Unpacking Duchamp: art in transit
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Bibliographische Detailangaben
1. Verfasser: Judovitz, Dalia (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Berkeley University of California Press ©1998
Schlagworte:
Online-Zugang:FAW01
FAW02
Volltext
Beschreibung:Includes bibliographical references and index
Painting at a Dead End -- Ready-Mades: (Non) sense and (Non) art -- Reproductions: Limited Editions, Ready-Made Origins -- Art and Economics: From the Urinal to the Bank -- Rendez-vous with Marcel Duchamp: "Given" -- Postscript: Duchamp's Postmodern Returns
Perhaps no twentieth-century artist utilized puns and linguistic ambiguity with greater effect - and greater controversy - than Marcel Duchamp. Through a careful "unpacking" of his major works, Dalia Judovitz finds that Duchamp may well have the last laugh. She examines how he interpreted notions of mechanical reproduction in order to redefine the meaning and value of the art object, the artist, and artistic production. Judovitz begins with Duchamp's supposed abandonment of painting and his subsequent return to works that mimic art without being readily classifiable as such. Her book questions his paradoxical renouncing of pictorial and artistic conventions while continuing to evoke and speculatively draw upon them. She offers insightful analyses of his major works, including The Large Glass, Fountain, and Given: 1) the waterfall, 2) the illuminating gas
Beschreibung:1 Online-Ressource (x, 310 pages)
ISBN:0520213769
0520921011
0585263949
9780520213760
9780520921016
9780585263946

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