Grétry's operas and the French public: from the Old Regime to the Restoration
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand t...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2016]
|
Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music. - R.J. Arnold is an associate research fellow at Birkbeck, University of London. His research covers many aspects of the cultural history of France in the eighteenth and early nineteenth centuries, most recently focusing on the formation of musical taste, and the significance of song as a social practice. |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 232 Seiten Illustrationen |
ISBN: | 9781472438508 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV043256425 | ||
003 | DE-604 | ||
005 | 20160819 | ||
007 | t | ||
008 | 160107s2016 xxua||| |||| 00||| eng d | ||
020 | |a 9781472438508 |c hardback |9 978-1-4724-3850-8 | ||
035 | |a (OCoLC)944437921 | ||
035 | |a (DE-599)BVBBV043256425 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-12 |a DE-703 | ||
050 | 0 | |a ML410.G83 | |
082 | 0 | |a 782.1092 |2 23 | |
084 | |a LP 39080 |0 (DE-625)106541: |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Arnold, R. J. |d 1971- |e Verfasser |0 (DE-588)1080960406 |4 aut | |
245 | 1 | 0 | |a Grétry's operas and the French public |b from the Old Regime to the Restoration |c R.J. Arnold |
264 | 1 | |a Farnham, Surrey ; Burlington, VT |b Ashgate |c [2016] | |
264 | 4 | |c © 2016 | |
300 | |a 232 Seiten |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Ashgate interdisciplinary studies in opera | |
500 | |a Includes bibliographical references and index | ||
520 | |a Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music. - R.J. Arnold is an associate research fellow at Birkbeck, University of London. His research covers many aspects of the cultural history of France in the eighteenth and early nineteenth centuries, most recently focusing on the formation of musical taste, and the significance of song as a social practice. | ||
600 | 1 | 4 | |a Grétry, André-Ernest-Modeste, |d 1741-1813 |
600 | 1 | 4 | |a Grétry, André-Ernest-Modeste, |d 1741-1813 |x Death and burial |
600 | 1 | 7 | |a Grétry, André-Ernest-Modeste |d 1741-1813 |0 (DE-588)118542079 |2 gnd |9 rswk-swf |
648 | 4 | |a Geschichte 1700-1800 | |
648 | 4 | |a Geschichte 1800-1900 | |
648 | 7 | |a Geschichte 1750-1850 |2 gnd |9 rswk-swf | |
648 | 7 | |a Geschichte 1813 |2 gnd |9 rswk-swf | |
650 | 4 | |a Opera |z France |y 18th century | |
650 | 4 | |a Opera |z France |y 19th century | |
650 | 0 | 7 | |a Rezeption |0 (DE-588)4049716-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Tod |0 (DE-588)4060294-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Öffentlichkeit |0 (DE-588)4043183-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Oper |0 (DE-588)4043582-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Gesellschaft |0 (DE-588)4020588-5 |2 gnd |9 rswk-swf |
651 | 4 | |a Frankreich | |
651 | 7 | |a Paris |0 (DE-588)4044660-8 |2 gnd |9 rswk-swf | |
651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
689 | 0 | 1 | |a Grétry, André-Ernest-Modeste |d 1741-1813 |0 (DE-588)118542079 |D p |
689 | 0 | 2 | |a Oper |0 (DE-588)4043582-9 |D s |
689 | 0 | 3 | |a Rezeption |0 (DE-588)4049716-1 |D s |
689 | 0 | 4 | |a Gesellschaft |0 (DE-588)4020588-5 |D s |
689 | 0 | 5 | |a Geschichte 1750-1850 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Grétry, André-Ernest-Modeste |d 1741-1813 |0 (DE-588)118542079 |D p |
689 | 1 | 1 | |a Tod |0 (DE-588)4060294-1 |D s |
689 | 1 | 2 | |a Paris |0 (DE-588)4044660-8 |D g |
689 | 1 | 3 | |a Rezeption |0 (DE-588)4049716-1 |D s |
689 | 1 | 4 | |a Öffentlichkeit |0 (DE-588)4043183-6 |D s |
689 | 1 | 5 | |a Geschichte 1813 |A z |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-4724-3851-5 |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-4724-3852-2 |
856 | 4 | 2 | |m Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028678455&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-028678455 | ||
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09034 |g 44 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09034 |g 44 |
942 | 1 | 1 | |c 781.5 |e 22/bsb |f 09033 |g 44 |
942 | 1 | 1 | |c 306.09 |e 22/bsb |f 09033 |g 44 |
Datensatz im Suchindex
_version_ | 1804175775337807872 |
---|---|
adam_text | Contents
Series Editor s Preface vii
List of Figures ix
List of Tables xi
Introduction 1
1 In the Bosom of One’s Family’: Grétry’s Earliest Opéras
Comiques and their Audiences 9
2 ‘If Only that Heap of Erudition Could Provide Us with a Melody’:
Grétry’s Conception of the Role and Powers of the Composer 43
3 ‘Those who Listen with a Sensitive Soul and Practised Ears’: The
Formation of Musical Taste in the Ancien Régime 75
4 ‘Always a Friend of Liberty’: The Fortunes of Grétry’s Career and
Reputation in the Revolution 109
5 ‘The Long-Dispersed Debris of French Theatre is Being Reassembled’: Grétry and his Public in Post-Re volutionary France 141
6 ‘We are Nothing but a Single Distraught Family’: Mourning and
Mythologising after Grétry’s Death 177
Bibliography 213
Index 229
|
any_adam_object | 1 |
author | Arnold, R. J. 1971- |
author_GND | (DE-588)1080960406 |
author_facet | Arnold, R. J. 1971- |
author_role | aut |
author_sort | Arnold, R. J. 1971- |
author_variant | r j a rj rja |
building | Verbundindex |
bvnumber | BV043256425 |
callnumber-first | M - Music |
callnumber-label | ML410 |
callnumber-raw | ML410.G83 |
callnumber-search | ML410.G83 |
callnumber-sort | ML 3410 G83 |
callnumber-subject | ML - Literature on Music |
classification_rvk | LP 39080 |
ctrlnum | (OCoLC)944437921 (DE-599)BVBBV043256425 |
dewey-full | 782.1092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 782 - Vocal music |
dewey-raw | 782.1092 |
dewey-search | 782.1092 |
dewey-sort | 3782.1092 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1750-1850 gnd Geschichte 1813 gnd |
era_facet | Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1750-1850 Geschichte 1813 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05086nam a2200817 c 4500</leader><controlfield tag="001">BV043256425</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160819 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">160107s2016 xxua||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472438508</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-4724-3850-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)944437921</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043256425</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML410.G83</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">782.1092</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 39080</subfield><subfield code="0">(DE-625)106541:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Arnold, R. J.</subfield><subfield code="d">1971-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1080960406</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Grétry's operas and the French public</subfield><subfield code="b">from the Old Regime to the Restoration</subfield><subfield code="c">R.J. Arnold</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Farnham, Surrey ; Burlington, VT</subfield><subfield code="b">Ashgate</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">232 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate interdisciplinary studies in opera</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music. - R.J. Arnold is an associate research fellow at Birkbeck, University of London. His research covers many aspects of the cultural history of France in the eighteenth and early nineteenth centuries, most recently focusing on the formation of musical taste, and the significance of song as a social practice.</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Grétry, André-Ernest-Modeste,</subfield><subfield code="d">1741-1813</subfield></datafield><datafield tag="600" ind1="1" ind2="4"><subfield code="a">Grétry, André-Ernest-Modeste,</subfield><subfield code="d">1741-1813</subfield><subfield code="x">Death and burial</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Grétry, André-Ernest-Modeste</subfield><subfield code="d">1741-1813</subfield><subfield code="0">(DE-588)118542079</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1700-1800</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1800-1900</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1750-1850</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1813</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera</subfield><subfield code="z">France</subfield><subfield code="y">18th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera</subfield><subfield code="z">France</subfield><subfield code="y">19th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Tod</subfield><subfield code="0">(DE-588)4060294-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">Frankreich</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Grétry, André-Ernest-Modeste</subfield><subfield code="d">1741-1813</subfield><subfield code="0">(DE-588)118542079</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Oper</subfield><subfield code="0">(DE-588)4043582-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Gesellschaft</subfield><subfield code="0">(DE-588)4020588-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1750-1850</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Grétry, André-Ernest-Modeste</subfield><subfield code="d">1741-1813</subfield><subfield code="0">(DE-588)118542079</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Tod</subfield><subfield code="0">(DE-588)4060294-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Paris</subfield><subfield code="0">(DE-588)4044660-8</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Rezeption</subfield><subfield code="0">(DE-588)4049716-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Öffentlichkeit</subfield><subfield code="0">(DE-588)4043183-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="5"><subfield code="a">Geschichte 1813</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-4724-3851-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-4724-3852-2</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028678455&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028678455</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09034</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">44</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">306.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09033</subfield><subfield code="g">44</subfield></datafield></record></collection> |
geographic | Frankreich Paris (DE-588)4044660-8 gnd Frankreich (DE-588)4018145-5 gnd |
geographic_facet | Frankreich Paris |
id | DE-604.BV043256425 |
illustrated | Illustrated |
indexdate | 2024-07-10T07:21:39Z |
institution | BVB |
isbn | 9781472438508 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028678455 |
oclc_num | 944437921 |
open_access_boolean | |
owner | DE-12 DE-703 |
owner_facet | DE-12 DE-703 |
physical | 232 Seiten Illustrationen |
publishDate | 2016 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Ashgate |
record_format | marc |
series2 | Ashgate interdisciplinary studies in opera |
spelling | Arnold, R. J. 1971- Verfasser (DE-588)1080960406 aut Grétry's operas and the French public from the Old Regime to the Restoration R.J. Arnold Farnham, Surrey ; Burlington, VT Ashgate [2016] © 2016 232 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Includes bibliographical references and index Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of Andre Ernest Modeste Gretry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Gretry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Gretry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Gretry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Gretry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music. - R.J. Arnold is an associate research fellow at Birkbeck, University of London. His research covers many aspects of the cultural history of France in the eighteenth and early nineteenth centuries, most recently focusing on the formation of musical taste, and the significance of song as a social practice. Grétry, André-Ernest-Modeste, 1741-1813 Grétry, André-Ernest-Modeste, 1741-1813 Death and burial Grétry, André-Ernest-Modeste 1741-1813 (DE-588)118542079 gnd rswk-swf Geschichte 1700-1800 Geschichte 1800-1900 Geschichte 1750-1850 gnd rswk-swf Geschichte 1813 gnd rswk-swf Opera France 18th century Opera France 19th century Rezeption (DE-588)4049716-1 gnd rswk-swf Tod (DE-588)4060294-1 gnd rswk-swf Öffentlichkeit (DE-588)4043183-6 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Gesellschaft (DE-588)4020588-5 gnd rswk-swf Frankreich Paris (DE-588)4044660-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Grétry, André-Ernest-Modeste 1741-1813 (DE-588)118542079 p Oper (DE-588)4043582-9 s Rezeption (DE-588)4049716-1 s Gesellschaft (DE-588)4020588-5 s Geschichte 1750-1850 z DE-604 Tod (DE-588)4060294-1 s Paris (DE-588)4044660-8 g Öffentlichkeit (DE-588)4043183-6 s Geschichte 1813 z Erscheint auch als Online-Ausgabe 978-1-4724-3851-5 Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-3852-2 Digitalisierung BSB Muenchen 22 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028678455&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Arnold, R. J. 1971- Grétry's operas and the French public from the Old Regime to the Restoration Grétry, André-Ernest-Modeste, 1741-1813 Grétry, André-Ernest-Modeste, 1741-1813 Death and burial Grétry, André-Ernest-Modeste 1741-1813 (DE-588)118542079 gnd Opera France 18th century Opera France 19th century Rezeption (DE-588)4049716-1 gnd Tod (DE-588)4060294-1 gnd Öffentlichkeit (DE-588)4043183-6 gnd Oper (DE-588)4043582-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
subject_GND | (DE-588)118542079 (DE-588)4049716-1 (DE-588)4060294-1 (DE-588)4043183-6 (DE-588)4043582-9 (DE-588)4020588-5 (DE-588)4044660-8 (DE-588)4018145-5 |
title | Grétry's operas and the French public from the Old Regime to the Restoration |
title_auth | Grétry's operas and the French public from the Old Regime to the Restoration |
title_exact_search | Grétry's operas and the French public from the Old Regime to the Restoration |
title_full | Grétry's operas and the French public from the Old Regime to the Restoration R.J. Arnold |
title_fullStr | Grétry's operas and the French public from the Old Regime to the Restoration R.J. Arnold |
title_full_unstemmed | Grétry's operas and the French public from the Old Regime to the Restoration R.J. Arnold |
title_short | Grétry's operas and the French public |
title_sort | gretry s operas and the french public from the old regime to the restoration |
title_sub | from the Old Regime to the Restoration |
topic | Grétry, André-Ernest-Modeste, 1741-1813 Grétry, André-Ernest-Modeste, 1741-1813 Death and burial Grétry, André-Ernest-Modeste 1741-1813 (DE-588)118542079 gnd Opera France 18th century Opera France 19th century Rezeption (DE-588)4049716-1 gnd Tod (DE-588)4060294-1 gnd Öffentlichkeit (DE-588)4043183-6 gnd Oper (DE-588)4043582-9 gnd Gesellschaft (DE-588)4020588-5 gnd |
topic_facet | Grétry, André-Ernest-Modeste, 1741-1813 Grétry, André-Ernest-Modeste, 1741-1813 Death and burial Grétry, André-Ernest-Modeste 1741-1813 Opera France 18th century Opera France 19th century Rezeption Tod Öffentlichkeit Oper Gesellschaft Frankreich Paris |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028678455&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT arnoldrj gretrysoperasandthefrenchpublicfromtheoldregimetotherestoration |