Estrada?!: grand narratives and the philosophy of the Russian popular song since Perestroika
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Montreal
McGill-Queen's University Press
c2002
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes audio-visual sources (p. [202]-209), bibliographical references, and index "In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage" - in Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms." --Book Jacket |
| Beschreibung: | 1 Online-Ressource (254 p.) |
| ISBN: | 0773523715 0773570241 9780773523715 9780773570245 |
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| 500 | |a Includes audio-visual sources (p. [202]-209), bibliographical references, and index | ||
| 500 | |a "In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage" - in Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms." --Book Jacket | ||
| 648 | 7 | |a 1981 - 2000 |2 fast | |
| 650 | 4 | |a Musique populaire / Russie / 1991-2000 / Histoire et critique | |
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| 650 | 7 | |a Popular music |2 fast | |
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Datensatz im Suchindex
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| author | MacFadyen, David |
| author_facet | MacFadyen, David |
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| dewey-full | 782.42164/0947/0904 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.42164/0947/0904 |
| dewey-search | 782.42164/0947/0904 |
| dewey-sort | 3782.42164 3947 3904 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| era | 1981 - 2000 fast |
| era_facet | 1981 - 2000 |
| format | Electronic eBook |
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| isbn | 0773523715 0773570241 9780773523715 9780773570245 |
| language | English |
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| spelling | MacFadyen, David Verfasser aut Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika David MacFadyen Montreal McGill-Queen's University Press c2002 1 Online-Ressource (254 p.) txt rdacontent c rdamedia cr rdacarrier Includes audio-visual sources (p. [202]-209), bibliographical references, and index "In Estrada?!, the second volume of a three-part series on Russian popular song, David MacFadyen extends his overview of Russian culture and society into the post-Soviet period. Having dispelled several myths surrounding Soviet popular entertainment - known as "estrada" or the "small stage" - in Red Stars, MacFadyen shifts his attention to a newer musical tradition that has emerged from the simultaneous disappearance of Soviet ideology and the loud influx of Western music." "The author shows how performance, popularity, and politics have all changed rapidly in Russia following the fall of communism. He highlights the troubled state of Soviet music journalism in the eighties, the deteriorating standards of staging, and the problems of developing a "proper" post-Soviet repertoire given the weakened relevance of songs as propaganda and the tenuous value of an old-style "sentimental education" that performers hoped to offer audiences. MacFadyen shows that for Russia's most famous performers today singing is still a responsibility of both private and public relevance. Even in post-Soviet Europe, song remains the most profoundly consequential of art forms." --Book Jacket 1981 - 2000 fast Musique populaire / Russie / 1991-2000 / Histoire et critique MUSIC / Printed Music / General bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh Popular music fast Popular music Soviet Union 1981-1990 History and criticism Popular music Russia (Federation) 1991-2000 History and criticism Sowjetunion http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=404118 Aggregator Volltext |
| spellingShingle | MacFadyen, David Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika Musique populaire / Russie / 1991-2000 / Histoire et critique MUSIC / Printed Music / General bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh Popular music fast Popular music Soviet Union 1981-1990 History and criticism Popular music Russia (Federation) 1991-2000 History and criticism |
| title | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika |
| title_auth | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika |
| title_exact_search | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika |
| title_full | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika David MacFadyen |
| title_fullStr | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika David MacFadyen |
| title_full_unstemmed | Estrada?! grand narratives and the philosophy of the Russian popular song since Perestroika David MacFadyen |
| title_short | Estrada?! |
| title_sort | estrada grand narratives and the philosophy of the russian popular song since perestroika |
| title_sub | grand narratives and the philosophy of the Russian popular song since Perestroika |
| topic | Musique populaire / Russie / 1991-2000 / Histoire et critique MUSIC / Printed Music / General bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh Popular music fast Popular music Soviet Union 1981-1990 History and criticism Popular music Russia (Federation) 1991-2000 History and criticism |
| topic_facet | Musique populaire / Russie / 1991-2000 / Histoire et critique MUSIC / Printed Music / General MUSIC / Genres & Styles / Pop Vocal Popular music Popular music Soviet Union 1981-1990 History and criticism Popular music Russia (Federation) 1991-2000 History and criticism Sowjetunion |
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