Francophone African women writers: destroying the emptiness of silence
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Gainesville
University Press of Florida
©1994
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references (pages 199-213) and index French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '70s, followed by a creative explosion in the '80s that d'Almeida describes as a militant feminist appropriation of the written word. D'Almeida's book, the first single-author critical study in English of literary expression by Francophone African women, examines novels and autobiographies by nine new and established writers, all published since 1975. She finds that writing has liberated Francophone African women. They use it to critique the patriarchal order, to champion the cause of women and the community, and to preserve positive aspects of tradition D'Almeida divides her analysis into sections on three aspects of literary production. The first deals with autobiography and begins with A Dakar Childhood, by Nafissatou Diallo, the first Francophone African woman to write her own life history. The section also examines The Abandoned Baobab, by Ken Bugul, a book that broke sexual taboos, and My Country, Africa, by Andree Blouin. In the second section the author looks at women and the family, including problems related to "compulsory" motherhood. She discusses Your Name Will Be Tanga, by Calixthe Beyala, Cries and Fury of Women, by Angele Rawiri (both published only in French), and Scarlet Song, by Mariama Ba. The third section, "W/Riting Change: Women as Social Critics," discusses the ways female novelists link problems that affect women's lives to those affecting society at large. It examines works in French by Werewere Liking, Aminata Sow Fall, and Veronique Tadjo Prise d'ecriture. Feminist/Misovire Consciousness. Remarks on Methodology -- Ch. 1. The Self: Autobiography as De/couverte. Nafissatou Diallo: A Legacy for the Future. Ken Bugul: The Process of Self-Discovery. Andree Blouin: Growing Up as a Metisse in Colonial Africa -- Ch. 2. Speaking Up, Disclosing Family Life. Calixthe Beyala: Becoming a Woman/Resisting "Womanhood"? Angele Rawiri: "I Have Children, Therefore I Am" Mariama Ba: Intersections of Gender, Race, Class, and Culture -- Ch. 3. W/Riting Change: Women as Social Critics. Werewere Liking: Initiation as a Tool for Social Change. Aminata Sow Fall: Political Responsibilities. Veronique Tadjo: Toward a Loftier Ideal -- Conclusion: "It will take a long time, but the story must be told." |
| Beschreibung: | 1 Online-Ressource (xi, 222 pages) |
| ISBN: | 0585200289 081301302X 9780585200286 |
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| 500 | |a French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature | ||
| 500 | |a Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '70s, followed by a creative explosion in the '80s that d'Almeida describes as a militant feminist appropriation of the written word. D'Almeida's book, the first single-author critical study in English of literary expression by Francophone African women, examines novels and autobiographies by nine new and established writers, all published since 1975. She finds that writing has liberated Francophone African women. They use it to critique the patriarchal order, to champion the cause of women and the community, and to preserve positive aspects of tradition | ||
| 500 | |a D'Almeida divides her analysis into sections on three aspects of literary production. The first deals with autobiography and begins with A Dakar Childhood, by Nafissatou Diallo, the first Francophone African woman to write her own life history. The section also examines The Abandoned Baobab, by Ken Bugul, a book that broke sexual taboos, and My Country, Africa, by Andree Blouin. In the second section the author looks at women and the family, including problems related to "compulsory" motherhood. She discusses Your Name Will Be Tanga, by Calixthe Beyala, Cries and Fury of Women, by Angele Rawiri (both published only in French), and Scarlet Song, by Mariama Ba. The third section, "W/Riting Change: Women as Social Critics," discusses the ways female novelists link problems that affect women's lives to those affecting society at large. It examines works in French by Werewere Liking, Aminata Sow Fall, and Veronique Tadjo | ||
| 500 | |a Prise d'ecriture. Feminist/Misovire Consciousness. Remarks on Methodology -- Ch. 1. The Self: Autobiography as De/couverte. Nafissatou Diallo: A Legacy for the Future. Ken Bugul: The Process of Self-Discovery. Andree Blouin: Growing Up as a Metisse in Colonial Africa -- Ch. 2. Speaking Up, Disclosing Family Life. Calixthe Beyala: Becoming a Woman/Resisting "Womanhood"? Angele Rawiri: "I Have Children, Therefore I Am" Mariama Ba: Intersections of Gender, Race, Class, and Culture -- Ch. 3. W/Riting Change: Women as Social Critics. Werewere Liking: Initiation as a Tool for Social Change. Aminata Sow Fall: Political Responsibilities. Veronique Tadjo: Toward a Loftier Ideal -- Conclusion: "It will take a long time, but the story must be told." | ||
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| spelling | Almeida, Irène Assiba d' Verfasser aut Francophone African women writers destroying the emptiness of silence Irène Assiba d'Almeida Gainesville University Press of Florida ©1994 1 Online-Ressource (xi, 222 pages) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references (pages 199-213) and index French-speaking African women traditionally expressed their creativity through oral storytelling. Previously silent in print, today they also speak through the written word, and their stories constitute one of the most significant recent developments in African literature Irene Assiba d'Almeida dates this emerging phenomenon to 1969, the year Kuoh-Moukouri's Rencontres essentielles was published. A few more books by women were published in the '70s, followed by a creative explosion in the '80s that d'Almeida describes as a militant feminist appropriation of the written word. D'Almeida's book, the first single-author critical study in English of literary expression by Francophone African women, examines novels and autobiographies by nine new and established writers, all published since 1975. She finds that writing has liberated Francophone African women. They use it to critique the patriarchal order, to champion the cause of women and the community, and to preserve positive aspects of tradition D'Almeida divides her analysis into sections on three aspects of literary production. The first deals with autobiography and begins with A Dakar Childhood, by Nafissatou Diallo, the first Francophone African woman to write her own life history. The section also examines The Abandoned Baobab, by Ken Bugul, a book that broke sexual taboos, and My Country, Africa, by Andree Blouin. In the second section the author looks at women and the family, including problems related to "compulsory" motherhood. She discusses Your Name Will Be Tanga, by Calixthe Beyala, Cries and Fury of Women, by Angele Rawiri (both published only in French), and Scarlet Song, by Mariama Ba. The third section, "W/Riting Change: Women as Social Critics," discusses the ways female novelists link problems that affect women's lives to those affecting society at large. It examines works in French by Werewere Liking, Aminata Sow Fall, and Veronique Tadjo Prise d'ecriture. Feminist/Misovire Consciousness. Remarks on Methodology -- Ch. 1. The Self: Autobiography as De/couverte. Nafissatou Diallo: A Legacy for the Future. Ken Bugul: The Process of Self-Discovery. Andree Blouin: Growing Up as a Metisse in Colonial Africa -- Ch. 2. Speaking Up, Disclosing Family Life. Calixthe Beyala: Becoming a Woman/Resisting "Womanhood"? Angele Rawiri: "I Have Children, Therefore I Am" Mariama Ba: Intersections of Gender, Race, Class, and Culture -- Ch. 3. W/Riting Change: Women as Social Critics. Werewere Liking: Initiation as a Tool for Social Change. Aminata Sow Fall: Political Responsibilities. Veronique Tadjo: Toward a Loftier Ideal -- Conclusion: "It will take a long time, but the story must be told." Geschichte 1975-1990 gnd rswk-swf LITERARY CRITICISM / European / French bisacsh African literature (French) / Women authors fast Feminism and literature fast Women and literature fast Women / Intellectual life fast Frau Geschichte African literature (French) Women authors History and criticism Feminism and literature Africa History Women and literature Africa History Women Africa Intellectual life Französisch (DE-588)4113615-9 gnd rswk-swf Frauenliteratur (DE-588)4113622-6 gnd rswk-swf Afrika Subsaharisches Afrika (DE-588)4053770-5 gnd rswk-swf Französisch (DE-588)4113615-9 s Frauenliteratur (DE-588)4113622-6 s Subsaharisches Afrika (DE-588)4053770-5 g Geschichte 1975-1990 z 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=20717 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Almeida, Irène Assiba d' Francophone African women writers destroying the emptiness of silence LITERARY CRITICISM / European / French bisacsh African literature (French) / Women authors fast Feminism and literature fast Women and literature fast Women / Intellectual life fast Frau Geschichte African literature (French) Women authors History and criticism Feminism and literature Africa History Women and literature Africa History Women Africa Intellectual life Französisch (DE-588)4113615-9 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| subject_GND | (DE-588)4113615-9 (DE-588)4113622-6 (DE-588)4053770-5 |
| title | Francophone African women writers destroying the emptiness of silence |
| title_auth | Francophone African women writers destroying the emptiness of silence |
| title_exact_search | Francophone African women writers destroying the emptiness of silence |
| title_full | Francophone African women writers destroying the emptiness of silence Irène Assiba d'Almeida |
| title_fullStr | Francophone African women writers destroying the emptiness of silence Irène Assiba d'Almeida |
| title_full_unstemmed | Francophone African women writers destroying the emptiness of silence Irène Assiba d'Almeida |
| title_short | Francophone African women writers |
| title_sort | francophone african women writers destroying the emptiness of silence |
| title_sub | destroying the emptiness of silence |
| topic | LITERARY CRITICISM / European / French bisacsh African literature (French) / Women authors fast Feminism and literature fast Women and literature fast Women / Intellectual life fast Frau Geschichte African literature (French) Women authors History and criticism Feminism and literature Africa History Women and literature Africa History Women Africa Intellectual life Französisch (DE-588)4113615-9 gnd Frauenliteratur (DE-588)4113622-6 gnd |
| topic_facet | LITERARY CRITICISM / European / French African literature (French) / Women authors Feminism and literature Women and literature Women / Intellectual life Frau Geschichte African literature (French) Women authors History and criticism Feminism and literature Africa History Women and literature Africa History Women Africa Intellectual life Französisch Frauenliteratur Afrika Subsaharisches Afrika |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=20717 |
| work_keys_str_mv | AT almeidaireneassibad francophoneafricanwomenwritersdestroyingtheemptinessofsilence |