C.P.E. Bach:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schriftenreihe: | The late eighteenth-century composers
[5] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXXV, 505 Seiten Notenbeispiele |
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Contents
Acknowledgements ix
Series Preface xi
Introduction xiii
Bibliography xx ix
FART I THE COMPOSER AND HIS WORKS
1 Miklós Spányi (2014),4Appreciating the Music of C.P.E. Bach Today’,
Tangents: The Bulletin of the Boston Clavichord Society, 36, pp. 1,4. 3
2 Arnold Schering (1938), ‘C.Ph.E. Bach und das redende Prinzip in der Musik’,
Jahrbuch der Musikbibliothek Peters, 45, pp. 13-29, translated by the editor as
‘Carl Philipp Emanuel Bach and the “Rhetorical Principle” in Music’. 5
3 Mary Oleskiewicz (2007), ‘Like Father, Like Son? Emanuel Bach and the
Writing of Biography’, in Thomas Donahue (ed.), Music andlts Questions:
Essays in Honor of Peter Williams, Richmond, VA: Organ Historical Society
Press, pp. 253-79. 23
4 Peter Wollny (2010), ‘C.P.E. Bach, Georg Philipp Telemarni und die Osterkantate
“Gott hat den Herrn auferwecket” Wq 244’, in Paul Comeilson and Peter Wollny
(eds), ‘Er ist der Vater, wir sind die Bub n Essays in Honor of Christoph Wolff
Ann Arbor, MI: Steglein, pp. 78-94. 51
5 Stephen L. Clark (1998), ‘C.P.E. Bach as a Publisher of His Own Works’, in
Hans-Günter Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa.
Bericht über das Internationale Symposium vom 8. März bis 12. März 1994 im
Rahmen der 29. Frankfurter Festtage der Musik an der Konzerthalle Varl Philipp
Emanuel Bach’ in Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte,
Sonderband 2. Frankfurt (Oder): Konzerthalle ‘Carl Philipp Emanuel Bach’,
pp. 199-211. 69
6 Darrell M. Berg (1988), ‘Carl Philipp Emanuel Bachs Umarbeitungen seiner
Claviersonaten’, Bach-Jahrbuch, 74, pp. 123-61. 83
7 Rachel W. Wade (1990), ‘Carl Philipp Emanuel Bach, the Restless Composer’,
in Hans Joachim Marx (ed.), Carl Philipp Emanuel Bach und die europäische
Musikkultur des mittleren 18. Jahrhunderts: Bericht über das Internationale
Symposium der Joachim Jungius-Gesellschaft der Wissenschaften Hamburg 29.
September-2. Oktober 1988, Göttingen: Vandenhoeck Ruprecht, pp. 175-88. 123
VI
C.RE. Bach
PART II INDIVIDUAL COMPOSITIONS AND THEIR SOURCES
8 John A. Parkinson and Rodney Baldwyn (1964), ‘Two Notes on C.P.E. Bach’,
The Musical Times, 105(1461), p. 839. 139
9 Eugene Helm (1972), ‘The “Hamlet” Fantasy and the Literary Element in
C.P.E. Bach’s Music’, Musical Quarterly, 58, pp. 277-96. 141
10 Pamela Fox (1998), ‘Toward a Comprehensive C.P.E. Bach Chronology:
Schrift-Chronologie and the Issue of Bach’s “Late Hand’”, in Hans-Günter
Ottenberg (ed.), Carl Philipp Emanuel Bach: Musik für Europa. Bericht über
das Internationale Symposium vom 8. März bis 12. März 1994 im Rahmen der 29.
Frankfurter Festtage der Musik an der Konzerthalle ‘Carl Philipp Emanuel
Bach7 in Frankfurt (Oder), Carl-Philipp-Emanuel-Bach-Konzepte, Sonderband 2.
Frankfurt (Oder): Konzerthalle ‘Carl Philipp Emanuel Bach’, pp. 306-23. 161
11 Jane Stevens (1996 and 2000), untitled introductions to two audio CDs containing
recordings of Bach’s keyboard concertos and ensemble sonatinas, in Carl Philipp
Emanuel Bach: The Complete Keyboard Concertos, voi. 3 (Djursholm: Grammofon
AB BIS CD-767), pp. 4-6, and vol. 9 (Djursholm: Grammofon AB BIS CD-868),
pp. 3-5. 179
12 Annette Richards (2011), ‘Picturing the Moment in Sound: C.P.E. Bach and the
Musical Portrait’, in Thomas Donahue (ed.), Essays in Honor of Christopher
Hogwood: The Maestro's Direction, Lanham, MD: Scarecrow Press, pp. 57-89. 185
13 Susan Wollenberg (1988), ‘A New Look at C.P.E. Bach’s Musical Jokes’, in
Stephen L. Clark (ed.), C.P.E. Bach Studies, Oxford: Clarendon Press,
pp. 295-314. 219
14 Paul Comeilson (2010), ‘C.P.E. Bach’s Evangelist, Johann Heinrich Michel’, in
Paul Comeilson and Peter Wollny (eds), 4Er ist der Vater, wir sind die Bub V:
Essays in Honor of Christoph Wolff Ann Arbor, MI: Steglein, pp. 95-118. 239
15 Christoph Wolff (2010), ‘C.P.E. Bach’s Unknown Late Collection of Songs’,
in Hans-Günter Ottenberg (ed.), Kultur- und Musiktransfer im 18. Jahrhundert:
Das Beispiel C.P.E. Bach in musikkultureller Vernetzung Polen-Deutschland-
Frankreich: Bericht über das Internationale Symposium vom 5. bis 8. März in
Frankfurt (Oder) und Wroclaw, Frankfurt (Oder): Musikgesellschaft Carl Philipp
Emanuel Bach, 2010, pp. 255-68. 263
16 Richard Will (2006), ‘Reason and Revelation in C.P.E. Bach’s Resurrection
Oratorio’, in Annette Richards (ed.), C.P.E. Bach Studies, Cambridge: Cambridge
University Press, pp. 84-115. 277
PART III THE VERSUCH AND OTHER WRITINGS
17 Thomas Christensen (1998), ‘C.P.E. Bach’s Versuch and Its Context in
Eighteenth-Century Thorough-Bass Pedagogy’, in Hans-Günter Ottenberg (ed.),
Carl Philipp Emanuel Bach: Musik für Europa. Bericht über das Internationale
Symposium vom 8. März bis 12. März 1994 im Rahmen der 29. Frankfurter
Festtage der Musik an der Konzerthalle Carl Philipp Emanuel Bach ' in
Frankfurt (Oder). Carl-Philipp-Emanuel-Bach-Konzepte, Sonderband 2.
Frankfurt (Oder): Konzerthalle ‘Carl Philipp Emanuel Bach’, pp. 352-77.
311
C.RE. Bach
VU
18 William J. Mitchell (1970), ‘Modulation in C.P.E. Bach’s Versuch\ in
H.C. Robbins Laxidon and Roger Chapman (eds), Studies in Eighteenth-Century
Music: A Tribute to Karl Geiringer on His Seventieth Birthday, London: Allen
and Unwin, pp. 333-42. 337
19 Richard Kramer (1985), ‘The New Modulation of the 1770s: C.P.E. Bach in
Theory, Criticism, and Practice’, Journal of the American Musicological Society,
38, pp. 551-92. 347
20 Heinrich Schenker (1994), ‘Die Kunst der Improvisation’, in Das Meisterwerk in
der Musik, vol. 1 (Munich: Drei Masken, 1925), pp. 11^40, translated by Richard
Kramer as ‘The Art of Improvisation’ in William Drabkin (ed.), The Masterwork
in Music, Cambridge: Cambridge University Press, pp. 2-13. 389
21 Thomas Christensen (1990), ‘Nichelmann contra C.Ph.E. Bach: Harmonic Theory
and Musical Politics at the Court of Frederick the Great’, in Hans Joachim Marx
(ed.), Carl Philipp Emanuel Bach und die europäische Musikkultur des mittleren
18. Jahrhunderts: Bericht über das Internationale Symposium der Joachim Jungtus-
Gesellschaft der Wissenschaften Hamburg 29. September-2. Oktober 1988,
Göttingen: Vandenhoeck Ruprecht, pp. 189-220. 413
PART IV PERFORMANCE AND RECEPTION
22 Christopher Hogwood (2006), “‘Our Old Great Favourite”: Burney, Bach, and
the Bachists’, in Annette Richards (ed.), C.P.E. Bach Studies, Cambridge:
Cambridge University Press, pp. 221-50. 447
23 David Schulenberg (2000), ‘When Did the Clavichord Become C.P.E. Bach’s
Favourite Instrument? An Inquiry into Expression, Style and Medium in
Eighteenth-Century Keyboard Music’, in Bernard Brauchli, Susan Brauchli and
Alberto Galazzo (eds), De clavicordio IV: Proceedings of the IV International
Clavichord Symposium, Magnano, 8-11 September 1999, Magnano: Musica
Antica a Magnano, pp. 37-52. 477
24 Miklós Spányi (1995, 1997, 2000 and 2009), ‘Performers Remarks’ for four
audio CDs containing recordings of Bach’s keyboard concertos and ensemble
sonatinas, in Carl Philipp Emanuel Bach: The Complete Keyboard Concertos,
vol. 1 (Djursholm: Grammofon AB BIS CD-707), pp. 6-7; vol. 5 (Djursholm:
Grammofon AB BIS CD-785,1997), pp. 6-9; vol. 9 (Djursholm: Grammofon
AB BIS CD-868), pp. 6-8; and vol. 17 (Djursholm: Grammofon AB BIS
CD-1687),pp. 7-9. 493
Kame Index
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| spelling | C.P.E. Bach edited by David Schulenberg (Wagner College, USA) Farnham, Surrey ; Burlington, VT Ashgate [2015] © 2015 XXXV, 505 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier The late eighteenth-century composers [5] Beiträge englisch, 1 Beitrag deutsch Bach, Carl Philipp Emanuel / 1714-1788 gnd Bach, Carl Philipp Emanuel / 1714-1788 Bach, Carl Philipp Emanuel 1714-1788 (DE-588)118505505 gnd rswk-swf Geschichte 1700-1800 Music / Germany / 18th century / History and criticism Musik Deutschland (DE-588)4143413-4 Aufsatzsammlung gnd-content Bach, Carl Philipp Emanuel 1714-1788 (DE-588)118505505 p DE-604 Schulenberg, David 1955- (DE-588)1036885801 edt The late eighteenth-century composers [5] (DE-604)BV042516910 5 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028677429&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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