A day for the hunter, a day for the prey: popular music and power in Haiti
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Chicago, Ill.
University of Chicago Press
1997
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Schriftenreihe: | Chicago studies in ethnomusicology
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Schlagworte: | |
Online-Zugang: | DE-1046 DE-1047 Volltext |
Beschreibung: | Discography: pages 255-258 Includes bibliographical references (pages 245-253) and index A DAY FOR THE HUNTER A DAY FOR THE PREY; Contents; Preface; Acknowledgments; A Note on Translation; 1 Introduction: "A Message to Pass from Mouth to Mouth"; 2 "Living from Their Own Garden": The Discourse of Authenticity; 3 "Konpa-dirkk for Life": Frangois Duvalier's Dictatorship and Konpa-dirt?k; 4 "Musicians Are a Single Family": Critical Discourse in Music under Baby Doc Duvalier; Photos following page 160; 5 "Watch Out for Them!": Dechoukaj and Its Aftermath; Epilogue: "Carnival of Hope"; Notes; Glossary; Bibliography; Discography; Interviews; Index The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle?one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions |
Beschreibung: | 1 Online-Ressource (xxix, 276 pages, [10] pages of plates) |
ISBN: | 0226032914 0226032922 0226032930 9780226032917 9780226032924 9780226032931 |
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245 | 1 | 0 | |a A day for the hunter, a day for the prey |b popular music and power in Haiti |c Gage Averill |
264 | 1 | |a Chicago, Ill. |b University of Chicago Press |c 1997 | |
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490 | 0 | |a Chicago studies in ethnomusicology | |
500 | |a Discography: pages 255-258 | ||
500 | |a Includes bibliographical references (pages 245-253) and index | ||
500 | |a A DAY FOR THE HUNTER A DAY FOR THE PREY; Contents; Preface; Acknowledgments; A Note on Translation; 1 Introduction: "A Message to Pass from Mouth to Mouth"; 2 "Living from Their Own Garden": The Discourse of Authenticity; 3 "Konpa-dirkk for Life": Frangois Duvalier's Dictatorship and Konpa-dirt?k; 4 "Musicians Are a Single Family": Critical Discourse in Music under Baby Doc Duvalier; Photos following page 160; 5 "Watch Out for Them!": Dechoukaj and Its Aftermath; Epilogue: "Carnival of Hope"; Notes; Glossary; Bibliography; Discography; Interviews; Index | ||
500 | |a The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle?one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions | ||
648 | 7 | |a 1900 - 1999 |2 fast | |
648 | 4 | |a Geschichte 1900-2000 | |
650 | 7 | |a MUSIC / Genres & Styles / International |2 bisacsh | |
650 | 7 | |a MUSIC / Genres & Styles / Pop Vocal |2 bisacsh | |
650 | 7 | |a MUSIC / Genres & Styles / New Age |2 bisacsh | |
650 | 7 | |a Popular music |2 fast | |
650 | 7 | |a Power (Social sciences) |2 fast | |
650 | 4 | |a Geschichte | |
650 | 4 | |a Popular music |z Haiti |x History and criticism | |
650 | 4 | |a Power (Social sciences) |z Haiti |x History |y 20th century | |
650 | 0 | 7 | |a Volksmusik |0 (DE-588)4063854-6 |2 gnd |9 rswk-swf |
651 | 7 | |a Haiti |0 (DE-588)4022974-9 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Haiti |0 (DE-588)4022974-9 |D g |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Averill, Gage 1954- |
author_GND | (DE-588)1057535826 |
author_facet | Averill, Gage 1954- |
author_role | aut |
author_sort | Averill, Gage 1954- |
author_variant | g a ga |
building | Verbundindex |
bvnumber | BV043167695 |
collection | ZDB-4-EBA |
ctrlnum | (OCoLC)45730302 (DE-599)BVBBV043167695 |
dewey-full | 781.63/097294 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.63/097294 |
dewey-search | 781.63/097294 |
dewey-sort | 3781.63 597294 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
era | 1900 - 1999 fast Geschichte 1900-2000 |
era_facet | 1900 - 1999 Geschichte 1900-2000 |
format | Electronic eBook |
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geographic | Haiti (DE-588)4022974-9 gnd |
geographic_facet | Haiti |
id | DE-604.BV043167695 |
illustrated | Not Illustrated |
indexdate | 2024-08-10T01:16:18Z |
institution | BVB |
isbn | 0226032914 0226032922 0226032930 9780226032917 9780226032924 9780226032931 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028591886 |
oclc_num | 45730302 |
open_access_boolean | |
owner | DE-1046 DE-1047 |
owner_facet | DE-1046 DE-1047 |
physical | 1 Online-Ressource (xxix, 276 pages, [10] pages of plates) |
psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
publisher | University of Chicago Press |
record_format | marc |
series2 | Chicago studies in ethnomusicology |
spelling | Averill, Gage 1954- Verfasser (DE-588)1057535826 aut A day for the hunter, a day for the prey popular music and power in Haiti Gage Averill Chicago, Ill. University of Chicago Press 1997 1 Online-Ressource (xxix, 276 pages, [10] pages of plates) txt rdacontent c rdamedia cr rdacarrier Chicago studies in ethnomusicology Discography: pages 255-258 Includes bibliographical references (pages 245-253) and index A DAY FOR THE HUNTER A DAY FOR THE PREY; Contents; Preface; Acknowledgments; A Note on Translation; 1 Introduction: "A Message to Pass from Mouth to Mouth"; 2 "Living from Their Own Garden": The Discourse of Authenticity; 3 "Konpa-dirkk for Life": Frangois Duvalier's Dictatorship and Konpa-dirt?k; 4 "Musicians Are a Single Family": Critical Discourse in Music under Baby Doc Duvalier; Photos following page 160; 5 "Watch Out for Them!": Dechoukaj and Its Aftermath; Epilogue: "Carnival of Hope"; Notes; Glossary; Bibliography; Discography; Interviews; Index The history of Haiti throughout the twentieth century has been marked by oppression at the hands of colonial and dictatorial overlords. But set against this "day for the hunter" has been a "day for the prey," a history of resistance, and sometimes of triumph. With keen cultural and historical awareness, Gage Averill shows that Haiti's vibrant and expressive music has been one of the most highly charged instruments in this struggle?one in which power, politics, and resistance are inextricably fused. Averill explores such diverse genres as Haitian jazz, troubadour traditions 1900 - 1999 fast Geschichte 1900-2000 MUSIC / Genres & Styles / International bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / Genres & Styles / New Age bisacsh Popular music fast Power (Social sciences) fast Geschichte Popular music Haiti History and criticism Power (Social sciences) Haiti History 20th century Volksmusik (DE-588)4063854-6 gnd rswk-swf Haiti (DE-588)4022974-9 gnd rswk-swf Haiti (DE-588)4022974-9 g Volksmusik (DE-588)4063854-6 s 1\p DE-604 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=35165 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Averill, Gage 1954- A day for the hunter, a day for the prey popular music and power in Haiti MUSIC / Genres & Styles / International bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / Genres & Styles / New Age bisacsh Popular music fast Power (Social sciences) fast Geschichte Popular music Haiti History and criticism Power (Social sciences) Haiti History 20th century Volksmusik (DE-588)4063854-6 gnd |
subject_GND | (DE-588)4063854-6 (DE-588)4022974-9 |
title | A day for the hunter, a day for the prey popular music and power in Haiti |
title_auth | A day for the hunter, a day for the prey popular music and power in Haiti |
title_exact_search | A day for the hunter, a day for the prey popular music and power in Haiti |
title_full | A day for the hunter, a day for the prey popular music and power in Haiti Gage Averill |
title_fullStr | A day for the hunter, a day for the prey popular music and power in Haiti Gage Averill |
title_full_unstemmed | A day for the hunter, a day for the prey popular music and power in Haiti Gage Averill |
title_short | A day for the hunter, a day for the prey |
title_sort | a day for the hunter a day for the prey popular music and power in haiti |
title_sub | popular music and power in Haiti |
topic | MUSIC / Genres & Styles / International bisacsh MUSIC / Genres & Styles / Pop Vocal bisacsh MUSIC / Genres & Styles / New Age bisacsh Popular music fast Power (Social sciences) fast Geschichte Popular music Haiti History and criticism Power (Social sciences) Haiti History 20th century Volksmusik (DE-588)4063854-6 gnd |
topic_facet | MUSIC / Genres & Styles / International MUSIC / Genres & Styles / Pop Vocal MUSIC / Genres & Styles / New Age Popular music Power (Social sciences) Geschichte Popular music Haiti History and criticism Power (Social sciences) Haiti History 20th century Volksmusik Haiti |
url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=35165 |
work_keys_str_mv | AT averillgage adayforthehunteradayforthepreypopularmusicandpowerinhaiti |