Reinventing sound: music and audiovisual culture
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publishing
2015
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | X, 237 Seiten Illustrationen |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Table of Contents
Preface...................................................... viii
Part I: New Media, New Audiences
Chapter One..................................................... 2
Popular Music and Transmedia Aesthetics: On the Conceptual Relation of Sound, Audio-Vision and Live Performance Christofer Jost
Chapter Two......................................................14
Baby you ’re a star: Selfies, Lip Dubs and Parodies Enrique Encabo
Chapter Three....................................................29
Queen’s Snake: The Use of Audio Production as a means to Semantic Extension in Queen’s “Was It All Worth It”
Jordi Roquer, Santos Martinez and Carles Badal
Chapter Four................................................... 44
A Drop of megalomania, a Touch of generosity, A Dash of Selfpromotion: U2’s Release of Songs of Innocence Ismael López Medel
Chapter Five................................................... 63
The Sunn O))) Album Cover as Puzzle Albert R. Diaz
Chapter Six.................................................... 73
Music Video and Advertisement Pedro Buil
VI
Table of Contents
Chapter Seven...................................................85
Transmedia Storytelling and the Disney Universe: An Analysis of Some Successful Original Soundtracks Eduardo Encabo Fernández, Isabel Jerez Martinez and Lourdes Hernández Delgado
Part II: Music, Cinema and Audiovisual practices: new approaches
Chapter Eight...................................................102
Musical Meaning on the Screen: An Approach to Semiotics for Music in Cinema Rosa Chalkho
Chapter Nine.................................................... 117
Temporal Semiotic Units (TSUs) in Audiovisual Analysis Diego Calderón Garrido and Josep Gustems Camicer
Chapter Ten......................................................128
Creativity in Sound Postproduction
Francesc Llinares Heredia and Josep Maria Mayol i Puentes
Chapter Eleven...................................................144
Evil Bach Valentin Benavides
Chapter Twelve................................................. 167
Resounded and Inverted: Musical World of Stanley Kubrick Mariya Gayduk
Chapter Thirteen.................................................175
Capturing Music as a Protagonist: Audiovisual Narration in Films by Jim Jarmusch Saskia Jaszoltowski
Chapter Fourteen.................................................188
The Origins and Evolution of Promoting Rock Music in Spain Juan Carlos Rodriguez Centeno
Reinventing Sound: Music and Audiovisual Culture vii
Chapter Fifteen.................................................. 202
Henri-Georges Clouzot and Herbert von Karajan: The Filming of Music from the Perspective of Modem Cinema Ramón Sanjuán Mínguez
Chapter Sixteen....................................................224
Alvis Hermanis II Trovatore (Salzburg, 2014): How to Analyze a Stage and Musical Text from the Cultural Semiotics?
Manuel A. Broullón Lozano
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| title | Reinventing sound music and audiovisual culture |
| title_auth | Reinventing sound music and audiovisual culture |
| title_exact_search | Reinventing sound music and audiovisual culture |
| title_full | Reinventing sound music and audiovisual culture edited by Enrique Encabo |
| title_fullStr | Reinventing sound music and audiovisual culture edited by Enrique Encabo |
| title_full_unstemmed | Reinventing sound music and audiovisual culture edited by Enrique Encabo |
| title_short | Reinventing sound |
| title_sort | reinventing sound music and audiovisual culture |
| title_sub | music and audiovisual culture |
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| topic_facet | Selbstdarstellung Musik Audiovisuelle Medien Unterhaltungsmusik Marketingstrategie Neue Medien Aufsatzsammlung |
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