The city and the stage: performance, genre, and gender in Plato's "Laws"
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Oxford University Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | xii, 386 Seiten |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments xi
Introduction: Performance and the Second-Best City i
1.1 Introduction i
1.2 An Ancient Quarrel Revisited: Poetry and the Polis, the City
and the Stage io
1.3 The Laws, Its City, and Its Scope 23
1.4 Paradigmatism and the Second-Best Politeia 32
1.5 The Correct Method (orthê methodos) of Cultural Criticism 37
1.6 Conclusions 42
PART I Performance
1. Marionettes of the Soul: Performance and the Psychology of Mousike in
Plato’s Laws 49
1.1 Introduction 49
1.2 Theoretical Orientations: Performance, Performativity, and
Political Dissent 57
1.3 Of Puppets and Passions: The Moral Psychology of Performance
in Plato’s Laws 71
1.4 The Consonant Soul: Virtue and Education in Plato’s Laws 80
1.5 Virtue, Education, and Aesthetic Response: A Model of
Performativity 8 7
viii Contents
1.6 Inscription and the Making of a Philosophical Performance
Culture 9 8
1.7 Conclusions III
2. The Chorus and the Critic: Literary Criticism, Theatrocracy,
and the Performance of Philosophy 113
z.i Introduction 113
z.z Critical Errors: Genre, Theatrocracy, and the Unideal City 117
z.3 Setting the Stage: Pleasure, Judgment, and the Performance of
Philosophy 131
z.4 Beyond the Choral Muse: The Chorus of Dionysos and the
Metaphysics of Literary Criticism 136
z.5 Conclusions 150
PART II Genre
3. Laws Genres: Hymns, Encomia, and the Remaking of Lament 153
3.1 Introduction 15$
3.2 The Laws Genres: Hymns, Encomia, and the Politics of
Euphêmia 160
3.3 The Laws in Praise and Blame 168
3.4 Funerary Regained 174
3.5 Conclusions 185
4. Unideal Genres and the Ideal City: Comedy, Threnody, Tragedy,
and the Limits of the City Dancing 187
4.1 Introduction 187
4.2 Comedy, Threnody, and the Performance of Alterity 189
4.3 From Antithesis to Identity: Comedic and Iambic Invective 202
4.4 Platos Tragic Muse 205
4.3 Beyond the Politics of Performance: ta bakkheia
and the Genres of Ecstasy 215
4.6 Conclusions 219
Contents
IX
PART III Gender
5. Women’s Statuses in Plato’s Laws: Nature, Gender, Law, and the
Performance of Citizenship 225
5.1 Introduction 225
5.2 ‘Natural’ Heterosexuality 229
5.3 Transgendered Virtues and the Social Contract 239
5.4 Natural Correction: Feasting, Warfare, Schooling, and the ‘Trope
of Life’ (tropos tou biou) 242
5.5 Unnatural Limitations: The Political Lives of Women in
Magnesia 253
5.6 Conclusions 262
6. Engendering Harmony: Women’s Songs in Plato’s Laws 265
6.1 Introduction 265
6.2 Veils of Silence: Women, Theater, and Performance
in Athens and Magnesia 267
6.3 Performance, Performativity, and the Making of Citizen
Women 274
6.4 ‘Cultic Citizenship’ Revisited: Lament and the Female
Voice 286
6.5 Conclusions 293
Epilogue: Plato’s Last Song: A Postlude on Law and the Preludes 299
Notes 315
Bibliography 351
Index 373
|
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| spelling | Folch, Marcus ca. 20./21. Jh. Verfasser (DE-588)1080666745 aut The city and the stage performance, genre, and gender in Plato's "Laws" Marcus Folch Oxford Oxford University Press [2015] © 2015 xii, 386 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Plato / Laws Plato v427-v347 Leges (DE-588)4125202-0 gnd rswk-swf Laws (Plato) fast Greek drama / History and criticism Greek drama fast Drama (DE-588)4012899-4 gnd rswk-swf Theatralik (DE-588)4375533-1 gnd rswk-swf Plato phil. TLG 0059 (DE-2581)TH000002380 gbd Plat. Leges (DE-2581)TH000002400 gbd Plato v427-v347 Leges (DE-588)4125202-0 u Theatralik (DE-588)4375533-1 s Drama (DE-588)4012899-4 s DE-604 Erscheint auch als (DE-604)BV044888857 Digitalisierung BSB Muenchen - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028655164&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Folch, Marcus ca. 20./21. Jh The city and the stage performance, genre, and gender in Plato's "Laws" Plato / Laws Plato v427-v347 Leges (DE-588)4125202-0 gnd Laws (Plato) fast Greek drama / History and criticism Greek drama fast Drama (DE-588)4012899-4 gnd Theatralik (DE-588)4375533-1 gnd |
| subject_GND | (DE-588)4125202-0 (DE-588)4012899-4 (DE-588)4375533-1 |
| title | The city and the stage performance, genre, and gender in Plato's "Laws" |
| title_auth | The city and the stage performance, genre, and gender in Plato's "Laws" |
| title_exact_search | The city and the stage performance, genre, and gender in Plato's "Laws" |
| title_full | The city and the stage performance, genre, and gender in Plato's "Laws" Marcus Folch |
| title_fullStr | The city and the stage performance, genre, and gender in Plato's "Laws" Marcus Folch |
| title_full_unstemmed | The city and the stage performance, genre, and gender in Plato's "Laws" Marcus Folch |
| title_short | The city and the stage |
| title_sort | the city and the stage performance genre and gender in plato s laws |
| title_sub | performance, genre, and gender in Plato's "Laws" |
| topic | Plato / Laws Plato v427-v347 Leges (DE-588)4125202-0 gnd Laws (Plato) fast Greek drama / History and criticism Greek drama fast Drama (DE-588)4012899-4 gnd Theatralik (DE-588)4375533-1 gnd |
| topic_facet | Plato / Laws Plato v427-v347 Leges Laws (Plato) Greek drama / History and criticism Greek drama Drama Theatralik |
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