The politics of musical identity: selected essays
This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an Amer...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham, Surrey ; Burlington, VT
Ashgate
[2015]
|
| Schriftenreihe: | Ashgate contemporary thinkers on critical musicology
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond. - The recipient of the 2011 Edward J. Dent Medal of the Royal Musical Association, Annegret Fauser is a cultural musicologist whose research focuses on music of the nineteenth and twentieth centuries, and in particular that of France and America. She is the author of Musical Encounters at the 1889 Paris World's Fair (2005) and Sounds of War: Music in the United States during World War II (2013). Her book with Mark Everist, Music, Theater, and Cultural Transfer: Paris 1830-1914 (2009) was awarded the Ruth A. Solie Award of the American Musicological Society, and from 2011-2013 she was Editor-in-Chief of the Journal of the American Musicological Society. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xxii, 370 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781472425782 |
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| 520 | |a This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond. - The recipient of the 2011 Edward J. Dent Medal of the Royal Musical Association, Annegret Fauser is a cultural musicologist whose research focuses on music of the nineteenth and twentieth centuries, and in particular that of France and America. She is the author of Musical Encounters at the 1889 Paris World's Fair (2005) and Sounds of War: Music in the United States during World War II (2013). Her book with Mark Everist, Music, Theater, and Cultural Transfer: Paris 1830-1914 (2009) was awarded the Ruth A. Solie Award of the American Musicological Society, and from 2011-2013 she was Editor-in-Chief of the Journal of the American Musicological Society. | ||
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Datensatz im Suchindex
| _version_ | 1804175773741875200 |
|---|---|
| adam_text | Contents
Acknowledgements ix
Introduction xi
List of Publications xix
PART ONE MUSIC AND POLITICS IN LATE NINETEENTH-CENTURY FRANCE
1. ‘Cette musique sans tradition’: Wagner’s Tannhäuser and its French Critics
(2009) 3
2. Visual Pleasures - Musical Signs: Dance at the Paris Opéra
(2005) 31
3. Oscarine and Réginette: A Comic Interlude in the French Reception of Wagner
(2007) 55
4. Gendering the Nations: The Ideologies of French Discourse on Music (1870-1914)
(2001) 71
5. Disruptive Histories: Telling the Story of Modem Music in France
(2006) 103
PART TWO MUSICAL IDENTITIES IN THE UNITED STATES IN
THE 1930s AND ’40s
6. Aaron Copland, Nadia Boulanger, and the Making of an ‘American’ Composer
(2006) 121
7. ‘Presenting a Great Truth’: William Grant Still’s Afro-American Symphony (1930)
(2011) 153
8. ‘Dixie Carmen’: War, Race, and Identity in Oscar Hammerstein’s Carmen Jones (1943)
(2010) 163
viii
THE POLITICS OF MUSICAL IDENTITY
PART THREE GENDER POLITICS IN MUSIC
9. Rheinsirenen: Loreley and Other Rhine Maidens (2006) 213
10. Creating Madame Landowska (2006) 237
11. La Guerre en dentelles: Women and the Prix de Rome in French Cultural Politics
(1998) 261
12. Composing as a Catholic: Rereading Lili Boulanger’s Vocal Music (2006) 309
13. Lili Boulanger’s La Princesse Maleine: A Composer and her Heroine
as Literary Icons ( 1997) 317
index 359
|
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| owner | DE-12 DE-11 DE-703 |
| owner_facet | DE-12 DE-11 DE-703 |
| physical | xxii, 370 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate contemporary thinkers on critical musicology |
| spelling | Fauser, Annegret 1963- Verfasser (DE-588)172688515 aut The politics of musical identity selected essays Annegret Fauser Farnham, Surrey ; Burlington, VT Ashgate [2015] xxii, 370 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Ashgate contemporary thinkers on critical musicology Includes bibliographical references and index This volume explores the way in which composers, performers, and critics shaped individual and collective identities in music from Europe and the United States from the 1860s to the 1950s. Selected essays and articles engage with works and their reception by Richard Wagner, Georges Bizet (in an American incarnation), Lili and Nadia Boulanger, William Grant Still, and Aaron Copland, and with performers such as Wanda Landowska and even Marilyn Monroe. Ranging in context from the opera house through the concert hall to the salon, and from establishment cultures to counter-cultural products, the main focus is how music permits new ways of considering issues of nationality, class, race, and gender. These essays - three presented for the first time in English translation - reflect the work in both musical and cultural studies of a distinguished scholar whose international career spans the Atlantic and beyond. - The recipient of the 2011 Edward J. Dent Medal of the Royal Musical Association, Annegret Fauser is a cultural musicologist whose research focuses on music of the nineteenth and twentieth centuries, and in particular that of France and America. She is the author of Musical Encounters at the 1889 Paris World's Fair (2005) and Sounds of War: Music in the United States during World War II (2013). Her book with Mark Everist, Music, Theater, and Cultural Transfer: Paris 1830-1914 (2009) was awarded the Ruth A. Solie Award of the American Musicological Society, and from 2011-2013 she was Editor-in-Chief of the Journal of the American Musicological Society. 1800 - 1999 fast Geschichte 1900-2000 Geschichte 1800-1900 Geschichte 1800-1900 gnd rswk-swf Geschichte 1930-1950 gnd rswk-swf Criticism, interpretation, etc fast Music fast Music / Political aspects fast Musik Politik Music Political aspects Music 19th century History and criticism Music 20th century History and criticism Music Identität (DE-588)4026482-8 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Frankreich (DE-588)4018145-5 g Musik (DE-588)4040802-4 s Politik (DE-588)4046514-7 s Geschichte 1800-1900 z DE-604 USA (DE-588)4078704-7 g Identität (DE-588)4026482-8 s Geschichte 1930-1950 z Geschlechterrolle (DE-588)4071776-8 s Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028677393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fauser, Annegret 1963- The politics of musical identity selected essays Criticism, interpretation, etc fast Music fast Music / Political aspects fast Musik Politik Music Political aspects Music 19th century History and criticism Music 20th century History and criticism Music Identität (DE-588)4026482-8 gnd Politik (DE-588)4046514-7 gnd Musik (DE-588)4040802-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| subject_GND | (DE-588)4026482-8 (DE-588)4046514-7 (DE-588)4040802-4 (DE-588)4071776-8 (DE-588)4018145-5 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | The politics of musical identity selected essays |
| title_auth | The politics of musical identity selected essays |
| title_exact_search | The politics of musical identity selected essays |
| title_full | The politics of musical identity selected essays Annegret Fauser |
| title_fullStr | The politics of musical identity selected essays Annegret Fauser |
| title_full_unstemmed | The politics of musical identity selected essays Annegret Fauser |
| title_short | The politics of musical identity |
| title_sort | the politics of musical identity selected essays |
| title_sub | selected essays |
| topic | Criticism, interpretation, etc fast Music fast Music / Political aspects fast Musik Politik Music Political aspects Music 19th century History and criticism Music 20th century History and criticism Music Identität (DE-588)4026482-8 gnd Politik (DE-588)4046514-7 gnd Musik (DE-588)4040802-4 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
| topic_facet | Criticism, interpretation, etc Music Music / Political aspects Musik Politik Music Political aspects Music 19th century History and criticism Music 20th century History and criticism Identität Geschlechterrolle Frankreich USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028677393&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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