Visualizing feeling: affect and the feminine avant-garde
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
I.B. Tauris
2011
|
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Beschreibung: | Illustrations; Acknowledgements; Introduction; 1. Minimalism and Subjectivity: Aesthetics and the Anti-Aesthetic Tradition; 2. Feeling and Late Modern Art; 3. Participation, Affect and the Body: Lygia Clark; 4. Eva Hesse's Late Sculptures: Elusive Expression and Unconscious Affect; 5. Ana Mendieta: Affect Miniaturization, Emotional Ties and the Silueta Series; 6. The Dream of the Audience: The Moving Image of Theresa Hak Kyung Cha; Conclusion: Which Anthropomorphism?; Notes; Bibliography; Index Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher |
| Beschreibung: | 1 Online-Ressource (viii, 145 Seiten) |
| ISBN: | 9780857720122 9780755603602 0857720120 |
Internformat
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| 500 | |a Illustrations; Acknowledgements; Introduction; 1. Minimalism and Subjectivity: Aesthetics and the Anti-Aesthetic Tradition; 2. Feeling and Late Modern Art; 3. Participation, Affect and the Body: Lygia Clark; 4. Eva Hesse's Late Sculptures: Elusive Expression and Unconscious Affect; 5. Ana Mendieta: Affect Miniaturization, Emotional Ties and the Silueta Series; 6. The Dream of the Audience: The Moving Image of Theresa Hak Kyung Cha; Conclusion: Which Anthropomorphism?; Notes; Bibliography; Index | ||
| 500 | |a Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher | ||
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| 650 | 7 | |a Emotions in art |2 fast | |
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| 650 | 4 | |a Geschichte | |
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Datensatz im Suchindex
| _version_ | 1804175645748494336 |
|---|---|
| any_adam_object | |
| author | Best, Susan |
| author_GND | (DE-588)133011062 |
| author_facet | Best, Susan |
| author_role | aut |
| author_sort | Best, Susan |
| author_variant | s b sb |
| building | Verbundindex |
| bvnumber | BV043168278 |
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| ctrlnum | (OCoLC)756484698 (DE-599)BVBBV043168278 |
| dewey-full | 709.045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.045 |
| dewey-search | 709.045 |
| dewey-sort | 3709.045 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Soziologie |
| era | 1900 - 1999 fast Geschichte 1900-2000 |
| era_facet | 1900 - 1999 Geschichte 1900-2000 |
| format | Electronic eBook |
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| id | DE-604.BV043168278 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:35Z |
| institution | BVB |
| isbn | 9780857720122 9780755603602 0857720120 |
| language | English |
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| spelling | Best, Susan Verfasser (DE-588)133011062 aut Visualizing feeling affect and the feminine avant-garde Susan Best London I.B. Tauris 2011 1 Online-Ressource (viii, 145 Seiten) txt rdacontent c rdamedia cr rdacarrier Illustrations; Acknowledgements; Introduction; 1. Minimalism and Subjectivity: Aesthetics and the Anti-Aesthetic Tradition; 2. Feeling and Late Modern Art; 3. Participation, Affect and the Body: Lygia Clark; 4. Eva Hesse's Late Sculptures: Elusive Expression and Unconscious Affect; 5. Ana Mendieta: Affect Miniaturization, Emotional Ties and the Silueta Series; 6. The Dream of the Audience: The Moving Image of Theresa Hak Kyung Cha; Conclusion: Which Anthropomorphism?; Notes; Bibliography; Index Is late modern art 'anti-aesthetic'? What does it mean to label a piece of art 'affectless'? These traditional characterisations of 1960s and 1970s art are radically challenged in this subversive art history. By introducing feeling the analysis of this period, Susan Best acknowledges the radical and exploratory nature of art in late modernism. The book focuses on four highly influential female artists: Eva Hesse, Lygia Clark, Ana Mendieta and Theresa Hak Kyung Cha and it explores how their art transformed established avant-garde protocols by introducing an affective dimension. This aspect of their work, while often noted, has never before been analysed in detail. "Visualizing Feeling" also addresses a methodological blind spot in art history: the interpretation of feeling, emotion and affect. It demonstrates that the affective dimension, alongside other materials and methods of art, is part of the artistic means of production and innovation. This is the first thorough re-appraisal of aesthetic engagement with affect in post-1960s art.--Provided by publisher 1900 - 1999 fast Geschichte 1900-2000 Fine Arts ART / History / Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast Geschichte Avant-garde (Aesthetics) Women artists History 20th century Emotions in art Gefühl Motiv (DE-588)4207378-9 gnd rswk-swf Frauenkunst (DE-588)4370467-0 gnd rswk-swf Affekt Motiv (DE-588)4141547-4 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Frauenkunst (DE-588)4370467-0 s Avantgarde (DE-588)4133965-4 s Gefühl Motiv (DE-588)4207378-9 s Affekt Motiv (DE-588)4141547-4 s 1\p DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-8488-5851-0 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=380582 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Best, Susan Visualizing feeling affect and the feminine avant-garde Fine Arts ART / History / Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast Geschichte Avant-garde (Aesthetics) Women artists History 20th century Emotions in art Gefühl Motiv (DE-588)4207378-9 gnd Frauenkunst (DE-588)4370467-0 gnd Affekt Motiv (DE-588)4141547-4 gnd Avantgarde (DE-588)4133965-4 gnd |
| subject_GND | (DE-588)4207378-9 (DE-588)4370467-0 (DE-588)4141547-4 (DE-588)4133965-4 |
| title | Visualizing feeling affect and the feminine avant-garde |
| title_auth | Visualizing feeling affect and the feminine avant-garde |
| title_exact_search | Visualizing feeling affect and the feminine avant-garde |
| title_full | Visualizing feeling affect and the feminine avant-garde Susan Best |
| title_fullStr | Visualizing feeling affect and the feminine avant-garde Susan Best |
| title_full_unstemmed | Visualizing feeling affect and the feminine avant-garde Susan Best |
| title_short | Visualizing feeling |
| title_sort | visualizing feeling affect and the feminine avant garde |
| title_sub | affect and the feminine avant-garde |
| topic | Fine Arts ART / History / Contemporary (1945- ) bisacsh Avant-garde (Aesthetics) fast Emotions in art fast Women artists fast Geschichte Avant-garde (Aesthetics) Women artists History 20th century Emotions in art Gefühl Motiv (DE-588)4207378-9 gnd Frauenkunst (DE-588)4370467-0 gnd Affekt Motiv (DE-588)4141547-4 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Fine Arts ART / History / Contemporary (1945- ) Avant-garde (Aesthetics) Emotions in art Women artists Geschichte Women artists History 20th century Gefühl Motiv Frauenkunst Affekt Motiv Avantgarde |
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