The business of opera:
The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professi...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham
Ashgate
2015
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century. Anastasia Belina-Johnson is Deputy Head of Undergraduate Programmes at the Royal College of Music, London, the author of Die tagliche Muhe ein Mensch zu sein (2013) and A Musician Divided: Andre Tchaikowsky in his own Words (2013), and co-editor of Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives (2013). She is currently researching the performance and reception of Silver Age operetta in Poland between 1906 and 1939. Derek B. Scott is Professor of Critical Musicology at the University of Leeds, UK. His books include: From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Among his edited books is The Ashgate Research Companion to Popular Musicology (2009). |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XIV, 218 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9781472429452 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV043234957 | ||
| 003 | DE-604 | ||
| 005 | 20171201 | ||
| 007 | t | ||
| 008 | 151228s2015 xxuagl| |||| 00||| eng d | ||
| 010 | |a 015014777 | ||
| 020 | |a 9781472429452 |c hardback |9 978-1-4724-2945-2 | ||
| 035 | |a (OCoLC)952194985 | ||
| 035 | |a (DE-599)BVBBV043234957 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 |a DE-703 |a DE-11 | ||
| 050 | 0 | |a ML1700 | |
| 082 | 0 | |a 792.5 |2 23 | |
| 084 | |a LR 54173 |0 (DE-625)109641: |2 rvk | ||
| 084 | |a LR 57430 |0 (DE-625)109872:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 245 | 1 | 0 | |a The business of opera |c edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK) |
| 264 | 1 | |a Farnham |b Ashgate |c 2015 | |
| 300 | |a XIV, 218 Seiten |b Illustrationen, Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Ashgate interdisciplinary studies in opera | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century. | ||
| 520 | |a Anastasia Belina-Johnson is Deputy Head of Undergraduate Programmes at the Royal College of Music, London, the author of Die tagliche Muhe ein Mensch zu sein (2013) and A Musician Divided: Andre Tchaikowsky in his own Words (2013), and co-editor of Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives (2013). She is currently researching the performance and reception of Silver Age operetta in Poland between 1906 and 1939. Derek B. Scott is Professor of Critical Musicology at the University of Leeds, UK. His books include: From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Among his edited books is The Ashgate Research Companion to Popular Musicology (2009). | ||
| 648 | 7 | |a Geschichte 1900-2015 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Opera |x Economic aspects | |
| 650 | 0 | 7 | |a Opernproduktion |0 (DE-588)4232690-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Opernproduktion |0 (DE-588)4232690-4 |D s |
| 689 | 0 | 1 | |a Geschichte 1900-2015 |A z |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Belina, Anastasia |0 (DE-588)1024742059 |4 edt | |
| 700 | 1 | |a Scott, Derek B. |d 1950- |0 (DE-588)1025960858 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, EPUB |z 978-1-4724-2947-6 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, PDF |z 978-1-4724-2946-9 |
| 856 | 4 | 2 | |m LoC Fremddatenuebernahme |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028657444&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028657444 | ||
Datensatz im Suchindex
| _version_ | 1804175747349217280 |
|---|---|
| adam_text | THE BUSINESS OF OPERA
/
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
TRENDS AND INNOVATIONS IN OPERA / NICHOLAS PAYNE
BAROQUE OPERA, HISTORICAL INFORMATION, AND BUSINESS; OR, HOW A NERD
BECAME A HIPSTER / CHRISTINE FISCHER
FROM STATE OPERA TO MULTILEVEL OPERA BUSINESS : THE TRANSFORMATION OF
OPERA GOVERNANCE IN BERLIN, LONDON AND PARIS AT THE END OF THE TWENTIETH
CENTURY / SARAH ZALFEN
THE BUSINESS OF COMPOSING OPERA : A COMPOSER S PERSPECTIVE / PAUL BARKER
INTERDISCIPLINARY SUPPORT FOR OPERA PRACTICE IN THE UK / CHRISTOPHER
NEWELL
THE WORLD OPERA : A NEW GLOBAL FORMAT FOR THE BUSINESS OF OPERA / JASON
E. GEISTWEIDT AND NIELS W. LUND
OPERA ORCHESTRAL CONTRACTS CONSIDERED AS A RESEARCH RESOURCE / GEORGE
KENNAWAY
BEHIND THE CURTAIN : SHAPING A NEW SIEGFRIED / CORDELIA CHENAULT
A RING FOR PEOPLE AND PLACE : CREATING EXPECTATION AND FULFILLING DEMAND
/ JENNIFER DANIEL
STRATEGIC NATIONALISM TOWARDS THE IMAGINED COMMUNITY : THE RISE AND
SUCCESS STORY OF FINNISH OPERA / LIISAMAIJA HAUTSALO
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author2 | Belina, Anastasia Scott, Derek B. 1950- |
| author2_role | edt edt |
| author2_variant | a b ab d b s db dbs |
| author_GND | (DE-588)1024742059 (DE-588)1025960858 |
| author_facet | Belina, Anastasia Scott, Derek B. 1950- |
| building | Verbundindex |
| bvnumber | BV043234957 |
| callnumber-first | M - Music |
| callnumber-label | ML1700 |
| callnumber-raw | ML1700 |
| callnumber-search | ML1700 |
| callnumber-sort | ML 41700 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 54173 LR 57430 |
| ctrlnum | (OCoLC)952194985 (DE-599)BVBBV043234957 |
| dewey-full | 792.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.5 |
| dewey-search | 792.5 |
| dewey-sort | 3792.5 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1900-2015 gnd |
| era_facet | Geschichte 1900-2015 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03546nam a2200517 c 4500</leader><controlfield tag="001">BV043234957</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20171201 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">151228s2015 xxuagl| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">015014777</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781472429452</subfield><subfield code="c">hardback</subfield><subfield code="9">978-1-4724-2945-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)952194985</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043234957</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML1700</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.5</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 54173</subfield><subfield code="0">(DE-625)109641:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 57430</subfield><subfield code="0">(DE-625)109872:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The business of opera</subfield><subfield code="c">edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Farnham</subfield><subfield code="b">Ashgate</subfield><subfield code="c">2015</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIV, 218 Seiten</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Ashgate interdisciplinary studies in opera</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Anastasia Belina-Johnson is Deputy Head of Undergraduate Programmes at the Royal College of Music, London, the author of Die tagliche Muhe ein Mensch zu sein (2013) and A Musician Divided: Andre Tchaikowsky in his own Words (2013), and co-editor of Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives (2013). She is currently researching the performance and reception of Silver Age operetta in Poland between 1906 and 1939. Derek B. Scott is Professor of Critical Musicology at the University of Leeds, UK. His books include: From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Among his edited books is The Ashgate Research Companion to Popular Musicology (2009).</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2015</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Opera</subfield><subfield code="x">Economic aspects</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Opernproduktion</subfield><subfield code="0">(DE-588)4232690-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Opernproduktion</subfield><subfield code="0">(DE-588)4232690-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1900-2015</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Belina, Anastasia</subfield><subfield code="0">(DE-588)1024742059</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Scott, Derek B.</subfield><subfield code="d">1950-</subfield><subfield code="0">(DE-588)1025960858</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, EPUB</subfield><subfield code="z">978-1-4724-2947-6</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, PDF</subfield><subfield code="z">978-1-4724-2946-9</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">LoC Fremddatenuebernahme</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028657444&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028657444</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV043234957 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T07:21:12Z |
| institution | BVB |
| isbn | 9781472429452 |
| language | English |
| lccn | 015014777 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028657444 |
| oclc_num | 952194985 |
| open_access_boolean | |
| owner | DE-12 DE-703 DE-11 |
| owner_facet | DE-12 DE-703 DE-11 |
| physical | XIV, 218 Seiten Illustrationen, Notenbeispiele |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Ashgate |
| record_format | marc |
| series2 | Ashgate interdisciplinary studies in opera |
| spelling | The business of opera edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK) Farnham Ashgate 2015 XIV, 218 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Ashgate interdisciplinary studies in opera Includes bibliographical references and index The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century. Anastasia Belina-Johnson is Deputy Head of Undergraduate Programmes at the Royal College of Music, London, the author of Die tagliche Muhe ein Mensch zu sein (2013) and A Musician Divided: Andre Tchaikowsky in his own Words (2013), and co-editor of Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives (2013). She is currently researching the performance and reception of Silver Age operetta in Poland between 1906 and 1939. Derek B. Scott is Professor of Critical Musicology at the University of Leeds, UK. His books include: From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Among his edited books is The Ashgate Research Companion to Popular Musicology (2009). Geschichte 1900-2015 gnd rswk-swf Opera Economic aspects Opernproduktion (DE-588)4232690-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Opernproduktion (DE-588)4232690-4 s Geschichte 1900-2015 z DE-604 Belina, Anastasia (DE-588)1024742059 edt Scott, Derek B. 1950- (DE-588)1025960858 edt Erscheint auch als Online-Ausgabe, EPUB 978-1-4724-2947-6 Erscheint auch als Online-Ausgabe, PDF 978-1-4724-2946-9 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028657444&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The business of opera Opera Economic aspects Opernproduktion (DE-588)4232690-4 gnd |
| subject_GND | (DE-588)4232690-4 (DE-588)4143413-4 |
| title | The business of opera |
| title_auth | The business of opera |
| title_exact_search | The business of opera |
| title_full | The business of opera edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK) |
| title_fullStr | The business of opera edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK) |
| title_full_unstemmed | The business of opera edited by Anastasia Belina-Johnson (Royal College of Music, UK) and Derek B. Scott (University of Leeds, UK) |
| title_short | The business of opera |
| title_sort | the business of opera |
| topic | Opera Economic aspects Opernproduktion (DE-588)4232690-4 gnd |
| topic_facet | Opera Economic aspects Opernproduktion Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028657444&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT belinaanastasia thebusinessofopera AT scottderekb thebusinessofopera |