The operas of Maurice Ravel:
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortileges (1919-25) are pivotal works in the composer's relatively small oeuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge
Cambridge University Press
2015
|
| Schriftenreihe: | Music in context
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortileges (1919-25) are pivotal works in the composer's relatively small oeuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music. - Emily Kilpatrick holds a PhD in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Faure. She is co-editor, with Roy Howat, of the new Peters critical edition of Faure's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xvii, 267 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781107118126 |
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| 520 | |a Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortileges (1919-25) are pivotal works in the composer's relatively small oeuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music. - Emily Kilpatrick holds a PhD in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Faure. She is co-editor, with Roy Howat, of the new Peters critical edition of Faure's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song. | ||
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Datensatz im Suchindex
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Contents
List of figures page [viii]
Preface [ix]
Acknowledgements [xiii]
List of abbreviations [xv]
Opera synopses [xvi]
PARTI MAKING OPERAS [1]
1 Introduction: £A single act at the Opera-Comique' [3]
2 Ravel's hour [16]
3 The Child and the impresarios [34]
PART II WORDS AND MUSIC [53]
4 The collaborative process [55]
5 Songs into operas [75]
6 'This archaic attempt at a modern fantasy' [99]
7 A portrait of an opera-ballet [121]
PART III THE COMPOSITIONAL WEB [143]
8 The 'calling cards' of VHeure espagnole [145]
9 From Carmen to Concepcion [172]
10 The 'big, small world' of VEnfant et les sortileges [197]
11 A Child of his time [217]
Afterword [236]
Bibliography [243]
Index [261] |
| any_adam_object | 1 |
| author | Kilpatrick, Emily 1983- |
| author_GND | (DE-588)1064644473 |
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| dewey-search | 782.1092 |
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| discipline | Musikwissenschaft |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
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| spelling | Kilpatrick, Emily 1983- Verfasser (DE-588)1064644473 aut The operas of Maurice Ravel Emily Kilpatrick Cambridge Cambridge University Press 2015 xvii, 267 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Music in context Includes bibliographical references and index Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortileges (1919-25) are pivotal works in the composer's relatively small oeuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music. - Emily Kilpatrick holds a PhD in Musicology from the University of Adelaide, and has published widely on the music of Ravel and Faure. She is co-editor, with Roy Howat, of the new Peters critical edition of Faure's complete songs, a project based at the Royal Academy of Music in London. Emily also maintains an active performing career as a pianist and vocal accompanist, and regularly gives recitals, radio broadcasts, master classes and lectures on French opera and song. Ravel, Maurice 1875-1937 Ravel, Maurice 1875-1937 L'heure espagnole (DE-588)300202547 gnd rswk-swf Ravel, Maurice 1875-1937 L' enfant et les sortilèges (DE-588)300125232 gnd rswk-swf Ravel, Maurice 1875-1937 (DE-588)118598651 gnd rswk-swf Geschichte 1900-2000 Opera France 20th century Oper (DE-588)4043582-9 gnd rswk-swf Frankreich Ravel, Maurice 1875-1937 (DE-588)118598651 p Oper (DE-588)4043582-9 s DE-604 Ravel, Maurice 1875-1937 L'heure espagnole (DE-588)300202547 u Ravel, Maurice 1875-1937 L' enfant et les sortilèges (DE-588)300125232 u Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028677034&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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