How folklore shaped modern art: a post-critical history of aesthetics
Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York and London
Routledge
2016
|
| Ausgabe: | First published |
| Schriftenreihe: | Routledge advances in art and visual studies
15 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. 'How folklore shaped modern art: A post-critical history of aesthetics' underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art's "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art's inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture.0In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 182 Seiten |
| ISBN: | 9780815386551 9781138931671 |
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Datensatz im Suchindex
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|---|---|
| adam_text | HOW FOLKLORE SHAPED MODERN ART
/ HILL, WES [AUTHOR.] 1978-
: 2015
TABLE OF CONTENTS / INHALTSVERZEICHNIS
KANT AND HERDER
DISCIPLINARY OBJECTIVES
WARHOL S POPLORE
POST-CRITICAL ART
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
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| author | Hill, Wes 1978- |
| author_GND | (DE-588)1081210664 |
| author_facet | Hill, Wes 1978- |
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| author_sort | Hill, Wes 1978- |
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| building | Verbundindex |
| bvnumber | BV043214305 |
| callnumber-first | N - Fine Arts |
| callnumber-label | N7476 |
| callnumber-raw | N7476 |
| callnumber-search | N7476 |
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| callnumber-subject | N - Visual Arts |
| classification_rvk | CC 6900 LB 58000 LC 90000 |
| contents | Kant and Herder -- Disciplinary Objectives -- Warhol's Poplore -- Post-Critical Art |
| ctrlnum | (OCoLC)951888690 (DE-599)BVBBV043214305 |
| dewey-full | 701/.1 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701/.1 |
| dewey-search | 701/.1 |
| dewey-sort | 3701 11 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Philosophie Sozial-/Kulturanthropologie / Empirische Kulturwissenschaft |
| edition | First published |
| era | Geschichte 1900-2000 Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
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| id | DE-604.BV043214305 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:20:44Z |
| institution | BVB |
| isbn | 9780815386551 9781138931671 |
| language | English |
| lccn | 015030554 |
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| physical | 182 Seiten |
| publishDate | 2016 |
| publishDateSearch | 2016 |
| publishDateSort | 2016 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge advances in art and visual studies |
| series2 | Routledge advances in art and visual studies |
| spelling | Hill, Wes 1978- Verfasser (DE-588)1081210664 aut How folklore shaped modern art a post-critical history of aesthetics Wes Hill First published New York and London Routledge 2016 182 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge advances in art and visual studies 15 Includes bibliographical references and index Kant and Herder -- Disciplinary Objectives -- Warhol's Poplore -- Post-Critical Art Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. 'How folklore shaped modern art: A post-critical history of aesthetics' underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art's "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art's inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture.0In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Geschichte Philosophie Art criticism History 20th century Art criticism History 21st century Art, Modern Philosophy Ästhetik (DE-588)4000626-8 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 s Kunstkritik (DE-588)4033659-1 s Geschichte 1900-2000 z DE-604 Routledge advances in art and visual studies 15 (DE-604)BV040387847 15 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028637383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hill, Wes 1978- How folklore shaped modern art a post-critical history of aesthetics Routledge advances in art and visual studies Kant and Herder -- Disciplinary Objectives -- Warhol's Poplore -- Post-Critical Art Geschichte Philosophie Art criticism History 20th century Art criticism History 21st century Art, Modern Philosophy Ästhetik (DE-588)4000626-8 gnd Kunstkritik (DE-588)4033659-1 gnd |
| subject_GND | (DE-588)4000626-8 (DE-588)4033659-1 |
| title | How folklore shaped modern art a post-critical history of aesthetics |
| title_auth | How folklore shaped modern art a post-critical history of aesthetics |
| title_exact_search | How folklore shaped modern art a post-critical history of aesthetics |
| title_full | How folklore shaped modern art a post-critical history of aesthetics Wes Hill |
| title_fullStr | How folklore shaped modern art a post-critical history of aesthetics Wes Hill |
| title_full_unstemmed | How folklore shaped modern art a post-critical history of aesthetics Wes Hill |
| title_short | How folklore shaped modern art |
| title_sort | how folklore shaped modern art a post critical history of aesthetics |
| title_sub | a post-critical history of aesthetics |
| topic | Geschichte Philosophie Art criticism History 20th century Art criticism History 21st century Art, Modern Philosophy Ästhetik (DE-588)4000626-8 gnd Kunstkritik (DE-588)4033659-1 gnd |
| topic_facet | Geschichte Philosophie Art criticism History 20th century Art criticism History 21st century Art, Modern Philosophy Ästhetik Kunstkritik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028637383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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