Shakespeare and the book trade:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | xvi, 302 Seiten Illustrationen |
| ISBN: | 9781316507582 |
Internformat
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Datensatz im Suchindex
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| adam_text | Shakespeare and the Book Trade follows on from Lukas Erne’s ground-
breaking Shakespeare as Literary Dramatist to examine the publication,
constitution, dissemination and reception of Shakespeare’s printed
plays and poems in his own time and to argue that their popularity
in the book trade has been greatly underestimated. Erne uses evidence
from Shakespeare’s publishers and the printed works to show that in
the final years of the sixteenth century and the early part of the
seventeenth century, ‘Shakespeare’ became a name from which
money could be made, a book trade commodity in which publishers
had significant investments and an author who was bought, read,
excerpted and collected on a surprising scale. Erne argues that
Shakespeare, far from indifferent to his popularity in print, was an
interested and complicit witness to his rise as a print-published author.
Thanks to the book trade, Shakespeare’s authorial ambition started to
become bibliographic reality during his lifetime. ,
Contents
List of figures page ix
List of tables xii
Acknowledgements xiii
List of abbreviations xv
Introduction i
Shakespeare and the Book Trade: argument and scope I
Shakespeare and the Book Trade and Shakespeare as Literary Dramatist 7
Shakespeare in print, 1593—1660 II
Shakespeare and the book trade’s ‘Shakespeare’ 19
1 Quantifying Shakespeare’s presence in print 25
Shakespeare in numbers 25
Shakespeare and contemporaries in print 27
The number of early playbook editions: Shakespeare compared 35
Reprint rates and the popularity of Shakespeare’s playbooks 46
Conclusion 54
2 Shakespeare, publication and authorial misattribútion 56
Pseudepigraphy: the meanings of authorial misattributions 57
Authorial misattributions of playbooks, 1634-16(30: Shakespeare’s
contemporaries and successors 6O
Authorial misattributions of playbooks, 1595—1622: taking Shakespeare’s
name in vain 68
‘The author I know much offended’: Shakespeare, misattribution and
The Passionate Pilgrim 82
Conclusion 89
3 The bibliographic and paratextual makeup of Shakespeare’s
quarto playbooks 90
Paratext in Shakespeare playbooks and the rise of literary drama 93
Paratext, playbooks and Shakespeare’s invisible authorship 99
The bibliographic makeup of Shakespeare’s playbooks II5
vii
viii Contents
Shakespeare’s theatrical playbooks 122
Conclusion 128
4 Shakespeare’s publishers 130
Prologue: William Leake’s reissue of Q3 The Merchant of Venice in 1652 130
Shakespeare’s publishers and the early modem book trade 134
The chief publishers of Shakespeare’s poems 146
The chief publishers of Shakespeare’s plays 159
Incidental Shakespeare publishers 179
Conclusion 182
5 The reception of printed Shakespeare 18 6
The early status of playbooks and survival rates 186
Early owners and collectors of Shakespeare’s quarto playbooks 194
Shakespeare owned and bound 215
Early readers and commonplacers of Shakespeare in print 224
Conclusion 231
Appendix A The publication of playbooks by Shakespeare and his
contemporaries to 1660 (prepared with the assistance
of Louise Wilson) 233
Appendix B Printed playbooks of professional playsy including
reprints, 1583—1622 253
Appendix C Shakespeare s publishers, 1593—1622 257
Works cited 263
Index 290
|
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| language | English |
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