martin Brady, she has also written on film music by Paul Dessau. Nono, Luigi Nono, Luigi 1924-1990 (DE-588)118588559 gnd rswk-swf Composers Italy Biography Komposition Musik (DE-588)4133320-2 gnd rswk-swf Italien (DE-588)4006804-3 Biografie gnd-content Nono, Luigi 1924-1990 (DE-588)118588559 p Komposition Musik (DE-588)4133320-2 s DE-604 Erscheint auch als Online-Ausgabe Nielinger-Vakil, Carola Luigi Nono Cambridge : Cambridge University Press, 2015 978-0-511-84267-2 (DE-604)BV043918034 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028692608&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Luigi Nono a composer in context |
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| title_exact_search | Luigi Nono a composer in context |
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