Viewing African cinema in the twenty-first century: art films and the Nollywood video revolution
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Athens
Ohio University Press
c2010 (2012)
|
| Schriftenreihe: | UPCC book collections on Project MUSE.
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAW02 Volltext |
| Beschreibung: | Includes bibliographical references and index Introduction / Ralph A. Austen and Mahir Șaul -- The "problem" of Nollywood. What is to be done? film studies and Nigerian and Ghanaian videos / Jonathan Haynes -- Nollywood and its critics / Onookome Okome -- Ghanaian popular video movies between state film policies and Nollywood : discourses and tensions / Birgit Meyer -- Islam, Hausa culture, and censorship in Northern Nigerian video film / Abdalla Uba Adamu -- Nollywood goes east : the localization of Nigerian video films in Tanzania / Matthias Krings -- Imported films and their African audiences. Commentary and orality in African film reception / Vincent Bouchard -- Songs, stories, action! audience preferences in Tanzania, 1950s-1980s / Laura Fair -- FESPACO/art film in the light of Nollywood. Art, politics, and commerce in francophone African cinema / Mahir Șaul -- Outside the machine? donor values and the case of film in Tanzania / Jane Bryce -- Emitaï : basic stylistic elements: shot length, camera movement, and character movement / Peter Rist -- Curses, nightmares, and realities : cautionary pedagogy in FESPACO films and Igbo videos / Stefan Sereda -- The return of the Mercedes : from Ousmane Sembene to Kenneth Nnebue / Lindsey Green-Simms -- U.S. distribution of African film : California Newsreel's Library of African Cinema : a case study / Cornelius Moore African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, a |
| Beschreibung: | 1 Online-Ressource (vii, 248 p.) |
| ISBN: | 082144350X 9780821443507 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV043167680 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 151126s2010 |||| o||u| ||||||eng d | ||
| 020 | |a 082144350X |c electronic bk. |9 0-8214-4350-X | ||
| 020 | |a 9780821443507 |c electronic bk. |9 978-0-8214-4350-7 | ||
| 035 | |a (OCoLC)794925014 | ||
| 035 | |a (DE-599)BVBBV043167680 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1046 |a DE-1047 | ||
| 082 | 0 | |a 791.4309669/090511 |2 22 | |
| 084 | |a AP 59770 |0 (DE-625)7794:730 |2 rvk | ||
| 084 | |a AP 59772 |0 (DE-625)7794:732 |2 rvk | ||
| 245 | 1 | 0 | |a Viewing African cinema in the twenty-first century |b art films and the Nollywood video revolution |c edited by Mahir Șaul and Ralph A. Austen |
| 264 | 1 | |a Athens |b Ohio University Press |c c2010 (2012) | |
| 300 | |a 1 Online-Ressource (vii, 248 p.) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a UPCC book collections on Project MUSE. | |
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction / Ralph A. Austen and Mahir Șaul -- The "problem" of Nollywood. What is to be done? film studies and Nigerian and Ghanaian videos / Jonathan Haynes -- Nollywood and its critics / Onookome Okome -- Ghanaian popular video movies between state film policies and Nollywood : discourses and tensions / Birgit Meyer -- Islam, Hausa culture, and censorship in Northern Nigerian video film / Abdalla Uba Adamu -- Nollywood goes east : the localization of Nigerian video films in Tanzania / Matthias Krings -- Imported films and their African audiences. Commentary and orality in African film reception / Vincent Bouchard -- Songs, stories, action! audience preferences in Tanzania, 1950s-1980s / Laura Fair -- FESPACO/art film in the light of Nollywood. Art, politics, and commerce in francophone African cinema / Mahir Șaul -- Outside the machine? donor values and the case of film in Tanzania / Jane Bryce -- Emitaï : basic stylistic elements: shot length, camera movement, and character movement / Peter Rist -- Curses, nightmares, and realities : cautionary pedagogy in FESPACO films and Igbo videos / Stefan Sereda -- The return of the Mercedes : from Ousmane Sembene to Kenneth Nnebue / Lindsey Green-Simms -- U.S. distribution of African film : California Newsreel's Library of African Cinema : a case study / Cornelius Moore | ||
| 500 | |a African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, a | ||
| 611 | 2 | 7 | |a FESPACO |c Ouagadougou |0 (DE-588)4382775-5 |2 gnd |9 rswk-swf |
| 648 | 7 | |a Geschichte 1960-2005 |2 gnd |9 rswk-swf | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Motion pictures / Social aspects |2 fast | |
| 650 | 7 | |a Video recordings industry |2 fast | |
| 650 | 7 | |a Video recordings / Social aspects |2 fast | |
| 650 | 7 | |a PERFORMING ARTS / Reference |2 bisacsh | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Motion pictures |x Social aspects |z Africa, West | |
| 650 | 4 | |a Video recordings industry |z Ghana | |
| 650 | 4 | |a Video recordings industry |z Nigeria | |
| 650 | 4 | |a Video recordings |x Social aspects |z Ghana | |
| 650 | 4 | |a Video recordings |x Social aspects |z Nigeria | |
| 650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Video |0 (DE-588)4078895-7 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Subsaharisches Afrika |0 (DE-588)4053770-5 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Nigeria |0 (DE-588)4042300-1 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Ghana |0 (DE-588)4020949-0 |2 gnd |9 rswk-swf | |
| 651 | 7 | |a Tansania |0 (DE-588)4078149-5 |2 gnd |9 rswk-swf | |
| 655 | 7 | |8 1\p |0 (DE-588)1071861417 |a Konferenzschrift |y 2007 |z Champaign-Urbana Ill. |2 gnd-content | |
| 689 | 0 | 0 | |a Nigeria |0 (DE-588)4042300-1 |D g |
| 689 | 0 | 1 | |a Ghana |0 (DE-588)4020949-0 |D g |
| 689 | 0 | 2 | |a Tansania |0 (DE-588)4078149-5 |D g |
| 689 | 0 | 3 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 0 | 4 | |a Video |0 (DE-588)4078895-7 |D s |
| 689 | 0 | 5 | |a Geschichte 1960-2005 |A z |
| 689 | 0 | |8 2\p |5 DE-604 | |
| 689 | 1 | 0 | |a Subsaharisches Afrika |0 (DE-588)4053770-5 |D g |
| 689 | 1 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
| 689 | 1 | 2 | |a Geschichte 1960-2005 |A z |
| 689 | 1 | |8 3\p |5 DE-604 | |
| 689 | 2 | 0 | |a Subsaharisches Afrika |0 (DE-588)4053770-5 |D g |
| 689 | 2 | 1 | |a Video |0 (DE-588)4078895-7 |D s |
| 689 | 2 | 2 | |a Geschichte 1960-2005 |A z |
| 689 | 2 | |8 4\p |5 DE-604 | |
| 689 | 3 | 0 | |a FESPACO |c Ouagadougou |0 (DE-588)4382775-5 |D f |
| 689 | 3 | 1 | |a Geschichte |A z |
| 689 | 3 | |8 5\p |5 DE-604 | |
| 700 | 1 | |a Austen, Ralph A. |e Sonstige |4 oth | |
| 700 | 1 | |a Saul, Mahir |e Sonstige |4 oth | |
| 710 | 2 | |a Project Muse |e Sonstige |4 oth | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 0-8214-1930-7 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 0-8214-1931-5 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Hardcover |z 978-0-8214-1930-4 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-0-8214-1931-1 |
| 856 | 4 | 0 | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448 |x Aggregator |3 Volltext |
| 912 | |a ZDB-4-EBA | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-028591871 | ||
| 883 | 1 | |8 1\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 2\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 3\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 4\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 883 | 1 | |8 5\p |a cgwrk |d 20201028 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448 |l FAW01 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
| 966 | e | |u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448 |l FAW02 |p ZDB-4-EBA |q FAW_PDA_EBA |x Aggregator |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804175644553117696 |
|---|---|
| any_adam_object | |
| building | Verbundindex |
| bvnumber | BV043167680 |
| classification_rvk | AP 59770 AP 59772 |
| collection | ZDB-4-EBA |
| ctrlnum | (OCoLC)794925014 (DE-599)BVBBV043167680 |
| dewey-full | 791.4309669/090511 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4309669/090511 |
| dewey-search | 791.4309669/090511 |
| dewey-sort | 3791.4309669 590511 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1960-2005 gnd Geschichte gnd |
| era_facet | Geschichte 1960-2005 Geschichte |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>06360nmm a2200997zc 4500</leader><controlfield tag="001">BV043167680</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">151126s2010 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">082144350X</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">0-8214-4350-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780821443507</subfield><subfield code="c">electronic bk.</subfield><subfield code="9">978-0-8214-4350-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)794925014</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV043167680</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4309669/090511</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59770</subfield><subfield code="0">(DE-625)7794:730</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59772</subfield><subfield code="0">(DE-625)7794:732</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Viewing African cinema in the twenty-first century</subfield><subfield code="b">art films and the Nollywood video revolution</subfield><subfield code="c">edited by Mahir Șaul and Ralph A. Austen</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Athens</subfield><subfield code="b">Ohio University Press</subfield><subfield code="c">c2010 (2012)</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (vii, 248 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">UPCC book collections on Project MUSE.</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction / Ralph A. Austen and Mahir Șaul -- The "problem" of Nollywood. What is to be done? film studies and Nigerian and Ghanaian videos / Jonathan Haynes -- Nollywood and its critics / Onookome Okome -- Ghanaian popular video movies between state film policies and Nollywood : discourses and tensions / Birgit Meyer -- Islam, Hausa culture, and censorship in Northern Nigerian video film / Abdalla Uba Adamu -- Nollywood goes east : the localization of Nigerian video films in Tanzania / Matthias Krings -- Imported films and their African audiences. Commentary and orality in African film reception / Vincent Bouchard -- Songs, stories, action! audience preferences in Tanzania, 1950s-1980s / Laura Fair -- FESPACO/art film in the light of Nollywood. Art, politics, and commerce in francophone African cinema / Mahir Șaul -- Outside the machine? donor values and the case of film in Tanzania / Jane Bryce -- Emitaï : basic stylistic elements: shot length, camera movement, and character movement / Peter Rist -- Curses, nightmares, and realities : cautionary pedagogy in FESPACO films and Igbo videos / Stefan Sereda -- The return of the Mercedes : from Ousmane Sembene to Kenneth Nnebue / Lindsey Green-Simms -- U.S. distribution of African film : California Newsreel's Library of African Cinema : a case study / Cornelius Moore</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, a</subfield></datafield><datafield tag="611" ind1="2" ind2="7"><subfield code="a">FESPACO</subfield><subfield code="c">Ouagadougou</subfield><subfield code="0">(DE-588)4382775-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1960-2005</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Motion pictures / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Video recordings industry</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Video recordings / Social aspects</subfield><subfield code="2">fast</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Reference</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Gesellschaft</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Africa, West</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Video recordings industry</subfield><subfield code="z">Ghana</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Video recordings industry</subfield><subfield code="z">Nigeria</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Video recordings</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Ghana</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Video recordings</subfield><subfield code="x">Social aspects</subfield><subfield code="z">Nigeria</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Video</subfield><subfield code="0">(DE-588)4078895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Subsaharisches Afrika</subfield><subfield code="0">(DE-588)4053770-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Nigeria</subfield><subfield code="0">(DE-588)4042300-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Ghana</subfield><subfield code="0">(DE-588)4020949-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Tansania</subfield><subfield code="0">(DE-588)4078149-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="8">1\p</subfield><subfield code="0">(DE-588)1071861417</subfield><subfield code="a">Konferenzschrift</subfield><subfield code="y">2007</subfield><subfield code="z">Champaign-Urbana Ill.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nigeria</subfield><subfield code="0">(DE-588)4042300-1</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ghana</subfield><subfield code="0">(DE-588)4020949-0</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Tansania</subfield><subfield code="0">(DE-588)4078149-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Video</subfield><subfield code="0">(DE-588)4078895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Geschichte 1960-2005</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="8">2\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Subsaharisches Afrika</subfield><subfield code="0">(DE-588)4053770-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Geschichte 1960-2005</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Subsaharisches Afrika</subfield><subfield code="0">(DE-588)4053770-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Video</subfield><subfield code="0">(DE-588)4078895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="2"><subfield code="a">Geschichte 1960-2005</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="8">4\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="3" ind2="0"><subfield code="a">FESPACO</subfield><subfield code="c">Ouagadougou</subfield><subfield code="0">(DE-588)4382775-5</subfield><subfield code="D">f</subfield></datafield><datafield tag="689" ind1="3" ind2="1"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="3" ind2=" "><subfield code="8">5\p</subfield><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Austen, Ralph A.</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Saul, Mahir</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Project Muse</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">0-8214-1930-7</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">0-8214-1931-5</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Hardcover</subfield><subfield code="z">978-0-8214-1930-4</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-0-8214-1931-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-4-EBA</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-028591871</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">1\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">2\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">3\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">4\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="883" ind1="1" ind2=" "><subfield code="8">5\p</subfield><subfield code="a">cgwrk</subfield><subfield code="d">20201028</subfield><subfield code="q">DE-101</subfield><subfield code="u">https://d-nb.info/provenance/plan#cgwrk</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448</subfield><subfield code="l">FAW02</subfield><subfield code="p">ZDB-4-EBA</subfield><subfield code="q">FAW_PDA_EBA</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| genre | 1\p (DE-588)1071861417 Konferenzschrift 2007 Champaign-Urbana Ill. gnd-content |
| genre_facet | Konferenzschrift 2007 Champaign-Urbana Ill. |
| geographic | Subsaharisches Afrika (DE-588)4053770-5 gnd Nigeria (DE-588)4042300-1 gnd Ghana (DE-588)4020949-0 gnd Tansania (DE-588)4078149-5 gnd |
| geographic_facet | Subsaharisches Afrika Nigeria Ghana Tansania |
| id | DE-604.BV043167680 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-10T07:19:34Z |
| institution | BVB |
| isbn | 082144350X 9780821443507 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-028591871 |
| oclc_num | 794925014 |
| open_access_boolean | |
| owner | DE-1046 DE-1047 |
| owner_facet | DE-1046 DE-1047 |
| physical | 1 Online-Ressource (vii, 248 p.) |
| psigel | ZDB-4-EBA ZDB-4-EBA FAW_PDA_EBA |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Ohio University Press |
| record_format | marc |
| series2 | UPCC book collections on Project MUSE. |
| spelling | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution edited by Mahir Șaul and Ralph A. Austen Athens Ohio University Press c2010 (2012) 1 Online-Ressource (vii, 248 p.) txt rdacontent c rdamedia cr rdacarrier UPCC book collections on Project MUSE. Includes bibliographical references and index Introduction / Ralph A. Austen and Mahir Șaul -- The "problem" of Nollywood. What is to be done? film studies and Nigerian and Ghanaian videos / Jonathan Haynes -- Nollywood and its critics / Onookome Okome -- Ghanaian popular video movies between state film policies and Nollywood : discourses and tensions / Birgit Meyer -- Islam, Hausa culture, and censorship in Northern Nigerian video film / Abdalla Uba Adamu -- Nollywood goes east : the localization of Nigerian video films in Tanzania / Matthias Krings -- Imported films and their African audiences. Commentary and orality in African film reception / Vincent Bouchard -- Songs, stories, action! audience preferences in Tanzania, 1950s-1980s / Laura Fair -- FESPACO/art film in the light of Nollywood. Art, politics, and commerce in francophone African cinema / Mahir Șaul -- Outside the machine? donor values and the case of film in Tanzania / Jane Bryce -- Emitaï : basic stylistic elements: shot length, camera movement, and character movement / Peter Rist -- Curses, nightmares, and realities : cautionary pedagogy in FESPACO films and Igbo videos / Stefan Sereda -- The return of the Mercedes : from Ousmane Sembene to Kenneth Nnebue / Lindsey Green-Simms -- U.S. distribution of African film : California Newsreel's Library of African Cinema : a case study / Cornelius Moore African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinéma et de la télévision de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These "Nollywood" films, so named because many originate in southern Nigeria, a FESPACO Ouagadougou (DE-588)4382775-5 gnd rswk-swf Geschichte 1960-2005 gnd rswk-swf Geschichte gnd rswk-swf Motion pictures / Social aspects fast Video recordings industry fast Video recordings / Social aspects fast PERFORMING ARTS / Reference bisacsh Film Gesellschaft Motion pictures Social aspects Africa, West Video recordings industry Ghana Video recordings industry Nigeria Video recordings Social aspects Ghana Video recordings Social aspects Nigeria Film (DE-588)4017102-4 gnd rswk-swf Video (DE-588)4078895-7 gnd rswk-swf Subsaharisches Afrika (DE-588)4053770-5 gnd rswk-swf Nigeria (DE-588)4042300-1 gnd rswk-swf Ghana (DE-588)4020949-0 gnd rswk-swf Tansania (DE-588)4078149-5 gnd rswk-swf 1\p (DE-588)1071861417 Konferenzschrift 2007 Champaign-Urbana Ill. gnd-content Nigeria (DE-588)4042300-1 g Ghana (DE-588)4020949-0 g Tansania (DE-588)4078149-5 g Film (DE-588)4017102-4 s Video (DE-588)4078895-7 s Geschichte 1960-2005 z 2\p DE-604 Subsaharisches Afrika (DE-588)4053770-5 g 3\p DE-604 4\p DE-604 FESPACO Ouagadougou (DE-588)4382775-5 f Geschichte z 5\p DE-604 Austen, Ralph A. Sonstige oth Saul, Mahir Sonstige oth Project Muse Sonstige oth Erscheint auch als Druck-Ausgabe, Hardcover 0-8214-1930-7 Erscheint auch als Druck-Ausgabe, Paperback 0-8214-1931-5 Erscheint auch als Druck-Ausgabe, Hardcover 978-0-8214-1930-4 Erscheint auch als Druck-Ausgabe, Paperback 978-0-8214-1931-1 http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448 Aggregator Volltext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution FESPACO Ouagadougou (DE-588)4382775-5 gnd Motion pictures / Social aspects fast Video recordings industry fast Video recordings / Social aspects fast PERFORMING ARTS / Reference bisacsh Film Gesellschaft Motion pictures Social aspects Africa, West Video recordings industry Ghana Video recordings industry Nigeria Video recordings Social aspects Ghana Video recordings Social aspects Nigeria Film (DE-588)4017102-4 gnd Video (DE-588)4078895-7 gnd |
| subject_GND | (DE-588)4382775-5 (DE-588)4017102-4 (DE-588)4078895-7 (DE-588)4053770-5 (DE-588)4042300-1 (DE-588)4020949-0 (DE-588)4078149-5 (DE-588)1071861417 |
| title | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution |
| title_auth | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution |
| title_exact_search | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution |
| title_full | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution edited by Mahir Șaul and Ralph A. Austen |
| title_fullStr | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution edited by Mahir Șaul and Ralph A. Austen |
| title_full_unstemmed | Viewing African cinema in the twenty-first century art films and the Nollywood video revolution edited by Mahir Șaul and Ralph A. Austen |
| title_short | Viewing African cinema in the twenty-first century |
| title_sort | viewing african cinema in the twenty first century art films and the nollywood video revolution |
| title_sub | art films and the Nollywood video revolution |
| topic | FESPACO Ouagadougou (DE-588)4382775-5 gnd Motion pictures / Social aspects fast Video recordings industry fast Video recordings / Social aspects fast PERFORMING ARTS / Reference bisacsh Film Gesellschaft Motion pictures Social aspects Africa, West Video recordings industry Ghana Video recordings industry Nigeria Video recordings Social aspects Ghana Video recordings Social aspects Nigeria Film (DE-588)4017102-4 gnd Video (DE-588)4078895-7 gnd |
| topic_facet | FESPACO Ouagadougou Motion pictures / Social aspects Video recordings industry Video recordings / Social aspects PERFORMING ARTS / Reference Film Gesellschaft Motion pictures Social aspects Africa, West Video recordings industry Ghana Video recordings industry Nigeria Video recordings Social aspects Ghana Video recordings Social aspects Nigeria Video Subsaharisches Afrika Nigeria Ghana Tansania Konferenzschrift 2007 Champaign-Urbana Ill. |
| url | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=829448 |
| work_keys_str_mv | AT austenralpha viewingafricancinemainthetwentyfirstcenturyartfilmsandthenollywoodvideorevolution AT saulmahir viewingafricancinemainthetwentyfirstcenturyartfilmsandthenollywoodvideorevolution AT projectmuse viewingafricancinemainthetwentyfirstcenturyartfilmsandthenollywoodvideorevolution |