Beethoven:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schriftenreihe: | The early Romantic composers
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXIV, 528 Seiten Notenbeispiele |
| ISBN: | 9781472440303 |
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Datensatz im Suchindex
| _version_ | 1804175774788354048 |
|---|---|
| adam_text | Contents
A cknowledgements vii
Series Preface ix
Introduction xi
PART I HISTORY AND HISTORIOGRAPHY
1 Carl Dahlhaus (1991), ‘The Biographical Method’, in Ludwig van Beethoven:
Approaches to his Music, trans. Mary Whittall, Oxford: Clarendon Press,
pp. 1-10. 3
2 Scott Burnham (1995), ‘Beethoven’s Hero’, in Beethoven Hero, Princeton:
Princeton University Press, pp, 3-28. 13
3 K.M. Knittel (2006), ‘“Late”, Last, and Least: On being Beethoven’s Quartet in
F Major, Op. 135’, Music Letters, 87, pp. 16-51. 45
4 Lewis Lockwood (1994), ‘Beethoven before 1800: The Mozart Legacy’,
Beethoven Forum, 3, pp. 39-52. 81
5 Alexander L. Ringer (1970), ‘Beethoven and the London Pianoforte School’,
Musical Quarterly, 56, pp. 742-58. 95
6 Warren Kirkendale (1971), ‘New Roads to Old Ideas in Beethoven’s Missä
Solemnis in Paul Hemy Lång (ed.), The Creative World of Beethoven, New
York: Norton, pp. 163-99. 113
PART II DOCUMENTS AND SKETCHES
7 Maynard Solomon (1998), ‘Beethoven’s Birth Year’, in Beethoven Essays,
Cambridge, MA: Harvard University Press, pp. 35-42. 153
8 Hans-Werner Küthen (2001), ‘Das “Heiligenstädter Testament” im Licht der
Freimaurerei. Beethovens “letzter Wille” als ein Beweis ftlr seine Zugehörigkeit
zur Logenbruderschaft?’, Hudebni veda, 38, pp. 376-96. 165
9 Maynard Solomon (1972), ‘New Light on Beethoven’s Letter to an Unknown
Woman’, Musical Quarterly, 58, pp. 572-87. 187
10 Alan Tyson (1970), ‘Conversations with Beethoven’, Musical Times, 111,
pp. 25-28. 203
11 William Drabkin (1991), ‘Beethoven’s Understanding of “Sonata Form”:
The Evidence of the Sketchbooks’, in William Kinderman (ed.), Beethoven’s
Compositional Process, Lincoln: University of Nebraska Press, pp. 14-19. 207
12 Philip Gossett (1974), ‘Beethoven’s Sixth Symphony: Sketches for the First
Movement’, Journal of the American Musicological Society, 27, pp. 248-84.
213
VI
Beethoven
13 Robert Winter (1977), ‘Plans for the Structure of the String Quartet in C Sharp
Minor Op. 13 Г, in Alan Tyson (ed), Beethoven Studies 2, Oxford: Oxford
University Press, pp. 106-37. 251
PART III ANALYSIS
14 Joseph Kerman (1994), ‘Tovey’s Beethoven’, in Write all these Down: Essays on
Music, Berkeley: University of California Press, pp. 155-72. 285
15 Robert S. Hatten (1994), ‘A Case Study for Interpretation: The Third
Movement of Op. 106 {Hammerklavier) in Musical Meaning in
Beethoven: Markedness, Correlation, and Interpretation, Bloomington:
Indiana University Press, pp. 9-28. 303
16 Janet Schmalfeldt (1995), ‘Form as the Process of Becoming: The Beethoven-
Hegelian Tradition and the “Tempest” Sonata’, Beethoven Forum, 4, pp. 37-71. 327
17 Michael Spitzer (1996), ‘The Significance of Recapitulation in Beethoven’s
“Waldstein” Sonata’, Beethoven Forum, 5, pp. 103-17. 363
18 Edward T. Cone (1989), ‘Beethoven’s Experiments in Composition: The Late
Bagatelles’, in Robert Morgan (ed.), Music: A View from Delft Selected Essays,
Chicago: University of Chicago Press, pp. 179-200. 379
PART IV AESTHETICS AND HERMENEUTICS
19 Rose Rosengård Subotnik (1976), ‘Adorno’s Diagnosis of Beethoven’s Late Style:
Early Symptom of a Fatal Condition’, Journal of the American Musicological
Society, 29, pp. 242-75. 403
20 Rey M. Longyear (1970), ‘Beethoven and Romantic Irony’, Musical Quarterly,
56, pp. 647-64. 437
21 Owen Jander (1985), ‘Beethoven’s “Orpheus in Hades”: The Andante con moto
of the Fourth Piano Concerto’, 19th-Century Music, 8, pp. 195-212. 455
22 Sanna Pederson (2000), ‘Beethoven and Masculinity’, in Scott Burnham and
Michael P. Steinberg (eds), Beethoven and his World, Princeton: Princeton
University Press, pp. 313-31. 473
23 Richard Taruskin (1989), ‘Resisting the Ninth’, 19th-Century Music, 12,
pp. 241-56. 493
24 Holly Rogers (2006), ‘Beethoven’s Myth Sympathy: Hollywood’s
Re-Construction’, British Postgraduate Musicology, 8, at http://britishpost-
graduatemusicology.org/bpm8/Rogers.html 509
Name Index 523
|
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| indexdate | 2024-07-10T07:21:38Z |
| institution | BVB |
| isbn | 9781472440303 |
| language | English |
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| physical | XXIV, 528 Seiten Notenbeispiele |
| publishDate | 2015 |
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| series2 | The early Romantic composers |
| spelling | Beethoven edited by Michael Spitzer Farnham, Surrey ; Burlington, VT Ashgate [2015] @2015 XXIV, 528 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The early Romantic composers Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p DE-604 Spitzer, Michael (DE-588)1011691140 edt Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028678085&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Beethoven Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd |
| subject_GND | (DE-588)118508288 (DE-588)4143413-4 |
| title | Beethoven |
| title_auth | Beethoven |
| title_exact_search | Beethoven |
| title_full | Beethoven edited by Michael Spitzer |
| title_fullStr | Beethoven edited by Michael Spitzer |
| title_full_unstemmed | Beethoven edited by Michael Spitzer |
| title_short | Beethoven |
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| topic | Beethoven, Ludwig van / 1770-1827 / Criticism and interpretation Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd |
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